东亚贵族时代的曲水宴与曲水文学

发布时间：2018-06-02 13:45

本文选题：曲水文化 + 贵族时代　；参考：《学术月刊》2013年03期

【摘要】：上巳祓禊是中国先秦以来的习俗,在汉魏六朝时期形成独特的曲水文化。曲水文化在自身的形成过程中构成了三种不同层面:民众嘉年华、贵族士人雅集和宫廷宴会。而曲水文学也随着时代、地域以及表现层面的不同而发生变异,演化为汉代禊赋、两晋哲理诗、南朝宫廷诗及序三个主要范畴。曲水之宴在公元5世纪通过王朝使节的中介传入日本,其接受形态完全在宫廷文化层面,与其他两个层面无涉;但公元7世纪开始出现的日本曲水文学则未能继承南朝宫廷曲水文学的传统,而是因应本国文化阶段和特色,产生了新的面貌。公元5—7世纪的中日曲水文化,显示出异文化传递中富于意味的嫁接过程,是东亚贵族时代的一个标志性现象。
[Abstract]:Fuxi is a custom in China since the pre-Qin Dynasty, forming a unique Qushui culture during the Han, Wei and six dynasties. Qushui culture formed three different levels in its own formation: popular carnival, aristocratic elegant collection and court banquet. Qushui literature also changed with the times, regions and performance levels, and evolved into three main categories: the Han Dynasty Fu, the philosophy of the Jin Dynasty, the Southern Dynasty palace poetry and its preface. Qushui banquet was introduced into Japan in the 5th century through the intermediary of the emissaries of the dynasty. Its reception form was completely in the court culture level and had nothing to do with the other two levels. However, the Japanese Qushui literature, which appeared in the 7th century AD, failed to inherit the tradition of the court qu literature in the Southern Dynasty, but took on a new look according to the stage and characteristics of its own culture. The Sino-Japanese Qushui culture in the 5-7 th century AD showed a meaningful grafting process in the transfer of different cultures, which was an iconic phenomenon in the aristocratic era of East Asia.
【作者单位】：浙江大学中文系;
【基金】：2012年度教育部人文社会科学研究青年基金项目(12YJC751050) 第51批中国博士后科学基金面上资助的“南朝贵族文学生态研究”(2012M511347)的阶段性成果
【分类号】：I31

【参考文献】