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《野草在歌唱》的生态女性主义主题解读

发布时间:2018-07-17 03:22
【摘要】:2007年度诺贝尔文学奖的获得者——多丽丝·莱辛(DorisLessing,1919—)是英国当代最有影响力的女作家之一。她的处女作《野草在歌唱》出版于1950年,背景设在20世纪40年代的南非。 该论文的主旨是解读《野草在歌唱》中所蕴含的生态女性主义思想。对于《野草在歌唱》,,大多数研究者都是从殖民主义或是女性主义的角度进行探索,只有少部分研究者从生态女性主义角度来分析,同时,这些生态女性主义研究的文章中又对种族和阶级的问题鲜有涉及。对此,笔者认为自然、女性、种族和阶级所遭受的压迫在生态女性主义的研究范畴内是互相关联的,都应该被囊括在文章的分析之内。 该篇论文总共由六章构成。第一章介绍了有关作者和作品的背景知识;第二章回顾了文学批评界对作者及作品的相关评论;第三章则对生态女性主义思想理论作了系统介绍。论文的主体论证部分由第四章和第五章构成,第四章分析了文本中自然、女人、黑人和穷人阶层在父权制下所遭受的压迫;第五章进一步分析了自然、女人、黑人和穷人阶级对父权制的挑战和反抗。最后,论文结论部分指出,《野草在歌唱》这部作品中确实蕴含着丰富的生态女性主义思想。 从生态女性主义的角度来解读《野草在歌唱》的主题,不但拓宽了作品的研究视角,有助于对作品更加深刻的认识,同时也将带给我们更多关于如何建构和谐人类社会的反思和启示。只有当自然、女人、有色人种、穷人和其他边缘群体不再被视为父权制下的“他者”,和谐社会的建立才为之可能。
[Abstract]:Doris Lessing, winner of the 2007 Nobel Prize for Literature, is one of the most influential women writers in contemporary Britain. Her debut, Wild Grass singing, was published in 1950 and set in South Africa in the 1940s. The main purpose of this paper is to interpret the ecological feminist thought contained in Wild Grass in singing. For Wild Grass singing, most researchers explore from the perspective of colonialism or feminism, only a small number of researchers from the perspective of ecological feminism to analyze, at the same time, These articles of ecological feminism rarely deal with the issue of race and class. The author thinks that the oppression of nature, women, race and class is interrelated in the study of ecological feminism, and should be included in the analysis of the article. The paper consists of six chapters. The first chapter introduces the background knowledge of the author and the works; the second chapter reviews the comments of the literary critics on the author and his works; the third chapter systematically introduces the ecological feminist thought theory. The main argumentation of the thesis consists of chapters four and five. Chapter four analyzes the oppression of nature, women, black and poor class under patriarchy in the text, the fifth chapter further analyzes the nature, women, women. The challenge and resistance of black and poor classes to patriarchy. Finally, the conclusion of the paper points out that the work of Wild Grass in singing really contains rich ecological feminism. The interpretation of the theme of Wild Grass singing from the perspective of eco-feminism not only broadens the research perspective of the works, but also contributes to a deeper understanding of the works. At the same time, it will also bring us more reflection and enlightenment on how to construct a harmonious human society. Only when nature, women, people of color, the poor and other marginalized groups are no longer regarded as the "other" under patriarchy can the establishment of a harmonious society be possible.
【学位授予单位】:西安外国语大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:I561.074

【参考文献】

相关期刊论文 前1条

1 孙宗白;真诚的女作家——多丽丝·莱辛[J];外国文学研究;1981年03期



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