《哈姆莱特》中国接受史研究的路径整合及其当下价值——一个复调的接受史研究论纲

发布时间：2018-05-02 04:25

本文选题：戏剧艺术 + 《哈姆莱特》　；参考：《艺术百家》2014年01期

【摘要】：莎翁悲剧巨制《哈姆莱特》是在世界上传播最广泛、影响最深远的文学艺术经典之一,自清末民初时期该剧传入我国以来,在我国文学艺术与文化史上也具有重要地位与广泛影响。作为西方文艺复兴转型时期的一部人文主义名作,该剧在我国的传播与接受的历史,既有与世界各国一样接受人类文学艺术瑰宝的共通性,也有基于我国特定文化背景与历史情境的特殊性,是研究中外文学艺术与文化交流的一个非常重要的个案。然而时至今日,国内学界虽然在"翻译史"、"批评史"、"演出史"、"教学史"的分立研究上取得了程度不同的成果,但路径互动与整合的系统性研究尚比较初步。本文尝试研讨如何改变分立研究的传统模式,对《哈姆莱特》中国接受史研究的路径整合提出基本构想,并研讨其在当下文化语境中的独特价值。
[Abstract]:Shakespeare's tragedy "Hamlet" is one of the most widely spread and far-reaching literary and artistic classics in the world. It has been introduced into China since the late Qing Dynasty and the early Republic of China. It also plays an important role in the history of Chinese literature and culture. As a famous work of humanism in the transitional period of the Western Renaissance, the dissemination and acceptance of the play in our country has the commonality of accepting the treasures of human literature and art just like all other countries in the world. It is also a very important case for the study of Chinese and foreign literature, art and cultural exchange, because of the particularity of the specific cultural background and historical situation of our country. However, although the scholars in China have made different achievements in the research of translation history, critical history, performance history and teaching history, the systematic study of path interaction and integration is still preliminary. This paper attempts to study how to change the traditional mode of discrete research, to put forward a basic conception of the path integration of the study of the Chinese reception history of Hamlet, and to discuss its unique value in the present cultural context.
【作者单位】：南京大学外国语学院;南京大学人文社会科学高级研究院;
【基金】：2009年度江苏省社会科学基金项目“《哈姆雷特》中国接受史研究”(项目编号:09WWB006)阶段性成果之一
【分类号】：I561.073

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