论布莱克史诗《弥尔顿》宇宙时空探索

发布时间：2018-06-23 22:07

本文选题：《弥尔顿》 + 威廉·布莱克　；参考：《上海外国语大学》2014年硕士论文

【摘要】：《弥尔顿》是英国大诗人布莱克的晚期诗作。长诗关注宇宙时空,人类世界起源,永恒界与有限界的关联,是文学想象探索宇宙奥秘的一次大胆尝试。史诗讲述了主人公弥尔顿从“永恒界”下界到“时空海”,与撒旦正面对决,通过销毁人性中“自我”的部分结束与撒旦的恩怨；同时,弥尔顿下界纠正自己生前犯下的错误,最终与另一半奥乐林Ololon和解、合为一体。弥尔顿下界救赎之旅长达“一瞬”(one moment),游历多地,分身、合体数回,以独特的方式展现了人类世界起止,多态时空形式,以及多层次时空体构建的宇宙。叙述者布莱克全程参与并记述了弥尔顿时空之旅,道出天机,即时空结构,以及下界生灵的神性本源。本文专于文本细读,留心诗人对宇宙模式的重构与叙述,专注文本时间表述,空间表述,涡旋(Vortex)意象表述,涡旋连通“时空海”与“永恒界”的功能阐释,最终解读该史诗的宇宙图景,人类世界在宇宙中的地位与命运,有限生灵如何重返永恒,获得神性,达到天人合一境界。第一章简要介绍作者创造史诗《弥尔顿》之前的宇宙研究背景,以及从时空角度切入研究该史诗的文献综述,并提出本文的研究思路第二章描述史诗中对“永恒”及“一瞬”两种空间形式的表达,指出诗歌表述的叙事技巧及合理性。第三章着眼主人公弥尔顿的空间游行线路,归纳史诗的三大空间层次,即永恒界、时空海、及隐指的人类世界,重点研究时空海,查看弥尔顿的生存状态。第四章时空结合,从宏观、微观角度分析三大时空体,“涡旋”在各种时空体下的状态,展现“有限界”生灵远离神性的演进过程。第五章侧重分析新宇宙的意义,证明宇宙神性而非机械性,有限界生灵的神性本源,以及叙述者极力推崇有限个体回归永恒神域,达到天人合一境界。最后一章总结全文要点,重述末日前有限个体融入神性宇宙的紧迫性。
[Abstract]:Milton is the late poem of the great English poet Blake. It is a bold attempt for literary imagination to explore the mysteries of the universe by paying attention to the space and time of the universe, the origin of the human world, and the connection between the eternal and the finite. The epic tells the protagonist Milton from the bottom of the Eternal to the Sea of time and Space, facing Satan head-on, ending his enmity with Satan by destroying the part of humanity's "self". At the same time, Milton's lower realm corrects the mistakes he made before his death. Eventually reconciled with the other half, Ololon, as one. Milton's journey to the lower boundary of redemption is a "flash" of (one moment), traveling many times, separate, fit a number of times, in a unique way to show the human world, polymorphic space-time form, and multi-level space-time body structure of the universe. Narrator Blake took part in and described Milton's journey of time and space all the time, describing the structure of space and time, and the divinity origin of the lower world. This paper is devoted to the detailed reading of the text, paying attention to the poet's reconstruction and narration of the cosmic model, focusing on the functional interpretation of the text's time, space, Vortex image, and the vortex's connection to the "Sea of time and Space" and "Eternity". Finally, it interprets the cosmic picture of the epic, the status and destiny of the human world in the universe, and how the limited life returns to eternity, obtains the divinity, and reaches the realm of the unity of nature and man. In the first chapter, the author briefly introduces the background of cosmic research before the creation of the epic Milton, and the literature review of the epic from the perspective of time and space. The second chapter describes the expression of "eternity" and "one moment" in the epic, and points out the narrative skills and rationality of poetry expression. The third chapter focuses on Milton's space parade line, and concludes the three dimensions of epic space, namely, the eternal realm, the space-time sea, and the hidden human world, focusing on the study of the space-time sea and the living state of Milton. The fourth chapter is to analyze the state of the three space-time bodies from the macroscopic and microscopic perspectives, and to show the evolution of the "finite world" living beings away from the divinity. The fifth chapter focuses on the analysis of the significance of the new universe, proving the divinity of the universe rather than the mechanical nature, the source of the divinity of the finite life, and the narrator advocating the return of limited individuals to the eternal realm of God to achieve the realm of unity of nature and man. The last chapter summarizes the main points of the paper and restates the urgency of the integration of finite individuals into the divine universe before the apocalypse.
【学位授予单位】：上海外国语大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I561.072

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