《雏菊的味道》与《牧师的女儿们》艺术思想变迁之解读

发布时间：2018-10-05 17:12

【摘要】：本文通过版本比较与文本细读的方法解读了劳伦斯在两部短篇小说《雏菊的味道》与《牧师的女儿们》中的艺术思想变化。笔者认为,作者的艺术思想变迁源于作者个人情感的成长。在《雏菊的味道》中,作者从单纯的心理分析到社会学视角的阐释直至劳式理论的提出,最终展现了贝茨夫人对其失败婚姻的顿悟。在《牧师的女儿们》中,作者成功地阐释了婚姻中男女关系元素,摈弃了阶级区分意识,释放了主人公的俄狄浦斯情结。小说也传达出具有劳伦斯式的艺术思想特色,提出劳伦斯式二分结构之抽象与具体,理性(知性)与肉体(本能)的区分。劳伦斯认为人类的生命活力在于自然与本真的回归,而这成为其毕生大多数重要作品的艺术主题与特色思想。
[Abstract]:This paper interprets Lawrence's artistic thought changes in the two short novels "the taste of daisies" and "the daughters of the pastor" by means of the comparison of the versions and the detailed reading of the text. The author thinks that the change of the author's artistic thought originates from the growth of the author's personal emotion. In the taste of Daisy, the author from a purely psychoanalysis to a sociological perspective to the Lao-style theory, finally revealed Mrs. Bates's epiphany on her failed marriage. In the Pastor's daughters, the author successfully explains the relationship between men and women in marriage, rejects the consciousness of class distinction, and releases the Oedipus complex of the protagonist. The novel also conveys the artistic characteristics of Lawrence's style, and puts forward the distinction between abstract and concrete structure of Lawrence's dichotomy, between rational (intellectual) and physical (instinctive). Lawrence believes that the vitality of human life lies in the return of nature and truth, which has become the artistic theme and characteristic thought of most of his important works of his life.
【作者单位】：中国石油大学(华东)文学院;
【基金】：山东高校人文社科研究计划项目“后结构主义视阈下的劳伦斯作品研究”(项目编号:J12WE52)的研究成果之一
【分类号】：I561.074

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