《女勇士》互文叙事中的身份寻求

发布时间：2018-05-13 20:52

本文选题：《女勇士》 + 互文叙事　；参考：《四川师范大学》2012年硕士论文

【摘要】：《女勇士》是美国华裔女作家汤亭亭的经典著作。自出版以来就以其独特的中国文化元素和女性视角引起了国内外广大读者与评论界的关注。对于小说中出现的神话、传说、历史人物和其他文本一直以来都有激烈的争论。本文从互文性角度出发,通过分析小说中所用的戏仿、拼贴和典故等互文叙事手法,来探索作家如何在其互文叙事中展现女主人公寻求自我身份的过程。本文第一章首先对互文性理论及主要互文叙事手法戏仿、拼贴、典故等给予了简要介绍,为第二、三、四章运用互文批评方法进行文本分析奠定理论基础。本文第二章具体分析了作家在“无名女子”一章中运用戏仿的互文叙事手法,展现女主人公自我身份意识觉醒的过程。第三章分析了作家在“白虎山学道”一章中通过运用拼贴的互文叙事手法,将花木兰塑造成为女主人公少女时期想象中的寻求自我身份的模范。笔者认为作家借助文本拼贴的手法,赋予了花木兰这一典型的中国传统女性形象挣脱传统性别和文化束缚的强大力量,表达了女主人公渴望挣脱现实社会中的传统束缚,寻找自身文化身份和性别身份的超现实理想。本文第四章分析作家所使用的典故这一互文叙事手法,首先分析作家借“鬼”的典故揭示出华裔女性受到的来自父权制和美国白人文化的双重压迫,展现了女主人公及其母亲两代华裔女性反抗压迫,寻求自我身份的过程,然后分析了作家借中国古代女诗人蔡琰的典故,暗示女主人公可以和蔡琰一样通过融入异域文化和进行跨文化女性写作,寻求性别身份和文化身份,同时也表达了作家自己希望通过跨文化女性写作寻求自身身份的愿望。最后本文得出这样的结论：《女勇士》试图通过使用戏仿、拼贴和典故的互文叙事手法来展现美国华裔女性在父权压迫和东西方两种文化中追寻自我身份认同的独特经历。
[Abstract]:Female Warrior is the classic work of Kingston Hong Kingston, a Chinese American woman writer. Since its publication, its unique Chinese cultural elements and female perspective have attracted the attention of readers and critics at home and abroad. Myths, legends, historical figures and other texts have long been the subject of heated debate. From the angle of intertextuality, this paper analyzes the intertextual narrative techniques used in novels, such as parody, collage and allusions, in order to explore how the writer presents the process of heroine seeking self-identity in his intertextuality narration. The first chapter gives a brief introduction to the intertextuality theory and the main narrative techniques of intertextuality parody collage and allusions so as to lay a theoretical foundation for the second third and fourth chapters to analyze the text by means of intertextuality criticism. In the second chapter, the author uses the parody intertextuality narrative technique to show the process of the heroine's self-identity consciousness awakening. The third chapter analyzes the writer's use of collage of intertextual narration in "White Tiger Mountain Learning Road" to portray Hua Mulan as a model of seeking self-identity in the heroine's teenage days. The author believes that the writer, with the help of collage, gives Hua Mulan, a typical Chinese traditional female image, a powerful force to break away from the shackles of traditional gender and culture, and expresses the heroine's desire to break free from the traditional shackles in the real society. The surreal ideal of seeking one's own cultural identity and gender identity. In the fourth chapter, the author analyzes the intertextuality narrative technique used by the writer. Firstly, the author reveals the double oppression of Chinese women from patriarchy and white American culture by the allusion of "Ghost". It shows the process of the heroine and her mother Chinese women fighting against oppression and seeking self-identity, and then analyzes the author's allusion to the ancient Chinese poet Cai Yan. It suggests that the heroine can seek gender identity and cultural identity through integration into foreign culture and cross-cultural female writing just like Cai Yan. At the same time, it also expresses the writer's wish to seek her identity through cross-cultural female writing. Finally, this paper draws such a conclusion: "female Warriors" attempts to reveal the unique experience of Chinese American women in seeking their identity in patriarchal oppression and in the two cultures of East and West through the use of parody, collage and allusions.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I712.074

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