《骑马下海的人》对象征主义戏剧的继承创新与影响

发布时间：2018-06-24 03:31

本文选题：约翰·辛格 + 《骑马下海的人》　；参考：《山西师范大学》2012年硕士论文

【摘要】：约翰·辛格《骑马下海的人》是一部象征主义悲剧力作，不仅是象征主义戏剧中的一朵奇葩，也是爱尔兰文学中一件瑰宝。对于这位爱尔兰剧作家的研究国内也是零零星星，但进入21世纪以来他的戏剧又重新走上中国舞台，引起人们对他的再度关注。论文主要从象征主义角度对他的独幕剧《骑马下海的人》进行研究，从追溯渊源、文本解读和影响三方面诠释文本，力图通过文本解读发掘辛格在象征主义戏剧中的地位与意义。论文分绪论、正文、结语三部分，，共四章来阐释《骑马下海的人》对象征主义戏剧的继承、创新与影响。绪论主要写国内有关辛格作品的译介、舞台演出以及作家作品的研究现状以及选题意义。正文分两个部分：第一部分主要从两方面探讨《骑马下海的人》对象征主义戏剧的继承与创新，包括象征渊源和象征表现。第二部分主要阐述作家作品独立的象征特征，象征-现实主义的完美结合对象征主义戏剧产生深远影响和重要地位，并成为爱尔兰文学史上一抹重彩。结语再次重申辛格象征主义手法运用在戏剧史上的意义和论文主要特色，望给后人研究可以提供可借鉴的资料。
[Abstract]:John Singh is a tragic work of symbolism, not only a wonderful flower in symbolism drama, but also a treasure in Irish literature. The study of the Irish playwright has been scattered in China, but since the beginning of the 21st century, his drama has come back to the Chinese stage, drawing people's attention to him again. The thesis mainly studies his one-act drama "the Man who rides under the Sea" from the perspective of symbolism, and interprets the text from three aspects: tracing back to the source, interpreting the text and influencing it. This paper tries to explore Singh's position and significance in symbolism drama through text interpretation. The thesis is divided into three parts: introduction, text and conclusion. It is composed of four chapters to explain the inheritance, innovation and influence of the man riding under the sea to symbolism drama. Introduction mainly about the domestic translation of Singh's works, stage performances, writers and works of the status quo and significance of the topic. The text is divided into two parts: the first part mainly discusses the inheritance and innovation of symbolism drama from two aspects, including symbolic origin and symbolic expression. The second part mainly expounds the independent symbolic characteristics of the writer's works. The perfect combination of symbolism and realism has profound influence and important status on symbolism drama, and has become a highlight in the history of Irish literature. The conclusion reiterates the significance of Singer's symbolism in the history of drama and the main features of the thesis.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I562.073

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