普拉斯《阿里尔》诗集中的文化记忆

发布时间：2018-11-19 07:11

【摘要】：评论界惯常认为普拉斯的经典诗集《阿里尔》是她在婚姻破裂时极端情感的"自白",个人记忆的表达。本文通过从文化记忆的视角诠释她的《阿里尔》诗集中的名字所包含的文化记忆、文化记忆下大屠杀的恐惧、文化记忆下的核战争,以使读者摆脱"自白"对她的诗歌的束缚从而真正理解《阿里尔》诗集。诗集被置于历史时空中审视时不仅是普拉斯个体记忆的缩影,更是集体文化记忆的再现,它展示了诗人作为自白派诗人的个体痛苦和经历,也暗含了诗人对政治和历史中集体记忆的关注,尤其是对二战和战后的超级大国之间的冷战等一系列国际事件给人们带来的恐惧的关注。作为20世纪伟大的美国女诗人,普拉斯以其独特的诗歌书写了特别的文化记忆并且重构了历史和现实。
[Abstract]:Critics used to think that Plath's classic poem, Ariel, is her "confession" and the expression of her personal memory when her marriage breaks down. From the perspective of cultural memory, this paper interprets the cultural memory contained in the names of her poems in Ariel, the fear of the Holocaust in the cultural memory, and the nuclear war in the cultural memory. So that readers can get rid of the bondage of confessions to her poems and truly understand the collection of Ariel poems. The collection of poems is not only a microcosm of Plath's individual memory, but also a representation of collective cultural memory, which shows the poet's individual pain and experience as a confessional poet. It also implies the poet's concern for collective memory in politics and history, especially for the fears brought about by a series of international events such as World War II and the Cold War between the postwar superpowers. As a great American poet in the 20th century, Plath writes special cultural memories and reconstructs history and reality with his unique poems.
【作者单位】：大连外国语学院比较文化研究基地;
【基金】：教育部人文社会科学研究一般项目“摩尔、毕肖普和普拉斯的认知诗学研究”(09YJA752005) 2011年辽宁省教育厅人文社会科学一般项目“二十世纪美国女性诗歌图式诗学研究”、(项目编号W2011094)项目阶段性成果
【分类号】：I712.072

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