当前位置:主页 > 文艺论文 > 文学创作论文 >

论“生成”为动物——德勒兹差异论的文学关照

发布时间:2018-11-08 13:10
【摘要】:正一虽然德勒兹没有写过文学作品,也从未直接提出一套文学的系统化"理论",但从他各式各样的文学研究中,我们能随处可见他对于文学的关注和引用。德勒兹关于文学的论述大抵都是对文学作品的平行思考,如对美国作家赫尔曼.麦尔维尔的《白鲸》与奥地利作家卡夫卡的《变形记》的解读。德勒兹指出:"写作是一种生成,写作之中渗透着异样的生成,它们不是生成为作家,而是生成——老鼠,生成——昆虫,生成——狼。"[1]338同时,"生成
[Abstract]:Although he has never written literary works and never put forward a set of systematic literary "theories" directly, from his various literary studies, we can see his attention and references to literature everywhere. Deleuze's discourse on literature is mostly a parallel reflection on literary works, such as Herman, an American writer. The interpretation of Melville's Moby Dick and Austrian writer Kafka's Metamorphosis. "Writing is a kind of generation," Deleuz pointed out. "Writing is permeated with strange forms. They are not generated as writers, but generation-mice, generation-insects, generation-wolves." [1] 338 at the same time, "Generation"
【作者单位】: 贵州民族大学旅游与航空服务学院;
【基金】:教育部人文社科研究西部和边疆地区项目(12XJC751003) 贵州省教育厅高校人文社科研究青年项目(11QN013)
【分类号】:I565.06


本文编号:2318598

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/wxchuangz/2318598.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户6b2c2***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com