《沧浪诗话》与日本江户时代歌论

发布时间：2018-03-21 23:31

本文选题：沧浪诗话　切入点：近世　出处：《暨南学报(哲学社会科学版)》2013年05期 　论文类型：期刊论文

【摘要】：在日本近世,《沧浪诗话》不仅引起了儒者们的广泛关注,而且还在歌论中频繁地被征引援用,在歌学理论的构建过程中,更发挥着重要的作用。沧浪诗论适应了近世新的时代思潮,其"工夫须从上做下,不可从下做上"的观点为近世诗、歌论所广泛接受。其"诗者吟咏性情"、反对"以议论为诗"的主张经过仁斋、徂徕的改造,形成"道人情"和"排议论"说,并深刻影响了契冲、贺茂真渊及本居宣长的歌学理论。儒者对沧浪诗论的热衷,直接或间接地影响到歌学者对于沧浪诗论的取舍,而近世初期即已开始的儒学对歌学,汉诗论对于歌论的强势渗透,以及儒者本身具备的深厚和歌教养,他们与歌学者之间的密切交往,歌人、歌论家们的儒学教育背景,也是《沧浪诗话》对歌论产生影响的原因。
[Abstract]:In modern Japan, "Canglang Poems" has not only aroused the widespread concern of the Confucians, but also been frequently recruited and used in the theory of songs, and in the course of the construction of the theory of songs, Canglang's poetic theory adapted to the new trend of thought in modern times, and his viewpoint that "work must be done from top to bottom" is modern poetry. Song theory was widely accepted. Its proposition of "poets chanting their temperament" and opposing the idea of "taking comments as poems" was transformed by benevolence and Sorai and formed the theories of "Taoism, human feelings" and "arrangement of comments", which had a profound influence on Qi Chong. His enthusiasm for Canglang's poetry theory directly or indirectly affects the choice and choice of Canglang's poetics, while the Confucianism, which began in the early part of modern life, has a strong penetration of Song Theory, which has already begun in the early stage of modern life. The deep and harmonious cultivation of Confucianism, the close contact between them and the scholars, and the Confucian education background of the songwriters and the songwriters are also the reasons for the influence of Canglang Poems on the Song Theory.
【作者单位】：对外经济贸易大学中文学院;
【基金】：教育部人文社会科学基金青年项目《比较诗学的东亚生成》(批准号:10YJC751038)
【分类号】：I106.2;I0-03

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