解析巴依科夫《在篝火旁》的艺术特色

发布时间：2018-04-05 21:10

本文选题：中国俄罗斯侨民文学　切入点：巴依科夫　出处：《齐齐哈尔大学》2014年硕士论文

【摘要】：中国俄罗斯侨民作家尼古拉·阿波隆诺维奇·巴依科夫曾因代表作《大王》(1936)而名声大噪。其中，作家描绘了生活在中国东北山林里一只老虎传奇的一生，凭借其强烈的现实主义风格给读者留下了深刻的印象，为作家带来了无数世界性的赞誉。而《在篝火旁》(1939)发表于《大王》之后，同样以现实主义风格行文，其艺术感染力不逊于《大王》。目前国内外尚无针对该作品的论文和专著，，因此本论文拟做一尝试，解析其艺术特色。《在篝火旁》作为一部合集，其中包括33篇短文。以记述与俄罗斯侨民有关的见闻轶事为主，同时包括作家在异国他乡旅居中见到的不同文化碰撞现象等，其中涵盖了民族的、历史的、自然的、人文的诸多元素，在开阔了读者视野的同时，传递出作家的写作思想。本文研究方向在于，通过结合作品直接刻画的事件情节、塑造的人物形象,以及所运用的写作语言,来剖析蕴藏在该作品内部的思想情感，论证作品的现实主义风格，揭示作品的创作艺术特色。本文的写作结构除绪论和结论外，根据情节、形象、语言、艺术思想四个方向展开为四个主要章节，即：第一章：匠心独运的选材处理。表现为对侨民经历的奇与险，坎坷和曲折的描述；体裁上的真实性；第二章：鲜活立体的形象塑造，既有人物，也有动物。人物形象数目众多，对人性中的善恶、人生存与死亡的描写，刻画等；在少数的动物形象中，对大自然中的老虎与猎人的伙伴猎狗等形象的刻画；第三章：洗练质朴的写作语言。表现为记叙语言的洗练质朴，以及具有地域特色词句的运用等；第四章：艺术思想的探究。挖掘出作家对被迫离开故土的控诉，对残暴的苏联当权者的批判，对动荡时局下小人物艰辛生活的同情和关怀，对大自然、祖国俄罗斯深沉的爱，以及对其命运的担忧与思考等。其中，在情节、形象、语言三方面直观的体现了作品的现实性，而作品内部所蕴含的情感隐含了作品的批判性，论证了作品受到美国自然主义的影响，同时具有哈尔滨批判现实主义色彩，是带有巴依科夫特色的重要作品。
[Abstract]:Nikolai Apolonovich Baykov, a Chinese and Russian diaspora writer, was famous for his masterpiece King (1936).Among them, the writer depicts the life of a tiger legend living in Lin Li in northeast China. He has impressed the readers with his strong realism style and brought numerous worldwide accolades to the writer.Published in the Great King, his artistic appeal is no less powerful than that of the Great King.There are no papers and monographs on this work at home and abroad, so this paper intends to try to analyze its artistic features."by the campfire" is a collection of 33 essays.It mainly describes anecdotes related to the Russian diaspora, and also includes the phenomenon of different cultural collisions that writers see in their alien homes, which covers many elements of the nation, history, nature, and humanity.At the same time, it conveys the writer's writing thought.The research direction of this paper is to analyze the inner thoughts and emotions and demonstrate the realistic style of the work by combining the incident plot, the character image and the writing language.To reveal the artistic characteristics of the creation of works.In addition to the introduction and conclusion, the writing structure of this paper is divided into four main chapters according to the four directions of plot, image, language and artistic thought, namely:The first chapter: the ingenuity of the selection of materials processing.It is manifested in the strange and dangerous, bumpy and tortuous description of the diaspora's experience, the authenticity of the genre;The second chapter: vivid three-dimensional image molding, both characters and animals.The number of characters, good and evil in human nature, human existence and death description, depiction, etc., in a few animal images, the tiger in nature and hunter's partner hound image, etc.Chapter three: the simple writing language.It is manifested in the simplicity of narrative language and the use of words and sentences with regional characteristics.Chapter four: the exploration of artistic thought.To dig out the author's accusation of being forced to leave his native land, his criticism of the brutal Soviet authorities, his sympathy and concern for the hard life of the little man in the turbulent times, and his deep love for nature and for Russia, the motherland.And its fate of worry and thinking.Among them, in the plot, image, language three aspects of intuitively reflect the reality of the work, and the emotion contained in the work implied the criticism of the work, demonstrated that the work is influenced by American naturalism.At the same time, with the color of Harbin critical realism, it is an important work with Baykov characteristics.
【学位授予单位】：齐齐哈尔大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I512.074

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