走进《我们》的艺术世界
发布时间：2018-07-21 13:15
【摘要】：20世纪二三十年代是俄罗斯反乌托邦小说兴起和快速发展的阶段。诞生于1921年的扎米亚京的《我们》不仅被称之为反乌托邦文学的开山之作，更是俄罗斯反乌托邦文学的奠基石。尽管在当时它被认为是“不合时宜”的，，但是随着历史的发展，作品的珍贵价值正逐渐地被突显出来。鉴于扎米亚京和这部作品在俄罗斯文坛的重要地位和深远影响,以及反乌托邦文学体裁的独特艺术魅力,本文将再一次走进《我们》那瑰丽的艺术世界。 论文共分为七个部分，引言部分主要介绍了反乌托邦文学产生的历史背景和发展的脉络；第一章着重分析《我们》创作背景、文学地位和价值；第二章到第五章分别从时空、主题、悖论、人的异化四个层面深入探索小说《我们》精彩纷呈的艺术世界：1、反乌托邦时空；2、“反方案”的主题；3、“荒谬而又真实”的悖论；4、“我们”的异化。结尾部分全面总结了《我们》所营造的独特的艺术世界。文中更是用弗洛姆自由论、马斯洛人类需求阶级理论来诠释《我们》作为反乌托邦文学的必然性，充分展示了扎米亚京《我们》这篇反乌托邦文学楚翘创作的独特视角和艺术魅力。
[Abstract]:The 20 s and 30 s saw the rise and rapid development of Russian dystopian novels. Zamyatin's "We", born in 1921, is not only called the first work of dystopian literature, but also the cornerstone of Russian dystopian literature. Although it was considered "anachronistic" at the time, the precious value of the work was gradually highlighted with the development of history. In view of the important position and far-reaching influence of Zamyatin and this work in the Russian literary world and the unique artistic charm of the dystopian literary genre, this paper will once again enter the magnificent artistic world of "We". The paper is divided into seven parts, the introduction mainly introduces the historical background and development of dystopian literature; the first chapter focuses on the creation background, literary status and value; the second to fifth chapters, respectively, from time and space, Theme, Paradox, and alienation of Human beings explore in depth the novel "We", the colorful world of art: 1, the dystopian space and time, the theme of "anti-scheme", the paradox of "absurd and real" and the alienation of "us". The last part summarizes the unique artistic world created by "We". In this paper, we are interpreted as the inevitability of dystopian literature by Fromm's theory of freedom and Maslow's theory of human demand class. It fully demonstrates the unique angle of view and artistic charm of this dystopian literary creation by Zamyatin.
【学位授予单位】：齐齐哈尔大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I512.074
本文编号：2135644
[Abstract]:The 20 s and 30 s saw the rise and rapid development of Russian dystopian novels. Zamyatin's "We", born in 1921, is not only called the first work of dystopian literature, but also the cornerstone of Russian dystopian literature. Although it was considered "anachronistic" at the time, the precious value of the work was gradually highlighted with the development of history. In view of the important position and far-reaching influence of Zamyatin and this work in the Russian literary world and the unique artistic charm of the dystopian literary genre, this paper will once again enter the magnificent artistic world of "We". The paper is divided into seven parts, the introduction mainly introduces the historical background and development of dystopian literature; the first chapter focuses on the creation background, literary status and value; the second to fifth chapters, respectively, from time and space, Theme, Paradox, and alienation of Human beings explore in depth the novel "We", the colorful world of art: 1, the dystopian space and time, the theme of "anti-scheme", the paradox of "absurd and real" and the alienation of "us". The last part summarizes the unique artistic world created by "We". In this paper, we are interpreted as the inevitability of dystopian literature by Fromm's theory of freedom and Maslow's theory of human demand class. It fully demonstrates the unique angle of view and artistic charm of this dystopian literary creation by Zamyatin.
【学位授予单位】：齐齐哈尔大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I512.074
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