从纪州三部曲看中上健次的生态观
发布时间：2018-07-13 16:58
【摘要】：作为战后第一位获得芥川奖的作家,中上健次在日本文坛中占据着举足轻重的地位。随着机械文明的发展自然不断遭受破坏,面对自身创作源泉的“路地”难以逃脱从这个世界消失的命运,中上迅速将批判的矛头指向了机械文明,通过自己的创作唤醒自然之于人类的重要意义。然而在国内却很少看到关于这位作家的研究。 中上健次从获奖作品《岬》开始,之后又连续创作了以秋幸为主人公的系列作品《枯木滩》、《天涯海角至上之时》。这三部作品被称之为纪州三部曲,是中上健次的代表作。 以作家的故乡纪州为舞台的纪州三部曲里出现了大量的自然描写。其实,不仅仅是中上健次本人,甚至是他作品下的主人公都对自然抱有强烈的亲近感和认同感。中上健次倾向于在作品中插入自然描写,并以作品中的人物意识描写为媒介,将自己的化身秋幸时时置于大自然中。所以,中上作品中的自然描写通常是通过人与自然的关系来表现的。 本论文围绕中上健次提倡的“真正的人类主义”的观点,通过分析纪州三部曲中主人公秋幸与自然描写的关系,用生态批评理论的角度来探讨作家内心深处的劳动生态观、自然生态观等,并分析该生态观形成的原因。最后,深入考察中上健次的生态观形成的动因,发现了故乡纪州熊野对作家的深刻影响。这种影响不仅源于作家童年时期开始对自然山川的喜爱和向往,更离不开纪州熊野深厚的文化熏陶和自然信仰。
[Abstract]:As the first writer to win the Kuagawa Prize after the war, Kenji Zhong occupies a pivotal position in the Japanese literary world. With the development of mechanical civilization, the development of mechanical civilization is constantly destroyed. In the face of the "road land" which is the source of its own creation, it is difficult to escape the fate of disappearing from this world. To awaken the importance of nature to mankind through his own creation. However, there is little research on this writer in China. Zhongshangjian began with the award-winning works "headland", and then created a series of works with Qiuxue as the protagonist, "the low Wood Beach", "when the ends of the Earth is the highest place". These three works, known as the Ji Zhou trilogy, are the representative works of Zhong Shangji. There is a lot of natural description in the Jizhou trilogy, which takes the writer's hometown of Jizhou as the stage. In fact, not only himself, but also the protagonist in his works have a strong sense of affinity and identity with nature. Zhongshangjian tends to insert natural description in his works and use the character consciousness in his works as a medium to put her incarnation Qiuxue in nature all the time. Therefore, the description of nature in the works is usually expressed by the relationship between man and nature. This paper focuses on the viewpoint of "real humanism" advocated by Zhongshangjianzi, through the analysis of the relationship between Qiu Xing, the protagonist and the description of nature in Jizhou trilogy, and probes into the author's deep view of labor ecology from the angle of ecological criticism theory. Natural ecological view, and analyze the reasons for the formation of the ecological view. In the end, the author investigates the causes of the formation of the ecological view, and finds out the profound influence of the hometown of Jizhou Xiongye on the writer. This kind of influence not only stems from the writer's love and yearning for the natural mountains and rivers in childhood, but also from the deep cultural edification and natural belief of Jizhou Xiongye.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074
[Abstract]:As the first writer to win the Kuagawa Prize after the war, Kenji Zhong occupies a pivotal position in the Japanese literary world. With the development of mechanical civilization, the development of mechanical civilization is constantly destroyed. In the face of the "road land" which is the source of its own creation, it is difficult to escape the fate of disappearing from this world. To awaken the importance of nature to mankind through his own creation. However, there is little research on this writer in China. Zhongshangjian began with the award-winning works "headland", and then created a series of works with Qiuxue as the protagonist, "the low Wood Beach", "when the ends of the Earth is the highest place". These three works, known as the Ji Zhou trilogy, are the representative works of Zhong Shangji. There is a lot of natural description in the Jizhou trilogy, which takes the writer's hometown of Jizhou as the stage. In fact, not only himself, but also the protagonist in his works have a strong sense of affinity and identity with nature. Zhongshangjian tends to insert natural description in his works and use the character consciousness in his works as a medium to put her incarnation Qiuxue in nature all the time. Therefore, the description of nature in the works is usually expressed by the relationship between man and nature. This paper focuses on the viewpoint of "real humanism" advocated by Zhongshangjianzi, through the analysis of the relationship between Qiu Xing, the protagonist and the description of nature in Jizhou trilogy, and probes into the author's deep view of labor ecology from the angle of ecological criticism theory. Natural ecological view, and analyze the reasons for the formation of the ecological view. In the end, the author investigates the causes of the formation of the ecological view, and finds out the profound influence of the hometown of Jizhou Xiongye on the writer. This kind of influence not only stems from the writer's love and yearning for the natural mountains and rivers in childhood, but also from the deep cultural edification and natural belief of Jizhou Xiongye.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074
【共引文献】
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