奥斯丁小说的反讽特征
发布时间：2018-09-12 14:08
【摘要】：奥斯丁是一位被誉为“可与莎士比亚平起平坐”的作家,尽管独特的生活经历使她蛰居在一个属于自己的“两寸象牙塔”里,奥斯丁对生活的深邃洞悉却没有受到狭窄的生活圈子的影响,正是她作品的平淡与写实,加上细腻的笔锋,引人入胜的叙事技巧,使奥斯丁在盛行浪漫主义文风的英国文坛脱颖而出,以其理性的光芒、鲜活的人物形象以及智慧、幽默和讽刺,为充满了腻人的浪漫气息的英国文坛注入了清新的现实主义文风,在那些看似平淡的主题下,奥斯丁的高超的描写技术得以呈现,奥斯丁作品中的那些形形色色人物形象的喜剧性笑谈的背后,暗示了各种微妙的社会关系、人情世故以及道德价值。 反讽,是奥斯丁小说的显著特色,是使得奥斯丁在读者和评论界中经久不衰的魅力所在。反讽渗透于奥斯丁小说的每一个层面,从语言、人物、场景到更深层的主题和构思,奥斯丁以高度的艺术自觉,巧妙娴熟地将反讽融于其作品之中。反讽的成功运用,对于小说在人物刻画,结构设置和喜剧效果的烘托上起到了很好的作用。本论文旨在通过对奥斯丁的六部作品进行分析,探讨奥斯丁作品中的反讽艺术的价值。 论文共分六个部分： 第一部分简要介绍了奥斯丁的生平、主要作品及其目前的研究概况,并指出了论文的研究目的和结构。 第二部分扼要叙述了反讽理论,包括反讽的定义,反讽概念的发展和反讽的分类,并初步分析了奥斯丁小说中运用的反讽类型和功能。 第三、四、五部分为全文重点,详细分析了奥斯丁小说中所运用的三种反讽类型：言语反讽、戏剧反讽和情境反讽,论述了各种反讽在小说中的关键作用。 言语反讽主要体现在对静止人物和发展人物的刻画中。奥斯丁的反讽不仅体现在对静止人物的刻画中：如,不称职的父兄形象,没有思想的中年女性形象,或者纯粹的享乐派人物和说教派人物形象；她的嘲讽还暗含着对那些有机会通过学习和教育或者是不同的社会环境的熏陶而改善自己的缺点,可以做出性格上的进步的发展的人物形象,在伴随着言语反讽的发展过程中,主人公的性格发展过程更为立体化,人物形象刻画也更加栩栩如生。 戏剧反讽也生动地展现了人物的荒谬与缺点,言语反讽着眼于文字和修辞层面,而戏剧反讽侧重于结构的刻画。通过戏剧反讽,人物刻画和情节设置都不再单薄,形象变得栩栩如生,入木三分了,蕴于其中的荒谬之处在其言语、行动、信件中暴露出来,得到了充分的展现。 情境反讽是扩大化的言语反讽,追求一种立意于主题、情节和叙事所共同营造和孕育出来的一种内在的冲突和矛盾所形成的张力。情景反讽巧妙地融入奥斯丁小说的结构中,在细微之处体现出了作品的价值观与当时流行的社会观念和公认的行为准则的悖逆性和冲突性,达到了反讽的艺术创作效果。 第六部分为结论部分。本部分对论文的主要观点进行了总结,并得出结论,奥斯丁的小说中体现了三种反讽类型(言语反讽、戏剧反讽和情境反讽)的运用,从而使人物刻画更为栩栩如生,小说结构的戏剧性更为突出,情节更为引人入胜,提高了小说创作的艺术效果。
[Abstract]:Austen is a writer who is praised as "equal to Shakespeare". Although her unique life experience makes her live in a two-inch ivory tower of her own, Austen's profound insight into life has not been affected by the narrow circle of life. It is the plainness and realism of her works, together with the delicate pen-edge, that leads to her. The fascinating narrative technique makes Austen stand out in the English literary world in which romanticism prevails. With his rational light, vivid characters, wisdom, humor and satire, Austen injects a fresh realistic style into the English literary world full of satirical romantic flavor. Under these seemingly flat themes, Austen's works are of high quality. The super-descriptive techniques are presented, and behind the comic jokes of Austen's various characters, subtle social relationships, sophistication and moral values are hinted at.
Irony is a distinctive feature of Austen's novels, and it is the enduring charm of Austen in readers and critics. Irony permeates every aspect of Austen's novels, from language, characters, scenes to deeper themes and ideas. Austen, with a high degree of artistic consciousness, skillfully melts irony into his works. The successful use of satire has played a very good role in characterization, structure and comedy effect of the novel. This paper aims to explore the value of the art of satire in Austen's works by analyzing six of Austen's works.
The thesis is divided into six parts.
The first part briefly introduces Austen's life, his main works and the current research situation, and points out the purpose and structure of the paper.
The second part briefly describes the theory of irony, including the definition of irony, the development of the concept of irony and the classification of irony.
The third, fourth and fifth parts are the focus of the full text. The three types of irony used in Austen's novels are analyzed in detail: verbal irony, dramatic irony and situational irony.
Speech irony is mainly reflected in the portrayal of stillness and development. Austen's irony is not only reflected in the portrayal of stillness: incompetent father and brother, middle-aged woman without thought, or pure hedonists and preachers; her irony also implies that there are opportunities for communication. To improve one's own shortcomings through learning and education or the influence of different social environments can make a progressive character image. With the development of verbal irony, the character development process of the protagonist is more three-dimensional and the portrayal of the characters is more vivid.
Dramatic irony also vividly shows the absurdity and shortcomings of the characters. Speech irony focuses on words and rhetoric, while drama irony focuses on structure. Through dramatic irony, characterization and plot setting are no longer thin, the image becomes vivid, and the absurdity lies in its words, actions, letters. Exposed in China, it has been fully demonstrated.
Situational irony is an enlarged verbal irony, which seeks an inner tension of conflict and contradiction created and bred by theme, plot and narrative. Situational irony is skillfully integrated into the structure of Austen's novels, reflecting the values of the works and the prevailing social concepts and concepts at that time. The contradictory and conflicting nature of accepted behavioral norms achieve ironic artistic creation.
The sixth part is the conclusion. This part summarizes the main points of the thesis and draws the conclusion that Austen's novels embody the use of three types of irony (verbal irony, dramatic irony and situational irony), which makes the characterization more vivid, the structure of the novel more dramatic, and the plot more attractive. It has improved the artistic effect of novel creation.
【学位授予单位】：长江大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074
本文编号：2239249
[Abstract]:Austen is a writer who is praised as "equal to Shakespeare". Although her unique life experience makes her live in a two-inch ivory tower of her own, Austen's profound insight into life has not been affected by the narrow circle of life. It is the plainness and realism of her works, together with the delicate pen-edge, that leads to her. The fascinating narrative technique makes Austen stand out in the English literary world in which romanticism prevails. With his rational light, vivid characters, wisdom, humor and satire, Austen injects a fresh realistic style into the English literary world full of satirical romantic flavor. Under these seemingly flat themes, Austen's works are of high quality. The super-descriptive techniques are presented, and behind the comic jokes of Austen's various characters, subtle social relationships, sophistication and moral values are hinted at.
Irony is a distinctive feature of Austen's novels, and it is the enduring charm of Austen in readers and critics. Irony permeates every aspect of Austen's novels, from language, characters, scenes to deeper themes and ideas. Austen, with a high degree of artistic consciousness, skillfully melts irony into his works. The successful use of satire has played a very good role in characterization, structure and comedy effect of the novel. This paper aims to explore the value of the art of satire in Austen's works by analyzing six of Austen's works.
The thesis is divided into six parts.
The first part briefly introduces Austen's life, his main works and the current research situation, and points out the purpose and structure of the paper.
The second part briefly describes the theory of irony, including the definition of irony, the development of the concept of irony and the classification of irony.
The third, fourth and fifth parts are the focus of the full text. The three types of irony used in Austen's novels are analyzed in detail: verbal irony, dramatic irony and situational irony.
Speech irony is mainly reflected in the portrayal of stillness and development. Austen's irony is not only reflected in the portrayal of stillness: incompetent father and brother, middle-aged woman without thought, or pure hedonists and preachers; her irony also implies that there are opportunities for communication. To improve one's own shortcomings through learning and education or the influence of different social environments can make a progressive character image. With the development of verbal irony, the character development process of the protagonist is more three-dimensional and the portrayal of the characters is more vivid.
Dramatic irony also vividly shows the absurdity and shortcomings of the characters. Speech irony focuses on words and rhetoric, while drama irony focuses on structure. Through dramatic irony, characterization and plot setting are no longer thin, the image becomes vivid, and the absurdity lies in its words, actions, letters. Exposed in China, it has been fully demonstrated.
Situational irony is an enlarged verbal irony, which seeks an inner tension of conflict and contradiction created and bred by theme, plot and narrative. Situational irony is skillfully integrated into the structure of Austen's novels, reflecting the values of the works and the prevailing social concepts and concepts at that time. The contradictory and conflicting nature of accepted behavioral norms achieve ironic artistic creation.
The sixth part is the conclusion. This part summarizes the main points of the thesis and draws the conclusion that Austen's novels embody the use of three types of irony (verbal irony, dramatic irony and situational irony), which makes the characterization more vivid, the structure of the novel more dramatic, and the plot more attractive. It has improved the artistic effect of novel creation.
【学位授予单位】：长江大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074
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相关期刊论文 前3条
1 涂靖;Irony言语行为研究[J];四川外语学院学报;2000年04期
2 朱小舟;《傲慢与偏见》中的微观反讽言语行为[J];四川外语学院学报;2002年04期
3 林文琛;在理性和感情之间──谈“奥斯丁的反讽”[J];外国文学评论;1998年04期
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