福克纳与《新奥尔良速写集》

发布时间：2018-05-02 13:21

本文选题：威廉·福克纳 + 《新奥尔良速写集》　；参考：《南京大学》2014年硕士论文

【摘要】：本文的研究对象是威廉福克纳最早的创作尝试集——《新奥尔良速写集》。1925年,福克纳前往新奥尔良,先后在《两面派》发表了一组以“新奥尔良”为题的人物速写,以及在《时代琐闻》发表了16篇速写故事。国内研究者将研究重心放在福克纳的约克纳帕塔法世系作品上,但就他的整个创作生涯而言,这本速写集是无法绕过的一环。福克纳以新奥尔良的日常生活场景为背景,关注于人的内心与灵魂,有体系地构建起了一个文学的新奥尔良世界。从新奥尔良世界到约克纳帕塔法,《新奥尔良速写集》从多方面成为福克纳的“采石场”,为他后期的创作积累了主题、人物、情节上的素材。这些速写作品是福克纳从“失败的诗人”成长为小说大师的转折点；从诗歌到速写,福克纳将目光从自我转移到现实,诗人的声音让位给了小说家的声音；从速写到小说大师,《新奥尔良速写集》中已经初步凸显“福克纳元素”,而日后这些写作技巧将大放光彩。速写是英美文学史上一种边缘性的题材,将《新奥尔良速写集》置于文学史中进行观照,福克纳在他的速写集中添加进丰富的想象,进行艺术加工,将对所见所闻的记录升华为对于人类内心与灵魂的关注,开拓了速写的文学空间。同时,福克纳做了诸多文学尝试以超越速写的界限,表现出了向小说过渡的倾向。本文分为三章：第一章,对《新奥尔良速写集》进行文本分析,探讨其主题、文学特征、结构特征,以及新奥尔良时期福克纳在文学创作上所受到的影响。第二章,将《新奥尔良速写集》与约克纳帕塔法世系进行比较分析,分析两者之间的关系,研究福克纳的创作从新奥尔良走向南方世界的转折与成长。第三章,从速写的体裁特征出发,以狄更斯的《博兹特写集》与欧文的《见闻札记》为参照,与《新奥尔良速写集》进行比较分析。
[Abstract]:In 1925, Faulkner went to New Orleans and published a group of sketches with the title New Orleans. And published 16 sketches in Times. Domestic researchers have focused their research on Faulkner's Yoknapatafa lineage, but for his entire career, this sketch collection is an inescapable one. Faulkner takes the daily life scene of New Orleans as the background, pays attention to the human heart and soul, and systematically constructs a literary world of New Orleans. From the world of New Orleans to Yoknapatafa, New Orleans sketches became Faulkner's quarry in many ways, accumulating themes, characters, and plot material for his later creation. These sketches are a turning point for Faulkner to grow from a failed poet to a master of fiction, and from poetry to sketch, Faulkner shifts his eyes from self to reality, and the poet's voice gives way to the novelist's voice. The Faulkner element has been initially highlighted in New Orleans sketches from sketches to fictional masters, and these writing techniques will shine in the future. Sketching is a marginal theme in the history of British and American literature. It puts New Orleans sketches in the history of literature for reflection. Faulkner adds rich imagination to his sketches for artistic processing. The record of seeing and hearing is sublimated to the attention of human heart and soul, and the literary space of sketch is opened up. At the same time, Faulkner made a lot of literary attempts to transcend the boundary of sketch, showing the tendency of transition to fiction. This paper is divided into three chapters: the first chapter makes a textual analysis of New Orleans sketches, discusses its theme, literary characteristics, structural characteristics and the influence of Faulkner's literary creation during the New Orleans period. In the second chapter, the author analyzes the relationship between New Orleans sketches and Yoknapatafa lineages, and studies the transition and growth of Faulkner's creation from New Orleans to the South. The third chapter, based on the genre features of sketches, makes a comparative analysis of Dickens's "Boz close-up" and Irving's "Notes on seeing and hearing" and New Orleans sketches.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I712.06

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