论川端康成作品中的物哀及其对于中日文化交流的意义

发布时间：2018-03-02 13:16

本文选题：物哀　切入点：川端康成　出处：《兰州大学》2012年硕士论文　论文类型：学位论文

【摘要】：日本的物哀思想由来已久,历代日本文人都或多或少受到了物哀思想的影响,由此产生了日本文学中淡淡的悲伤的独特感触。本论以书籍查阅法,首先研究物哀思想概念在日本语本身的概念与后人对其的扩展,以及物哀思想为何在日本文学界经久不衰的原因。在日本的近世,物哀的起源是紫式部所著的《源氏物语》,后代又将其物哀思想加以补充修正,从而形成了现代的日本独特的物哀思想。本论着重讨论第一位获得诺贝尔文学奖的日本作家——川端康成的作品中的物哀思想,通过川端康成的写作经历及其生平,并以川端康成的著作——《伊豆的舞女》为例,讨论川端康成在他的文学作品中,特别是在《伊豆的舞女》这个篇幅并不长的小说中是怎样表现其独特的物哀思想的。同时,在研究川端康成物哀思想的同时,本文通过川端康成的作品,不仅仅是简单的作品简析,而且深入的讨论了川端康成的作品在对于中日文化传播过程中的重要意义,通过阅读川端康成的作品,有了更深的体会。一是加深对日本语本身的理解,方便在对外文化交流中与日本学生的交流。二是川端康成作品的流传也充分证明了中日文化的不断融汇,中国借此了解日本,日本也通过作品在中国的流传更加了解中国。三是物哀思想不仅仅成为日本文学的主流,也同样影响了中国文化,中国作家在作品中也不断借鉴日本文化,从而更加加深了中日之间文化的交流。这是川端康成对于文化传播与中日文化交流做出的一个重要贡献。而本论创新的地方则在于以前人没有的角度,将川端康成的物哀思想与物哀思想的重要起源——《源氏物语》,即其作者紫式部的物哀思想进行比较,来揭示以紫式部为代表的近世物哀思想与以川端康成为代表的现代物哀思想的不同与相通之处。
[Abstract]:The thought of object mourning in Japan has a long history, and Japanese literati have been influenced more or less by the thought of object mourning, which gives rise to the unique feeling of sadness in Japanese literature. First of all, to study the concept of the concept of "object mourning" in the Japanese language itself and the expansion of it by later generations, and the reasons why the thought of "object mourning" has survived in the Japanese literary world for so long. The origin of object mourning was written by the Purple Ministry of Genji, and the later generations supplemented and revised its thought of object mourning, thus forming the unique thought of object mourning in modern Japan. This theory focuses on the thoughts and thoughts in the works of Kawabata Yasunari, the first Japanese writer to win the Nobel Prize for literature, and takes Kawabata Yasunari's writing experience and his life story as an example. This paper discusses how Kawabata Yasunari expresses his unique thoughts in his literary works, especially in the short novel the Dancing woman of Yidou. At the same time, while studying the thoughts of Kawabata Yasunari, this paper analyzes not only the simple works, but also the significance of Kawabata Yasunari's works in the process of Sino-Japanese cultural dissemination through the works of Kawabata Yasunari. By reading Kawabata Yasunari's works, he has gained a deeper understanding. One is to deepen his understanding of the Japanese language itself. To facilitate exchanges with Japanese students in foreign cultural exchanges. Second, the spread of Kawabata Yasunari's works also fully proves the continuous integration of Chinese and Japanese culture. China takes this opportunity to understand Japan. Japan has also gained a better understanding of China through the spread of its works in China. Third, the thought of material mourning has not only become the mainstream of Japanese literature, but also influenced Chinese culture, and Chinese writers have constantly used Japanese culture for reference in their works. It is an important contribution of Kawabata Yasunari to cultural communication and cultural exchange between China and Japan. And the innovation of this theory lies in the point of view that people did not have before, comparing the important origin of Kawabata Kangcheng's thought of object mourning with that of the thought of object mourning, that is, the thought of object mourning of the author's purple department. It reveals the differences and similarities between the thoughts of modern objects mourning represented by the purple ministry and the modern thoughts of object mourning represented by Kawabata Yasunari.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074;G125

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