杜拉斯笔下的东方世界
发布时间：2018-12-25 15:17
【摘要】：玛格丽特·杜拉斯是当代法国最富创作性的杰出人物。在长达半个世纪的艺术创作中,杜拉斯为世人留下了宝贵的精神财富。杜拉斯拥有混杂的文化身份,在东方的童年经历成为了杜拉斯日后创作的重要素材来源和灵感源泉。东方是杜拉斯创作的重要主题,在其创作的33部小说、11部戏剧中,东方占有重要地位。二十世纪后半叶,受非理性思潮的影响,杜拉斯把写作的触角伸向被遮蔽的边缘和非理性领域。在西方中心话语中,东方被赋予边缘性、非理性、异质性的特质。东方的这些特质与杜拉斯表现的主题相契合。杜拉斯运用深刻的艺术感受力,巧妙地把写作主题与东方联系起来,创造了一个独特的东方世界。本文将有以下几个部分构成： 绪论部分首先对杜拉斯混杂的东西方背景和东方系列小说作了相关介绍,简要回顾了杜拉斯作品在国内和国外的研究现状,最后指出本文的选题意义旨在从东西方文化角度重新审视杜拉斯笔下的东方世界。 第一章研究了杜拉斯笔下东方世界的流放性与边缘性。其笔下的东方世界可概括为一个流放与边缘的世界。杜拉斯以混杂的文化身份来呈现东方的苦难与封闭,边缘性与异质性。在加尔各答这座东方之城书写着无根的漂泊。 第二章研究了杜拉斯笔下东方世界的非理性与异质性。其笔下的东方世界呈现为一个非理性的异质世界。殖民地的女疯子象征着普遍性的疯狂。音乐、醉态、麻风病是非理性的表现形式,为霍米巴巴的“间质空间”理论提供了一个有力的佐证。 第三章研究了杜拉斯笔下东方世界的欲望与权力主题。东方是西方的欲望客体,是情欲的象征符号。欲望主题和身体写作是杜拉斯创作的重要命题,在后殖民话语中,两性的情欲关系变成东西方的权力象征。 本文的结语部分则在总结全文的基础上进一步得出结论：杜拉斯混杂的文化身份为其立体、多面的东方叙述提供了可能性。在强调东西方文化差异、倡导文化的多元性的今天,杜拉斯充满张力和厚度的作品值得再度审视与思索。
[Abstract]:Margaret Duras is the most creative figure in contemporary France. In half a century of artistic creation, Duras left valuable spiritual wealth for the world. Duras has a mixed cultural identity and his childhood experience in the East has become an important source of material and inspiration for Duras later creation. Orient is an important theme in Duras' creation. It plays an important role in 33 novels and 11 plays. In the second half of the twentieth century, influenced by irrational thoughts, Duras extended the tentacles of his writing to the shadowed edge and irrational field. In western central discourse, the East is endowed with marginal, irrational and heterogeneity. These qualities of the East coincide with the theme of Duras' performance. Duras created a unique oriental world by using profound artistic sensibility and skillfully connecting the writing theme with the East. This paper will consist of the following parts: the introduction first introduces Duras' mixed Eastern and Western background and Oriental novels, and briefly reviews the current research situation of Duras' works both at home and abroad. Finally, the author points out that the purpose of this thesis is to re-examine the oriental world written by Duras from the point of view of eastern and western cultures. The first chapter studies the exile and edge of the oriental world written by Duras. The oriental world in his works can be summed up as a world of exile and fringe. Duras presents oriental suffering and isolation, edge and heterogeneity with mixed cultural identity. In Calcutta, the eastern city, rootless drifters are written. Chapter two studies the irrationality and heterogeneity of the oriental world written by Duras. The oriental world in his works presents an irrational and heterogeneous world. The female madmen of the colony symbolized the universal madness. Music, intoxication and leprosy are irrational forms of expression, which provide a strong evidence for HomiBaba's theory of "interstitial space". Chapter three studies the theme of desire and power in the oriental world written by Duras. The East is the object of desire in the West and the symbol of lust. The theme of desire and body writing are important propositions in Duras' creation. In postcolonial discourse, the relationship between sexual desire and sexual desire becomes the symbol of power between East and West. The conclusion of this paper is based on the conclusion that Duras' mixed cultural identity provides the possibility for his three-dimensional and multi-sided oriental narration. With the emphasis on the cultural differences between the East and the West and the diversity of culture, Duras' works full of tension and thickness are worth examining and pondering over again.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I565.06
本文编号：2391298
[Abstract]:Margaret Duras is the most creative figure in contemporary France. In half a century of artistic creation, Duras left valuable spiritual wealth for the world. Duras has a mixed cultural identity and his childhood experience in the East has become an important source of material and inspiration for Duras later creation. Orient is an important theme in Duras' creation. It plays an important role in 33 novels and 11 plays. In the second half of the twentieth century, influenced by irrational thoughts, Duras extended the tentacles of his writing to the shadowed edge and irrational field. In western central discourse, the East is endowed with marginal, irrational and heterogeneity. These qualities of the East coincide with the theme of Duras' performance. Duras created a unique oriental world by using profound artistic sensibility and skillfully connecting the writing theme with the East. This paper will consist of the following parts: the introduction first introduces Duras' mixed Eastern and Western background and Oriental novels, and briefly reviews the current research situation of Duras' works both at home and abroad. Finally, the author points out that the purpose of this thesis is to re-examine the oriental world written by Duras from the point of view of eastern and western cultures. The first chapter studies the exile and edge of the oriental world written by Duras. The oriental world in his works can be summed up as a world of exile and fringe. Duras presents oriental suffering and isolation, edge and heterogeneity with mixed cultural identity. In Calcutta, the eastern city, rootless drifters are written. Chapter two studies the irrationality and heterogeneity of the oriental world written by Duras. The oriental world in his works presents an irrational and heterogeneous world. The female madmen of the colony symbolized the universal madness. Music, intoxication and leprosy are irrational forms of expression, which provide a strong evidence for HomiBaba's theory of "interstitial space". Chapter three studies the theme of desire and power in the oriental world written by Duras. The East is the object of desire in the West and the symbol of lust. The theme of desire and body writing are important propositions in Duras' creation. In postcolonial discourse, the relationship between sexual desire and sexual desire becomes the symbol of power between East and West. The conclusion of this paper is based on the conclusion that Duras' mixed cultural identity provides the possibility for his three-dimensional and multi-sided oriental narration. With the emphasis on the cultural differences between the East and the West and the diversity of culture, Duras' works full of tension and thickness are worth examining and pondering over again.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I565.06
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