佐藤春夫游记中的“中国趣味”

发布时间：2018-04-23 06:39

本文选题：佐藤春夫 + “中国趣味”　；参考：《首都师范大学》2012年硕士论文

【摘要】：佐藤春夫是日本唯美派代表作家,作为诗人、翻译家的佐藤春夫并不为中国学界广泛认知。佐藤在十九世纪二十年代和中日战争期间的游记作品鲜有学者关注,其在战争期间的不当言论使其受到当时中国学界的驳斥。本文则从佐藤春夫四次大陆游记和台湾游记出发,考察佐藤春夫游记中的“中国趣味”。“中国趣味”由日本唯美派代表作家谷崎润一郎首先提出,代表了日本大正时期的时代思潮及日本社会对充满异国情调的中国的兴趣。同为唯美派代表作家的谷崎润一郎与佐藤春夫有相似的文学主张,“中国趣味”也是他们追求的基于审美共同感基础上的异国情调。本篇论文除引言、结语、附录外,正文分为三章。引言主要从历时的角度追溯佐藤春夫的家学渊源,祖父、父亲对佐藤的汉学教育潜移默化的影响着少年时期的佐藤,使其树立了作家的志向和对一水之隔的古典中国的向往。佐藤春夫高中毕业后进入庆应大学,师从永井荷风学习中国古典作品。中国古典文学伴随佐藤春夫,从少年时代学习汉学发端,到佐藤青年时游历中国达到顶峰,一直延续到佐藤春夫的生命终点。佐藤春夫正是从中国古典文学中体味到了“中国趣味”,中国古典题材作品也对佐藤春夫写作、翻译和游历地点选择产生了深远影响。论文正文从共时的角度来考察佐藤春夫的游记作品。第一章论述“中国趣味”在文学层面上的首次提出和“中国趣味”在大正时期日本社会的文化内涵。第二章则主要将着眼点放在佐藤春夫的中国之行,这也是全文的关键章节。第一、二、三节将主要论述佐藤春夫游历的南中国主要城市厦门、上海、杭州、南京等,分析佐藤春夫以日本文人的视角对中国江南的抒写；第四节将概要论述佐藤春夫战争时期中国游记及相关评论。第三章将致力于分析佐藤春夫在台湾的游历。台湾和闽南学者对佐藤春夫台湾游记作了细致的研究工作。本文将论述重点聚焦于佐藤春夫的游记小说《女诫扇绮谭》这部既寻求异国情调又批判日本帝国殖民政策的作品。小说中出现的中国古扇的意象传达出一份绵长的“中国趣味”。论文最后一节中论述佐藤春夫《日月潭游记》中山地见闻。
[Abstract]:Sato is a representative writer of Japanese aestheticism. As a poet and translator, Sato is not widely recognized by Chinese scholars. Few scholars pay attention to Sato's travels in the 1820s and the Sino-Japanese War. His improper remarks during the war have been refuted by Chinese scholars at that time. Based on Sato's fourth travels to the mainland and Taiwan's travels, this paper examines Sato's "Chinese interest" in his travels. "Chinese taste" was first proposed by Japanese aestheticism representative writer Runichiro Tanazaki. It represents the trend of thought in the era of Japan's Taisho period and the interest of Japanese society in the exotic China. Tanizaki, who is also the representative writer of aestheticism, has similar literary ideas with Sato. "Chinese taste" is also the exotic sentiment they seek based on the common sense of aesthetic appreciation. This thesis is divided into three chapters except introduction, conclusion and appendix. The introduction mainly traces Sato's family origin from a diachronic point of view, his grandfather and father's influence on Sato's Sinology education imperceptibly, and makes him set up the writer's ambition and yearning for classical China separated by water. After graduating from high school, Sato entered Keio University, where he studied Chinese classical works. Chinese classical literature accompanied by Sato Chunfu, from the beginning of learning Sinology as a teenager, to Sato's youth travel to the peak of China, has continued to the end of Sato's life. It is from the classical Chinese literature that Sato gets a taste of "Chinese interest", and Chinese classical works also have a profound influence on Sato's writing, translation and choice of tourist location. The text of the thesis examines Sato's travel works from a synchronic point of view. The first chapter discusses the first time that "Chinese taste" was put forward on the literary level and the cultural connotation of "Chinese taste" in Japanese society during Taisho period. The second chapter focuses on Sato's visit to China, which is also the key chapter. The first, second and third sections will mainly discuss Sato's main cities in southern China, such as Xiamen, Shanghai, Hangzhou, Nanjing and so on, and analyze Sato's writing on the south of the Yangtze River in the perspective of Japanese literati. The fourth section will briefly discuss Sato Chunfu War travel to China and related comments. The third chapter is devoted to analyzing Sato's trip to Taiwan. Taiwan and Minnan scholars have made detailed research on Sato's travels to Taiwan. This paper focuses on Sato's travels novel Fan Iittan, which not only seeks for exotic feelings but also criticizes the colonial policy of the Japanese Empire. The image of the ancient Chinese fan in the novel conveys a long "Chinese interest". The last section of the paper discusses Sato Chunfu, "Sun Moon Lake Travel" Zhongshan ground.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.076

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