《流放与王国》中加缪的精神世界

发布时间：2018-05-30 04:18

本文选题：地中海情结 + 宗教情结　；参考：《东北师范大学》2012年硕士论文

【摘要】：阿尔贝·加缪于1957年成为诺贝尔文学奖的得主，成为了法国有史以来最年轻的获奖者，深深地影响了战后的一代人，是二十世纪西方最重要、最有影响力的作家之一。时至今日，仍然有越来越多的学者致力于加缪研究，但是这些研究成果主要集中在他的前期作品，而后期作品的研究则相对较少，所以本文着眼于加缪的后期代表作《流放与王国》，这部短篇小说集虽然字数不多，但是却是加缪中年思想转型期的一种精神投射，本文的重点就在于通过剖析《流放与王国》这部作品来说明加缪中年时期的精神世界。本篇论文共分为三大部分：第一部分提出了加缪的地中海情结，并着重分析了地中海情结是如何产生的，中年时期的加缪对大自然、对内心的祖国阿尔及利亚产生了一种执拗而又强烈的爱，而这种爱又无处宣泄，所以形成了一种解不开的地中海情结。加缪是古希腊思想的重要继承人，他继承了希腊精神中的适度思想与回归自然，他所形成的地中海情结的精神内核就是适度与爱。第二部分论述了加缪的宗教情结，加缪虽然不是一位基督徒，但是他却是一个望教者，他一直在关注着一个他所弃绝的宗教。接下来，在回归文本的过程中，笔者较为细致地分析了《流放与王国》中出现的宗教意象以及小说中人物鲜明的宗教色彩。最后指出，加缪作为一个人道主义者并非完全没有信仰，他内心的真正信仰是人间之爱。第三部分是围绕着限度反抗而展开的，这是加缪在面对暴力、面对荒诞时寻求的解决之道，同时也是加缪寻求的一种精神上的平衡点。加缪的限度反抗即使在二十一世纪的今天也同样为我们指明了前行的方向，是加缪精神世界的重要组成部分。在此笔者从以下三个方面来论述了限度反抗：限度反抗的原因、反抗暴力和对荒诞的反思。
[Abstract]:Albert Camus became the laureate of the Nobel Prize for Literature in 1957 and the youngest winner in French history. It deeply influenced the postwar generation and was one of the most important and influential writers in the West in the 20th century. Today, there are still more and more scholars devoted to Camus research, but these researches mainly focus on his earlier works, but the later works are relatively few. So this article focuses on Camus' late masterpiece exile and Kingdom, a collection of short stories, although not many words, but it is a kind of spiritual projection in Camus' middle age. The focus of this paper is to illustrate Camus' spiritual world in middle age by analyzing exile and kingdom. This thesis is divided into three parts: The first part puts forward Camus' Mediterranean complex, and emphatically analyzes how the Mediterranean complex came into being. Camus in middle age developed a stubborn and strong love for nature and for his inner country, Algeria. And this love has no place to vent, so formed an inextricable Mediterranean complex. Camus is the important successor of ancient Greek thought. He inherited the moderate thought and returned to nature in the Greek spirit. The spiritual core of his Mediterranean complex is moderation and love. The second part discusses Camus' religious complex. Although Camus is not a Christian, he is a believer. Then, in the process of returning to the text, the author makes a detailed analysis of the religious images in exile and Kingdom and the vivid religious color of the characters in the novel. Finally, as a humanist, Camus is not completely without faith, his true faith is human love. The third part revolts around the limit resistance, which is the solution that Camus seeks in the face of violence and absurdity, and also the spiritual balance that Camus seeks. Camus' limited resistance, even today in the 21 century, shows us the way forward and is an important part of Camus' spiritual world. The author discusses the limitation resistance from the following three aspects: the cause of the limit resistance, the resistance to violence and the reflection on absurdity.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I565.074

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