《寄物柜婴儿》：村上龙文学中的社会危机意识

发布时间：2018-03-21 03:00

本文选题：村上龙　切入点：透明族　出处：《东北师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：二十世纪七十年代，日本经济经历了东京奥运会以来的持续，高速和稳定增长，逐步成为世界第二经济强国。正如日本经济的“奇迹”般的大幅度增长曾借鉴与利用外部因素一样，这一时期的日本文坛也出现了一批深受欧美文学，特别是美国现代文学影响的作家。以村上龙为代表的“透明族”，正是这一时期涌现出的所谓颓废文学的代表。 “透明族”的大多数作家是年轻人，由于成长环境的关系，这一批年轻人多数经历过学潮和“安保”运动，因此他们的文学也便不能不留下这一时代的印记。这些作家试图通过对现实生活的描写，尤其是关于暴力，性，毒品等标示社会危机的主题，揭露日本当时社会的危机现实，并因此形成了其独特的风格。这些作家的创作倾向，因村上龙的代表作《近乎无限透明的蓝色》，在日本当代文学史上得名“蓝色的一代”。长篇小说《寄物柜婴儿》是村上龙继处女座《近乎无限透明的蓝色》之后的又一力作，曾获得了第三届野间文艺新人奖。作品通过描写两个被遗弃在寄物柜里的婴儿的成长经历，以及长大后人格方面的扭曲并最终走向毁灭的经历，表现了当时日本社会的浮躁不安与精神危机的诸多特点。作品在表现都市的人性丧失，以及媒体的无事生非的同时，也从另一个侧面反映了日本青年在这种社会里的无助和挣扎，试图寻找出路却无能为力的现实。作品中虽有很多暴力和性的描写，但通过对两个性格迥异的婴儿的艺术描写，，赢得了批评界的一致好评。本文主要通过四个方面，解读了村上龙的这部小说的艺术个性，以及作品所反应出的主题的深刻性和独到性。第一，本人认为，村上龙的生活经历以及日本民族性格的影响，是作家看取生活，表现生活的重要元素。如果缺失了这两种东西，以便不会有《寄物柜婴儿》的艺术成就。第二，本文对作品的两位主人公阿菊与阿桥的人物性格，依据文本实际进行了艺术分析，意在通过这样的努力接近和了解作品的写作目的与艺术手法。第三，对这部小说的艺术独创与个性，既有研究成果中通常以“非主流”加以认定，本文解析了作为大师的村上龙的“非主流”艺术的内涵，从而在理论上对村上龙的创作方法做出了进一步的阐释。第四，《寄物柜婴儿》的产生和出现，并不是一种孤立的文学现象。本文通过主题意识的延续特征，把这部作品和成名作《近乎无限透明的蓝色》、以及《共生虫》等作品联系起来加以认识，从而发掘出作家认识日本社会危机的规律与特点。
[Abstract]:In 1970s, Japan's economy experienced sustained, rapid and steady growth since the Tokyo Olympics. Gradually becoming the world's second largest economic power. Just as the "miraculous" growth of the Japanese economy has drawn lessons from and utilized external factors, the Japanese literary world of this period also witnessed a group of deeply received European and American literature. The "transparent clan" represented by Murakami Dragon is the representative of the decadent literature that emerged in this period. Most of the writers of the "transparent clan" are young people, and because of their upbringing, most of these young people have experienced a school wave and a "security" movement. Therefore, their literature cannot but leave the mark of this era. These writers try to expose the crisis reality of the Japanese society by describing the real life, especially the themes of violence, sex, drugs and so on, which indicate the social crisis. These writers' creative tendencies are named "the Blue Generation" in the history of contemporary Japanese literature because of Murakami's masterpiece, Blue, which is almost infinitely transparent. The novel Baby in the locker is another piece of work by Murakami after Virgo's Blue, which is almost infinitely transparent. He was awarded the third Outdoor Art and Art Award. The work describes the growth of two babies abandoned in the locker, as well as the distortion and eventual destruction of their personality when they grow up. It shows many characteristics of the agitation and spiritual crisis in Japanese society at that time. While the works show the loss of human nature in the city, and the media is at the same time, It also reflects from another aspect the helplessness and struggle of Japanese youth in this society, and the fact that there is nothing they can do to find a way out. Although there are many descriptions of violence and sex in the works, through the artistic depiction of two babies with very different personalities, It won the acclaim of the critics. This paper interprets the artistic personality of Murakami's novel and the profundity and originality of the theme reflected in the novel. First of all, I think that the life experience of Murakami and the influence of Japanese national character are the important elements for writers to look at life and express their life. If these two kinds of things are missing, there will be no artistic achievement of "locker babies". Secondly, this paper analyzes the characters of the two protagonists, Ah Ju and Ah Qiao, according to the actual text, with a view to approaching and understanding the writing purpose and artistic techniques of the works through such efforts. Thirdly, the artistic originality and individuality of this novel are usually determined by "non-mainstream" in the existing research results. This paper analyzes the connotation of "non-mainstream" art of Murakami as a master. Thus in theory, Murakami dragon's creative method made a further explanation. The emergence and appearance of 4th, the Baby of the locker, is not an isolated literary phenomenon. This work is related to the famous works "Blue with almost infinite transparency" and "symbiotic insect", so as to discover the laws and characteristics of the writers' understanding of the Japanese social crisis.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I313.074

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