王尔德的语言悖论和叙事悖论

发布时间：2018-04-21 05:03

本文选题：悖论 + 惊异　；参考：《上海师范大学》2012年硕士论文

【摘要】：奥斯卡?王尔德（Oscar Wilde）作为英国唯美主义的代表人物，创作了为数众多的唯美主义文学作品，对唯美主义的发展和壮大起了很大作用。本文将从悖论的角度通过词语推敲和文本细读来阐释王尔德的唯美艺术。论文分四个部分，第一部分简单介绍了唯美主义的发展历程以及王尔德在唯美主义流派中的影响。第二部分以王尔德作品著名的悖论语句为研究对象。首先通过收集王尔德各类作品中的著名悖论语言，分析后将其分为两大类：爱情婚姻类和生活哲理类。除了这两个题材上的分类外，根据王尔德一些言论中的明显悖论特征，又阐述了以下两类悖论语言：似非而是和反自我涉及。通过运用布鲁克斯的悖论理论对这些悖论语言做详细的分析和梳理，探讨其艺术功效，并指出王尔德通过悖论艺术的运用更深刻地批判了维多利亚社会的庸俗和虚伪。第三部分以王尔德小说（《道连?格雷的画像》），，戏剧（《莎乐美》）和童话（两部童话集）中的代表作为研究对象，根据国内一些学者的相关研究成果，并以自己收集的国外研究为基础，通过文本细读方法，对王尔德艺术作品中的各种悖论进行分类和深入研究，发现王尔德在这些作品中无一类外都探讨了以下几个悖论：美与丑、道德和自由、灵与肉的悖论，并且可以看得出来这些悖论之间有着明显的联系：不论悖论语言还是悖论叙述都是王尔德的唯美主义思想的外在表现。通过分析各种悖论背后的源流和根基，得出结论：所有悖论的根源就是唯美主义本身的悖论——艺术和现实的二律背反关系所导致。论文最后一部分通过分析王尔德一生的生活轨迹，结合其艺术作品中的悖论思想，对全文作一总结，旨在阐明王尔德无时无刻不在的悖论思想不仅组成其各种作品，也注定王尔德自己的人生命运，而且对唯美主义流派产生重大影响。
[Abstract]:Oscar? As a representative figure of British aestheticism, Wang Erde and Oscar Wilde created a large number of aesthetic literary works, which played a great role in the development and expansion of aestheticism. This article will explain Wang Erde's aesthetic art through word examination and text reading from the angle of paradox. The first part introduces the development of aestheticism and Wang Erde's influence in aestheticism. The second part focuses on the famous paradox sentences in Wang Erde's works. Firstly, by collecting the famous paradoxical language in Wang Erde's works, it is divided into two categories: love and marriage and philosophy of life. In addition to the classification of these two subjects, according to Wang Erde's obvious paradoxical features in some comments, the following two kinds of paradoxical language are elaborated: paradox and anti-self-involvement. By using Brooks' paradox theory, this paper makes a detailed analysis and combing of these paradoxical language, discusses its artistic efficacy, and points out that Wang Erde criticizes the vulgarity and hypocrisy of Victorian society more deeply through the application of paradoxical art. The third part is based on Wang Erde's novel ("Dorian"? Gray's Portrait. The representatives in drama (Salome) and Fairy Tales (two collections of Fairy Tales) as research objects. According to the relevant research results of some domestic scholars, and based on their own collection of foreign research, through the text reading method, Through the classification and in-depth study of various paradoxes in Wang Erde's works of art, it is found that Wang Erde has explored the following paradoxes in all these works: beauty and ugliness, morality and freedom, and the paradox of spirit and flesh. It can also be seen that there is a clear relationship between these paradoxes: both paradox language and paradox narration are the external manifestations of Wang Erde's aestheticism. By analyzing the source and foundation behind all kinds of paradoxes, it is concluded that the root of all paradoxes is the paradox of aestheticism itself, which is caused by the anti-relations between art and reality. In the last part of the thesis, by analyzing Wang Erde's life track and combining with his paradoxical thoughts in his works of art, the thesis summarizes the whole thesis, aiming to clarify that the paradox thought of Wang Erde is not only composed of his various works. Also doomed Wang Erde's own life destiny, and to the aestheticism school has the important influence.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.06

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