《古今和歌集》中咏梦恋歌的分析
发布时间：2018-10-08 16:44
【摘要】：《古今和歌集》作为日本最古老的敕撰和歌集，是905年由纪贯之、纪友则、凡河内躬恒、壬生忠岑等人奉醍醐天皇之命作为国家事业之一而编纂的。《古今和歌集》总共收录和歌1100首。由春（上下卷）夏秋（上下卷）冬贺离别羁旅物名恋（卷一 卷五）哀伤杂（上下卷）杂体大歌所御歌20卷构成。其中恋歌分为5卷，共360首，接近和歌总数的三分之一。 有关恋歌的先行研究繁多，但大都从恋歌的分布排列、构造论等视角出发，对于恋歌中“梦”的分析与研究鲜有。笔者有感于通过梦境描写来表现爱情的咏梦恋歌，，认为其中蕴含着古代日本人对恋爱的态度和审美情趣，于是从《古今和歌集》的咏梦恋歌自身的内容分析和对恋歌作者的探索出发，对其进行了研究。 笔者对《古今和歌集》中的咏梦和歌表格化，探求了《古今和歌集》的恋歌的分布特征。在此分析基础上，举例对咏梦恋歌进行具体分析，从而阐释恋歌中蕴含的日本美学思想。 论文中心部分由4章构成。 第1章论述先行研究和本文的目的与方法。 第2章首先从“恋”和“爱”的定义出发，探寻了恋歌的本质与作用。然后从“梦”这一词汇的语源着手，与《万叶集》进行了比较分析，探讨了《古今和歌集》中“梦”的意义与特征。 第3章是对《古今和歌集》中咏梦恋歌的内容分析。将《三代集》中的咏梦恋歌表格化，并对各个表格进行分析比较。其中着重讨论了《古今和歌集》。在此基础上，通过对和歌进行具体分析，阐释出恋歌中蕴藏的审美情趣。同时，咏梦恋歌中第645、646首赠答的和歌从分布来看位于恋歌的中心位置，有着非凡的意义，于是对其内容和和歌作者以及《古今和歌集》编者的编纂态度进行了探讨。 第4章得出《古今和歌集》中咏梦恋歌的比列在《三代集》中所占比列最大。咏梦恋歌中体现了终结美学等日本美学思想的结论。并对今后值得探讨的课题进行了思考。
[Abstract]:The collection of ancient and modern harmony songs, as the oldest collection of songs compiled by Japan, was founded in 905 by Ji Guanzhi, Ji Youzi, and Fan Hanoi's bow Heng. Nonsheng Zhong Cen et al. Compiled by Emperor Daigo as one of the national undertakings. A collection of ancient and modern harmony songs contains a total of 1100 songs. By spring (up and down) summer and autumn (up and down scroll) the name of farewell travel things love (volume one volume five) sad miscellaneous (up and down) miscellaneous body song of the royal song 20 volumes. Among them, love songs are divided into 5 volumes, a total of 360, close to 1/3 of the total number of harmony songs. There are many researches on the love songs, but most of them are from the perspective of the distribution and arrangement of the love songs and the theory of construction, so the analysis and research of the "dream" in the love songs are rare. The author feels that the love song that expresses love through the description of dreams contains the attitude and aesthetic interest of the ancient Japanese towards love. From the analysis of the content of the love songs and the exploration of the authors of the love songs, the author studies them. Based on the tabulation of dreams and songs in the collection of Ancient and Modern Harmony songs, the author explores the distribution characteristics of love songs in the Collection of Ancient and Modern Harmony songs. On the basis of this analysis, this paper gives a concrete analysis of the love songs of dreams, and then explains the Japanese aesthetic thoughts contained in the love songs. The central part of the thesis consists of four chapters. Chapter 1 discusses the advance research and the purpose and method of this paper. Chapter 2 explores the essence and function of love song from the definition of love and love. Then, from the perspective of the etymology of the word "dream", this paper makes a comparative analysis with "Wanye Ji", and probes into the meaning and characteristics of "dream" in the collection of ancient and modern songs. The third chapter is the content analysis of the love songs of dreams in the Collection of Ancient and Modern songs. The love songs in the third Generation are tabulated, and the tables are analyzed and compared. It focuses on the discussion of the collection of ancient and modern harmony songs. On this basis, through the specific analysis of the harmony song, explains the aesthetic interest in the love song. At the same time, the harmony song of No. 645646 in the love song of the dream is located in the center of the love song from the distribution point of view, has the special significance, therefore has discussed its content and the compilation attitude of the author of the harmony song and the editor of "Ancient and Modern Harmony songs". In Chapter 4, it is concluded that the proportion of love songs of dreams in the collection of ancient and modern songs is the largest in the third generation. The love songs of dreams embody the conclusion of Japanese aesthetic thoughts such as ending aesthetics. It also gives some thoughts on the subject which is worth discussing in the future.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.072
本文编号：2257509
[Abstract]:The collection of ancient and modern harmony songs, as the oldest collection of songs compiled by Japan, was founded in 905 by Ji Guanzhi, Ji Youzi, and Fan Hanoi's bow Heng. Nonsheng Zhong Cen et al. Compiled by Emperor Daigo as one of the national undertakings. A collection of ancient and modern harmony songs contains a total of 1100 songs. By spring (up and down) summer and autumn (up and down scroll) the name of farewell travel things love (volume one volume five) sad miscellaneous (up and down) miscellaneous body song of the royal song 20 volumes. Among them, love songs are divided into 5 volumes, a total of 360, close to 1/3 of the total number of harmony songs. There are many researches on the love songs, but most of them are from the perspective of the distribution and arrangement of the love songs and the theory of construction, so the analysis and research of the "dream" in the love songs are rare. The author feels that the love song that expresses love through the description of dreams contains the attitude and aesthetic interest of the ancient Japanese towards love. From the analysis of the content of the love songs and the exploration of the authors of the love songs, the author studies them. Based on the tabulation of dreams and songs in the collection of Ancient and Modern Harmony songs, the author explores the distribution characteristics of love songs in the Collection of Ancient and Modern Harmony songs. On the basis of this analysis, this paper gives a concrete analysis of the love songs of dreams, and then explains the Japanese aesthetic thoughts contained in the love songs. The central part of the thesis consists of four chapters. Chapter 1 discusses the advance research and the purpose and method of this paper. Chapter 2 explores the essence and function of love song from the definition of love and love. Then, from the perspective of the etymology of the word "dream", this paper makes a comparative analysis with "Wanye Ji", and probes into the meaning and characteristics of "dream" in the collection of ancient and modern songs. The third chapter is the content analysis of the love songs of dreams in the Collection of Ancient and Modern songs. The love songs in the third Generation are tabulated, and the tables are analyzed and compared. It focuses on the discussion of the collection of ancient and modern harmony songs. On this basis, through the specific analysis of the harmony song, explains the aesthetic interest in the love song. At the same time, the harmony song of No. 645646 in the love song of the dream is located in the center of the love song from the distribution point of view, has the special significance, therefore has discussed its content and the compilation attitude of the author of the harmony song and the editor of "Ancient and Modern Harmony songs". In Chapter 4, it is concluded that the proportion of love songs of dreams in the collection of ancient and modern songs is the largest in the third generation. The love songs of dreams embody the conclusion of Japanese aesthetic thoughts such as ending aesthetics. It also gives some thoughts on the subject which is worth discussing in the future.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.072
【参考文献】
相关期刊论文 前6条
1 林陈平;;中日古代离别诗歌比较——以《古今和歌集》与《唐代送别诗名篇译赏》为例[J];福建师大福清分校学报;2006年03期
2 张继文;;《古今和歌集》的隐喻认知考察——以「雪」与「花」互喻为例[J];外国语言文学;2008年04期
3 陈燕;万叶和歌与王朝和歌中的咏梦和歌之比较[J];福建教育学院学报;2005年01期
4 张继文;;空间方位与思维认知:《古今和歌集》的空间隐喻考察[J];外语研究;2010年03期
5 魏j8和;;追溯日本文学的起点——以《怀风藻》和《古今和歌集》为例[J];日语学习与研究;2007年05期
6 曾峻梅;《古今和歌集》与唐诗中“月”的意象之比较[J];外国语(上海外国语大学学报);2003年01期
本文编号：2257509
本文链接：https://www.wllwen.com/wenyilunwen/wxchuangz/2257509.html
