尼娜的自我追寻—拉康主体理论视角下的《奇异的插曲》

发布时间：2018-05-19 21:09

本文选题：《奇异的插曲》 + 主体理论　；参考：《郑州大学》2012年硕士论文

【摘要】：本论文运用法国心理分析学家雅克·拉康关于主体建构的理论探讨美国著名的剧作家尤金·奥尼尔的戏剧《奇异的插曲》的自我追寻主题。本论文除引言和结尾外共分三章。引言部分简要介绍作者尤金·奥尼尔的生平,出生于戏剧之家,痛苦复杂的生活经历和内心的挣扎为他的戏剧创作提供了丰富的材料,介绍了戏剧《奇异的插曲》的故事梗概,综述了相关的评论并且说明了本文要探讨的问题。第一章“拉康的主体理论”,详细阐释了拉康的三界说理论,即现实界,想象界和象征界,并且说明了自我与小他者,主体与大他者的被建构和建构关系。自我之外的人、事物对主体具有能动的构成作用。主体的构成是建立在与他者的关系的基础之上的。没有他者的介入,自己就不能成为自己。第二章“尼娜主体的破碎”,分析了尼娜从完整的被建构的主体到破碎的主体的过程。未婚夫戈登在战场上牺牲之前,尼娜借助于他者—父亲和戈登已经完成了对理想自我的想象,并且大他者—清教思想建构了尼娜的主体。戈登的忽然逝去和父亲自私品质的暴露,使镜中的完美之像破碎了,没有了自我赖以生存的他者,尼娜失去了自我。同时,她否认了父亲所带给她的价值体系。这些他者的消失或被否定,打碎了尼娜建构的主体,使尼娜回到了主体建构的镜像阶段,没有完成自我形象的想象,也没有确立稳定的主体地位。尼娜走上了苦苦追寻自我之路。第三章“尼娜的自我追寻”主要见证了尼娜的自我追寻之路。家庭成员、社会成员、社会的意识形态深刻的影响着自我。为了惩罚自己的自私,尼娜把自已奉献给了医院里的伤兵,想以此来寻到理想的自我,有奉献精神的自我。可是却猛然发现那不是奉献是自残。之后,尼娜想要借助丈夫来寻回理想自我,可依然是失败的命运,并且暴露出其丈夫山姆所代表的物质主义无法帮助其重新找回信仰,建构主体。在情人达雷尔那里追寻自我的历程是艰辛的,但是依然没有结果。达雷尔所代表的科学主义也无法成为战后美国人的新信仰。最后尼娜的追寻之路止于马斯登,新清教的代表人物。论文的结论指出《奇异的插曲》展示了尼娜的自我追寻。每个生命个体是人类历史长河中一段奇异的插曲,每个人生命中的他者构成了个人主体生命中一段段奇异的插曲。女主人公尼娜对自我和主体的追寻和被建构的过程生动的展现了一战后人们的生存状态和本质。尼娜正是一战后遭受心灵创伤的美国人的缩影。美国一战后,人们面临着信仰危机。而战后出现的物质主义,科学主义和改良后的清教主义是否能成为人们新的信仰来指导人生成了一个引人注目的问题。尼娜苦苦的建立主体的过程亦即追寻新信仰的过程。
[Abstract]:This paper explores the theme of self-pursuit in Eugene O'Neill 's novel "Strange interlude" by the French psychoanalyst Jacques Lacan on the subject construction theory of the famous American playwright Eugene O'Neill. This thesis is divided into three chapters except the introduction and the end. The introduction briefly introduces the author Eugene O'Neill 's life, born in the drama home. The painful and complicated life experience and inner struggle provide rich materials for his drama creation, and introduce the synopsis of the drama "strange interlude". This paper summarizes the relevant comments and explains the problems to be discussed in this paper. Chapter one, "the subject Theory of Lacan", explains in detail Lacan's three theories, namely, reality, imagination and symbolism, and explains the relationship between self and other, subject and other. Outside the self, things have a dynamic component to the subject. The composition of the subject is based on the relationship with the other. Without the intervention of the other, you cannot be yourself. The second chapter, "the fragmentation of Nina subject", analyzes the process of Nina from a complete subject to a broken subject. Before the fianc 茅 Gordon died on the battlefield, Nina had completed his imagination of the ideal self with the help of the other-Father and Gordon, and the Great other-Puritan thought constructed the main body of Nina. Gordon's sudden death and the exposure of his father's selfishness shatter the perfect image in the mirror and Nina loses himself without the other on which he lives. At the same time, she denied the value system her father had given her. The disappearance or negation of these other people broke the subject of Nina construction, and made Nina return to the mirror stage of subject construction, without completing the imagination of self-image and establishing a stable subject status. Nina is on the path of searching for himself. Chapter three, "Nina's self-pursuit", mainly witnesses the path of Nina's self-pursuit. Family members, social ideology has a profound impact on the self. In order to punish his selfishness, Nina dedicated himself to the wounded in the hospital, in order to find the ideal self, a dedicated self. But suddenly found that it is not dedication but self-harm. Later, Nina tried to find his ideal self with her husband, but still failed, and exposed that her husband Sam's materialism could not help him to regain his faith and construct his subject. The quest for self with lover Darrell is hard, but it is still fruitless. Nor can the scientism represented by Darrell become a new belief in postwar Americans. Finally, Nina's pursuit ended in Marsden, the representative of the New Puritans. The conclusion of this paper is that the strange episode shows Nina's self-pursuit. Each individual is a strange episode in the long history of mankind, and the other in each person's life constitutes a strange episode in the life of individual subject. The heroine Nina's pursuit and construction of self and subject vividly shows the living state and essence of people after World War I. Nina is the epitome of the traumatized Americans after the first World War. After World War I, people faced a crisis of faith. Whether post-war materialism, scientism and improved Puritanism can become new beliefs to guide life has become a compelling question. Nina's painstaking process of building a subject is a process of pursuing new beliefs.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I712.073

【相似文献】