《到灯塔去》的审美开拓与困境

发布时间：2018-04-28 09:08

本文选题：灯塔 + 结构　；参考：《西安电子科技大学学报(社会科学版)》2014年01期

【摘要】：伍尔夫《到灯塔去》以"灯塔"取代传统小说的情节,让人物围绕这一道具展开感知、流动意识,不同人物的感知相互错位、对比,从而刻画出不同心理逻辑、塑造出不同人物形象。这些相互差异的心理逻辑,又因道具的统一,而在小说主题上实现深化统一。这部小说围绕灯塔还派生出窗口等众多次要道具,使人物心理错位进一步细腻、人物情感逻辑更加饱满充分,小说主题得到深化。小说中道具同时参与表层及深层文本的建构,这种道具手法近乎完美的运用,开辟了小说形式新的可能性,极大地拓宽了现代小说的审美域度。但这种意识流文本的优势对普通读者来说,却是一种阅读挑战。普通读者难以解读出人物意识逻辑的自洽性。伍尔夫的后期创作,在传统小说手法与道具手法间摇摆,也表明了意识流文本结构的困境。
[Abstract]:Woolf "to the Lighthouse" replaces the plot of the traditional novel with "Lighthouse", so that the characters around this props to expand perception, flow consciousness, different characters' perception misplace, contrast, thus portray different psychological logic. Create different characters. These different psychological logic, because of the unity of props, and the theme of the novel to achieve further unity. Around the lighthouse, the novel also derives many minor props, such as window, which makes the psychological dislocation of the characters more delicate, the emotional logic of the characters more full and sufficient, and the theme of the novel deepened. Props are involved in the construction of both surface and deep texts. This technique is almost perfect, which opens up a new possibility of novel form and greatly broadens the aesthetic scope of modern novels. But the advantage of stream of consciousness text is a kind of reading challenge to ordinary readers. It is difficult for ordinary readers to interpret the self-consistency of the logic of character consciousness. Woolf's later creation, swinging between traditional novel and props, also shows the dilemma of stream of consciousness structure.
【作者单位】：福州大学外国语学院;
【分类号】：I561.074

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