三重互文语境中的意义解构——对《一个后现代主义者的谋杀》中译本的解读

发布时间：2018-04-15 23:27

本文选题：《一个后现代主义者的谋杀》 + 互文语境　；参考：《山西师大学报(社会科学版)》2013年06期

【摘要】：《一个后现代主义者的谋杀》的中译本所呈现出的三重充满矛盾性的互文语境分别以不同的方式解构着小说的意义。在图像与语言的互文语境中,一方面图像的"观看"与语言的"线性阅读"之间相互解构,另一方面图像与语言的各自言说也在彼此解构各自的意义;在理论与文学的互文语境中,小说每章开头的理论话语和人物的哲学话语,使读者不断地在感性与理性的思维间转换、在幻想与现实间穿行,从而对小说的文学意义造成解构;在现实与虚构的互文语境中,小说通过插入众多"现实痕迹"营构出"现实"语境来破坏文学的"虚构"语境,从而解构小说的虚构意义。然而,小说正是通过这一系列的"解构"来建构起后现代主义的主题,成为后现代理论的一个文学隐喻。
[Abstract]:The Chinese translation of A Postmodernist's murder presents the contradictory intertextual context which deconstructs the meaning of the novel in different ways.In the context of intertextuality between images and languages, on the one hand, the "viewing" of images and the "linear reading" of language are mutually deconstructed, on the other hand, the respective words of images and languages are also deconstructing their respective meanings;In the context of intertextuality between theory and literature, the theoretical discourse at the beginning of each chapter of the novel and the philosophical discourse of the characters make the reader constantly change between perceptual and rational thinking and between fantasy and reality, thus deconstructing the literary significance of the novel.In the context of intertextuality between reality and fiction, the fictional meaning of the novel is deconstructed by inserting many "realistic traces" into the context of "reality" to destroy the "fictional" context of literature.However, it is through this series of deconstruction that the novel constructs the theme of postmodernism and becomes a literary metaphor of postmodern theory.
【作者单位】：渤海大学文学院;
【基金】：国家社科基金资助项目(13CZW005)
【分类号】：I712.074

【共引文献】