许兰雪轩诗文学的女性意识研究

发布时间：2018-05-14 03:21

本文选题：许兰雪轩 + 汉诗　；参考：《延边大学》2012年硕士论文

【摘要】：本论文为研究许兰雪轩诗文学的女性意识,在归纳和总结前人研究成果的基础上,运用人物传奇,女性意识等研究方法,以许兰雪轩诗文学作为研究对象,考察了她的主管自我意识、对社会的背叛意识、女性为中心的性意识、对女性问题的自觉意识,并再次评价了许兰雪轩。女权主义者的研究主题就是女性的生活世界,他们以女性的自我理解为课题或终归目的。这说明了女性研究的直接目的,那就是女性多方面的自我实现。许兰雪轩生活的年代是朝鲜中期即17世纪中叶。那是以儒家传统和家族文化密切结合,发展了以“礼治”为特点的父系家长制家族文化的时代。这种儒家家族文化用“三从之道”与“七去之恶”等儒家规范把女性隶属与男性,实行彻底的“男女有别”。那时代婚姻中角色冲突,生育,蓄妾,禁止再婚等为题更加强化了对女性的社会约束。不管如何禁止和约束,人的欲望是阻挡不了的。她以消除恨,超越恨得方法,借助“游仙”等想象和回忆世界,解脱了种种束缚,找到了进行自我疗养的精神家园。许兰雪轩的自我意识幼年时就能看出。她具有很好的文学天赋,并拜三唐诗人李达为师学习诗词。在8岁时就发表了“广寒殿白玉楼上楔文” 此诗赋有女性特有的细腻的感觉和先天性的丰富性格,因此能够感受到许兰雪轩的活泼的性情。在那个年代,作为父母不教女儿识字是一种爱,也是一种美德,但是兰雪轩学习字了。因此她的自我意识开始发芽,她堂堂正正地使用着自己起的姓名,获得作为人类的存在感。她将高尚的“兰”比做自己,作品“感遇”中将“兰”像自己的分身一样对待。这很明显地内含着兰雪轩的主体性自我意识。许兰雪轩虽然具有很高的天赋,但是生活命运却十分坎坷。1577年与五代文科科举的安东金氏家族的金诚立结婚,但夫妻并不恩爱,生了两个孩子也都幼年病死。更为雪上加霜的是在娘家发生了狱死,连弟弟均都放逐乡里等悲剧的连续发生,也使兰雪轩在27岁时便与世长辞。她结婚后,为了安抚现实的痛苦和娘家带来的苦恼,她以细致的文笔抒发了女性特有的感伤,以哀伤的诗风创造了独特的诗世界。飞往仙境的作品和通过这种飞翔的阶段,飞入有限境界的作品中,兰雪轩梦想着把现实中的矛盾向神仙跳跃。摆脱把女性他者化的压抑的现实中,在神仙世界中试图寻找真正的自己。进一步通过自己成为神仙的摸样,在超越现实的空间更加明确了自我意识,并可以发现扩张到攻击性领域。称为一种预言诗的“萝怞广桑山诗”是所有写作的神仙诗中最有名的一首。在诗中,超越非人类的现实,展现关注神仙世界的兰雪轩的主体性和积极性的形象。她生活在充满不安和混乱的时代。在那个时期,兰雪轩写战争的诗可以说非常优秀,具有现实性,并且非常明确地提示对战争的批判意识。还有独守空房的悲痛用四季诗来歌颂,超越在那个时代要求女性应有的被动的性意识,渴望相互交流感受的平等性生活。她超越在性领域中女性应当拥有的被动和消极意识的束缚,体现着女性主体意识。兰雪轩在“贫女吟”等诗中歌颂了数千女性对人生的归属感和怜悯。她与时代的不合理做斗争,用作诗的方法积极地支持一个寡妇主动追求爱情开拓新的人生。在朝鲜时代彻底遵守“内外法”。兰雪轩认识到这种“内外法”的问题点,对被关在家里的自己的人生感到无比的痛苦,并不断渴望自由。因此体现了女性自觉意识。她的作品并不仅仅停留在抒发对现实的愤怒和苦恼,而是以救援和超越的精神向往着自己的彼岸。她不屈服悲剧的现实,坚韧地与虚无做斗争,坚持女性生活的真实面目,克服了命运带来的悲剧,超越了个人的情恨和社会结构的矛盾。因此,此研究再次评价了在暗淡的封建时代许兰雪轩是追求女性自我意识的女权主义者。
[Abstract]:In order to study the feminine consciousness of Xu Xue Xuan's poetry literature, on the basis of summing up and summarizing the achievements of previous studies, using the research methods of character legend and female consciousness, this paper takes Xu Lan Xue Xuan's poetry literature as the research object, and inspects her supervisor's self consciousness, the social rebellion consciousness, the female centered sexual consciousness, and the female problem. Conscious consciousness, and once again appraise Xu Lan Xue Xuan.
The theme of feminist research is the life world of women. They take women's self understanding as the subject or final purpose. This shows the direct purpose of women's research, which is the self realization of women in many aspects.
The age of Xu LAN Xuan's life was the middle of the middle of the seventeenth Century, the middle of the seventeenth Century. It developed the era of patriarchal patriarchal family culture, characterized by the Confucian tradition and family culture, and the Confucian family culture used the Confucian norms such as "three from the road" and "seven evil" to carry out the female subordinate and the male. In the era of marriage, conflict of roles, fertility, concubinage and prohibition of remarriage have intensified the social constraints on women.
No matter how to prohibit and restrict, people's desire can not be blocked. She relieves hate, surpasses hate method, imagines and recalls the world with the help of "immortals" and finds out the spiritual home of self recuperation.
Xu Lanxuexuan's self - consciousness could be seen in her childhood. She had a good literary talent and learned poems by the three Tang poet Li Da as a teacher. At the age of 8 she published "the wedge of the white jade floor of the Guang Han Dian".
The poem has a feminine and innate character, so it can feel the lively temperament of Xu Lanxuexuan. In that time, it was a kind of love and a virtue as a parent to not teach her to read her daughter. But Lan Xue Hin learned the word. So her self consciousness began to germinate and she used herself perfectly. The name, obtained as a sense of human existence, compared her noble "blue" to herself, and "Lan" was treated like his own body in the "feeling" of the work. It was clearly contained in Lan Xuexuan's subjective self consciousness.
Although Xu Lanxuexuan has a very high talent, but the fate of life is very rough.1577 years and the five generations of the literary imperial examination of the Anton Jincheng family of Jincheng, but the husband and wife are not in love, the birth of the two children are also young. When she was 27, she died at the age of 27. After she married, in order to soothe the pain of reality and the distress of her maiden family, she expressed her special sentiments by meticulous writing and created a unique poetic world with a mournful poetic style.
In the works of flying fairyland and through the stage of flying to the limited realm, Lan Xue has dreamed of leaping the contradictions in reality to the immortals, trying to find the true self in the immortal world. It is more clear about self consciousness and can be found in the field of aggression.
The poem, called a prophecy poem, is the most famous one of all the immortal poems of the writing. In the poem, it transcends the reality of non human beings and displays the image of the subjectivity and enthusiasm of Lan Xuexuan concerned with the world of immortals.
She lived in a time of unrest and confusion. At that time, the poems written by Lan Xue porch could be said to be very excellent, realistic, and very clear about the critical consciousness of the war. The equal life of influenza. She transcends the restraint of passive and negative consciousness that women should possess in the sexual field, and embodies the female subjective consciousness.
Lan Xuexuan praises thousands of women's sense of belonging and pity on life in the poetry of the "poor girl". She struggles with the unreasonable times and actively supports a widow's initiative to pursue a new life in the pursuit of love. In the Korean era, the "internal and external law" is completely observed. To feel the anguish of being confined at home and to yearn for freedom constantly reflects the female consciousness.
Her work is not only to express the anger and distress of the reality, but to yearn for the other side of her own with the spirit of relief and transcendence. She does not yield to the reality of tragedy, struggles with nihility, persists in the true face of women's life, overcomes the tragedies brought by fate, and transcends the contradiction between personal hatred and social structure. This study reappraise that in the gloomy feudal era, Xu Lan Xue Xuan was a feminist who pursued women's self-consciousness.

【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I312.507.4

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