柯勒律治莎评的辨证研究
发布时间：2018-11-20 04:19
【摘要】：本文从辩证视角出发,通过定性分析的方法研究柯勒律治诗学思想和其独特的批评原则之间的潜在关联。在前言中主要介绍了关于本文命题产生的背景以及研究意义,并回顾和总结了前人关于柯勒律治莎评的研究成果。在文章主体内容中首先通过“有机植物体”的比喻解释了诗歌内部分与整体、形式与意义的两对辩证关系,并列举了莎作原文进行深入分析,探究蕴藏其中辩证的统一关系,从而最终解释了柯勒律治关于诗歌的定义。接着文章分析了莎士比亚创作过程中模仿与复制的区别与联系,从而解释了柯勒律治称莎士比亚为“自然诗人”的原因,并讨论了文学作品创作下所富有争议的“个人创作说”及“群众创作说”。除此之外,柯勒律治的想象理论也是浪漫主义时期对莎士比亚作品中的想象最为系统的描述,在这一部分文章重新梳理了想象理论在文学史上的发展脉络,结合当时的时代背景得出柯勒律治想象论出现的必然性。然后通过对他的“第一想象”和“第二想象”之间的区分定义,归纳出柯勒律治想象论所具有的特殊性,即折衷和统一的想象,最后通过莎士比亚戏剧作品创作过程中的无意识为例,详细陈述了想象内部所包含的和谐辩证观。 全新的辩证的诗学观点贯穿在柯勒律治的莎评中,具有重要的诗学价值。这也是他莎评成功的关键和本文研究的价值所在。本文还通过引用莎士比亚作品中的诗歌和戏剧原文来证明这一发现,从而让读者对这一文学现象有一个更加广泛而深刻的理解,彰显柯勒律治莎评在莎评史上的里程碑地位和开创性贡献。
[Abstract]:This paper studies the potential relationship between Coleridge's poetics and his unique critical principles through qualitative analysis from a dialectical perspective. In the preface, it mainly introduces the background and significance of this thesis, and reviews and summarizes the previous research results about Coleridge's evaluation. In the main content of the article, the author first explains the dialectical relationship between the part and the whole, the form and the meaning of poetry through the metaphor of "organic plant object", and enumerates the original text of Sha to carry on the thorough analysis, and probes into the dialectical unity relation in it. It finally explains Coleridge's definition of poetry. Then the paper analyzes the differences and connections between imitation and reproduction in the process of Shakespeare's creation, so as to explain the reason why Coleridge called Shakespeare "natural poet". It also discusses the controversial theories of personal creation and mass creation under the creation of literary works. In addition, Coleridge's imagination theory is also the most systematic description of the imagination in Shakespeare's works during the Romantic period. In this part of the article, we rearrange the development of imagination theory in the history of literature. Combined with the background of the times, this paper draws the conclusion of the inevitability of Coleridge's imagination theory. Then through the definition of the distinction between his "first imagination" and "second imagination", the author concludes the particularity of Coleridge's imagination theory, that is, compromise and unified imagination. Finally, through the example of the unconsciousness in the process of Shakespeare's drama creation, the author states in detail the harmonious dialectical view contained in the imagination. The new dialectical view of poetics runs through Coleridge's comments and has important poetics value. This is the key to his success and the value of this study. This paper also proves this discovery by quoting poems and plays from Shakespeare's works, thus giving readers a broader and deeper understanding of this literary phenomenon. It shows Coleridge's landmark position and pioneering contribution in the history of sa criticism.
【学位授予单位】：江西财经大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.06
本文编号：2343698
[Abstract]:This paper studies the potential relationship between Coleridge's poetics and his unique critical principles through qualitative analysis from a dialectical perspective. In the preface, it mainly introduces the background and significance of this thesis, and reviews and summarizes the previous research results about Coleridge's evaluation. In the main content of the article, the author first explains the dialectical relationship between the part and the whole, the form and the meaning of poetry through the metaphor of "organic plant object", and enumerates the original text of Sha to carry on the thorough analysis, and probes into the dialectical unity relation in it. It finally explains Coleridge's definition of poetry. Then the paper analyzes the differences and connections between imitation and reproduction in the process of Shakespeare's creation, so as to explain the reason why Coleridge called Shakespeare "natural poet". It also discusses the controversial theories of personal creation and mass creation under the creation of literary works. In addition, Coleridge's imagination theory is also the most systematic description of the imagination in Shakespeare's works during the Romantic period. In this part of the article, we rearrange the development of imagination theory in the history of literature. Combined with the background of the times, this paper draws the conclusion of the inevitability of Coleridge's imagination theory. Then through the definition of the distinction between his "first imagination" and "second imagination", the author concludes the particularity of Coleridge's imagination theory, that is, compromise and unified imagination. Finally, through the example of the unconsciousness in the process of Shakespeare's drama creation, the author states in detail the harmonious dialectical view contained in the imagination. The new dialectical view of poetics runs through Coleridge's comments and has important poetics value. This is the key to his success and the value of this study. This paper also proves this discovery by quoting poems and plays from Shakespeare's works, thus giving readers a broader and deeper understanding of this literary phenomenon. It shows Coleridge's landmark position and pioneering contribution in the history of sa criticism.
【学位授予单位】：江西财经大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.06
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