兰波在中国的接受研究

发布时间：2018-07-03 01:41

本文选题：兰波 + 象征主义诗歌　；参考：《四川外语学院》2012年硕士论文

【摘要】：法国象征主义诗歌对中国现代主义诗歌影响深远，在认识象征主义诗歌的过程中，中国接受者不仅从象征派的整体理论入手，同时还对法国象征派诗人进行个别研究分析。法国诗人兰波在随着中国对法国象征主义诗歌的接受中被引进与介绍。其诗歌语言、表现手法、美学思想以及生平传奇都对国人带来很多影响。本论文为了更全面和详细地分析兰波及其作品在中国的接受情况，根据时间顺序把该接受史分为三个阶段：1919年到1936年；1937年到1979年；1980年以后。每个阶段都主要从介绍批评和翻译两大方面进行论述。且本论文根据这三个阶段分为三个章节。第一章论述1919年五四运动至1936年兰波在中国的接受。五四新文化运动后，中国学者开始大量引进和介绍法国象征主义诗歌，兰波也引起了一部分学者的注意。本章通过从四个方面来论述兰波在此阶段接受的特点，如其诗歌的神秘晦涩性，对《元音》的理解，穆木天的“纯诗”理论等方面，并分析了《元音》对中国诗人的创作影响。第二章论述1937年对外战争爆发至1979年文化大革命结束的接受。此阶段由于中国特殊的历史环境导致对兰波的翻译及研究进入低谷期。本章在例举了其他翻译作品外，并主要指出根据中国时代背景译者对兰波两首诗歌的多次翻译。同时描述了沈宝基和张若茗两位学者对兰波的研究，以及部分学者对兰波的负面批评。第三章为1980年后的兰波在中国的研究。随着中国环境的改变，以及1988年在武汉召开的兰波国际学术研讨会，掀起了国内对兰波翻译和研究的热潮。本章首先描述了研讨会期间的翻译情况和全集译本的出现情况；其次把国内兰波研究归纳为四个方面：重新介绍期，法文文章，中文文章以及翻译成中文的国外文章；最后从三个方面探讨兰波在中国的比较研究。通过中国读者对兰波的接受历程，根据时代背景和读者的“期待视野”，，可以看到每个阶段对兰波接受的重点；同时也可以认识到兰波研究在中国的主要倾向和不足之处。
[Abstract]:French symbolism poetry has a profound influence on Chinese modernist poetry. In the process of understanding symbolism poetry, Chinese receivers not only start with the whole theory of symbolism, but also make individual research and analysis on French symbolism poets. The French poet Rambo was introduced and introduced with the acceptance of French symbolism in China. His poetic language, expression, aesthetic thought and life legend all bring a lot of influence to Chinese people. In order to analyze the acceptance of Lanbo and his works in China in a more comprehensive and detailed way, this thesis divides the acceptance history into three stages according to the chronological order: 1919 to 1936; 1937 to 1979; and 1980. Each stage is mainly discussed from two aspects: introduction, criticism and translation. This paper is divided into three chapters according to the three stages. The first chapter discusses Lanbo's acceptance in China from the May 4th Movement in 1919 to 1936. After the May 4th New Culture Movement, Chinese scholars began to introduce a large number of French symbolism poetry, Lanbo also attracted the attention of some scholars. This chapter discusses the characteristics of Lanbo's acceptance in this stage from four aspects, such as the mystery and obscurity of his poems, his understanding of vowels, Mu Mutian's theory of "pure poetry", and analyzes the influence of vowels on the creation of Chinese poets. The second chapter discusses the acceptance of the outbreak of the foreign war in 1937 to the end of the Cultural Revolution in 1979. Due to the special historical environment of China, the translation and study of Lanbo has entered a low point in this period. In addition to other translation works, this chapter mainly points out the translation of Lanbo's two poems according to the background of Chinese times. At the same time, it describes the research of Lanbo by Shen Baoji and Zhang Ruoming, as well as some scholars' negative criticism of Lanbo. The third chapter is the study of Lanbo in China after 1980. With the change of environment in China, and the international symposium of Rambo held in Wuhan in 1988, it has set off an upsurge of translation and research on Rambo in China. This chapter first describes the translation situation during the seminar and the appearance of the complete translation, then summarizes the domestic Rambo study into four aspects: reintroduction period, French articles, Chinese articles and foreign articles translated into Chinese. Finally, the comparative study of Lanbo in China is discussed from three aspects. According to the background of the times and the readers'"horizon of expectation", we can see the emphasis of Lanbo's acceptance in every stage, and at the same time, we can recognize the main tendency and deficiency of Lanbo's research in China.
【学位授予单位】：四川外语学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I565.072

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