互文性理论视角下的《礼拜五或太平洋上的灵薄狱》

发布时间：2019-03-01 16:28

【摘要】：本文通过互文性的视域审视图尼埃的新寓言小说创作,以《礼拜五或太平洋上的灵薄狱》为主要文本范例,研究作品与作品之间、作品与时代之间,尤其是与笛福的原著作品的神话原型——《鲁滨逊漂流记》之间的互文关系,笔者力求通过文本的细读,挖掘文本间的多层次关系,为图尼埃小说的研究开辟新的路径。论文首先在引言中梳理了相关的互文性理论,为文本的比较提供学理依据(基础)。其中简要辨析各家的理论内涵及其极大的争议性,厘清文中所涉及的理论边界,同时简要引出在此理论视域下图尼埃作品所呈现出的复杂性与多面性。第一章系统梳理作为新寓言派的代表人物的图尼埃的创作历程,从流派内涵、相关作家到叙事特征,力求让读者对新寓言这种创作手法有一个较清晰的认识,第三节介绍《礼拜五或太平洋上的灵薄狱》,初步建立其对作品的感知。第二章围绕“戏拟”这一术语,讨论两个鲁滨逊之间、两个礼拜五之间、以及天堂与灵薄狱之间的互文关系。从人物、情节、叙事特征等几个方面入手,重点侧重于呈现前后文本之间的文本差异性,以及这种带来这种差异的原因。第三章主要运用巴赫金的“对话”理论,以文本本身为支点,挖掘内部的互文性特征,分别将《鲁滨逊漂流记》与《礼拜五》界定为“独白”与“对话”的神话。侧重于辨析《礼拜五》的“多声部”互文性。第四章从时代语境入手,通过“生存与存在”、“战胜自然与回到母体”在两个时代中的表现进行分析,寻找两部作品的形成与时代之间的逻辑关系,从而跳出单纯的文本分析,上升到哲学层面的探讨。整个论文分别从“文本间”“文本内部”“文本与时代”等三个层面来进行互文性的论述,并不固着于理论的一端,力求达到多方位多层次的呈现。
[Abstract]:From the perspective of intertextuality, this paper examines the creation of Tournier's new allegory novel, taking Friday or the Pacific Ocean Prison as the main text example, and studies the relationship between works and works, between works and times. In particular, the intertextual relationship with the mythological prototype of Defoe's original work-Robinson Crusoe, the author tries to explore the multi-level relationship between the texts through the careful reading of the text, and opens up a new path for the study of Tournier's novels. Firstly, the thesis combs the related intertextuality theory in the introduction, which provides the theoretical basis for the comparison of texts. Among them, it briefly analyzes the theoretical connotation and great controversy of the various schools, clarifies the theoretical boundaries involved in the paper, and briefly introduces the complexity and versatility of Tournier's works in this theoretical field of view at the same time, this paper also gives a brief introduction to the complexity and versatility of Tournier's works in this field of view. The first chapter systematically combs the creation process of Tournier, which is the representative character of the new allegory school, from the school connotation, the relevant writer to the narrative characteristic, strives to let the reader have a clearer understanding to the new fable this kind of creation technique. The third section introduces Friday or Pacific Penitentiary, and establishes its perception of the work. In the second chapter, we discuss the intertextuality between two Robinson, two Fridays, and heaven and spiritual prison around the term "dramatist". From the characters, plot, narrative characteristics and other aspects, the emphasis is placed on the text differences between the pre-and post-presentation texts, and the reasons for this difference. The third chapter mainly uses Bakhtin's "dialogue" theory, taking the text itself as the fulcrum, excavates the internal intertextuality characteristic, and defines Robinson Crusoe and Friday as the myths of "monologue" and "dialogue" respectively. It focuses on discriminating the multivocal intertextuality of Friday. The fourth chapter starts from the context of the times, through the "existence and existence", "overcome nature and return to the matrix" in the two times to analyze the performance of the two times, looking for the formation of the two works and the logical relationship between the times. Thus out of pure text analysis, rose to the philosophical level of discussion. The whole thesis discusses intertextuality from three aspects of "inter-text", "internal text", "text and times", etc., which is not fixed on one end of the theory, and strives to achieve multi-dimensional and multi-level presentation.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I565.074

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