论阿特伍德小说中镜子意象的多重叙事

发布时间：2018-12-06 15:12

【摘要】：本文以玛格丽特·阿特伍德小说中频繁出现的镜子意象为切入点。从阿特伍德自身的个人经验与民族殖民经验出发，并结合西方文化中镜子意象的丰富文化意义，对其小说中反复出现的镜子意象进行分析和归纳，以发掘阿特伍德笔下的镜子意象背后，凝聚的作者的深刻洞见和思想。本文内容主要分为四个部分，第一部分主要从阿特伍德的个人经验出发来谈其运用镜子意象的动因，以及阿特伍德对西方文化中镜子意象的继承与创新，并试图结合拉康的镜像理论对其小说进行观照。第二部分是镜子意象的女性叙事，即阿特伍德笔下的女性借由镜子认识自我的生存困境，进而产生对自我镜像的认知与超越，而多个双重性意象的塑造则隐含了女性对理想自我的构建。第三部分是后殖民叙事。用镜子隐喻加拿大与英美的镜像关系，这面隐形的镜子折射出加拿大对其殖民镜像身份的留恋，而造成民族身份的困境。同时借助镜子折射的镜像反思自我，，努力建构独特的加拿大民族身份。第四部分是镜子意象的生态叙事。通过“水”这一面自然之镜，沟通了人与自然，映照出由于人类之恶行造成人与自然的双重困境。进而借人物溺水之举，探求人类迷失于后现代文明后对自然生态原始生命力的追寻。通过建立人与自然的对话，重新思考与定位两者的关系。
[Abstract]:This paper takes the mirror image frequently appeared in Margaret Atwood's novels as the starting point. Based on Atwood's own personal experience and national colonial experience and the rich cultural significance of mirror image in western culture, this paper analyzes and induces the repeated mirror image in his novels. In order to explore Atwood's mirror image behind the condensed author's profound insight and thought. The content of this paper is divided into four parts. The first part mainly discusses the motivation of Atwood's application of mirror image from his personal experience, and his inheritance and innovation of mirror image in western culture. And attempts to combine Lacan's mirror image theory to his novel to carry on the reflection. The second part is the female narration of mirror image, that is, the woman in Atwood's works knows the living predicament of herself through the mirror, and then produces the cognition and transcendence of self-image. The creation of multiple dual images implies the construction of women's ideal self. The third part is the post-colonial narrative. The mirror metaphors the mirror relationship between Canada and the United States. This invisible mirror reflects Canada's nostalgia for its colonial image identity, resulting in the dilemma of national identity. At the same time, we try to construct a unique Canadian national identity through mirror reflection. The fourth part is the ecological narration of mirror image. Through the mirror of nature, water communicates man and nature, reflecting the double predicament between man and nature caused by human evil behavior. Then, by the drowning of the characters, we explore the pursuit of the primitive vitality of natural ecology after human being lost in the post-modern civilization. Through the establishment of a dialogue between man and nature, rethinking and positioning the relationship between the two.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I711.074

【参考文献】