村上春树与《奇鸟行状录》
发布时间：2019-03-18 09:45
【摘要】：村上春树自登上日本文坛先后获得诸多国内外文学奖项。2006、2007年成为诺贝尔文学奖的热门候选人，在国际上的影响力已远超获得诺贝尔文学奖的川端康成和大江健三郎，可以说是当代日本最具国际影响力的文学大家。他的代表作《奇鸟行状录》获得第47届读卖文学奖，是村上文学创作生涯中的一个重要转折点。本论文在分析作品《奇鸟行状录》的基础上，研究了作品中的战争与暴力问题，其目的为进一步研究村上文学提供借鉴。 从众多对村上春树有影响的美国作家中无疑菲茨杰拉德对村上文学产生深远影响，本论文在深入分析两者代表作品的基础上，指出在比喻的运用、人物设定等方面两者的作品存在相似之处。两者在比喻的运用上都是本体与喻体之间存在巨大的差异性。在《挪威的森林》与《夜色温柔》中的人物设定上，《挪威的森林》中的直子、绿子分别对应《夜色温柔》中的尼科尔、罗斯玛丽。在《挪威的森林》中渡边爱着患有精神疾病的直子而后又被年轻富有活力的绿子吸引。而在《夜色温柔》中，男主人公迪克爱着患有精神疾病的尼科尔而后又被年轻富有活力的罗斯玛丽吸引。 从《奇鸟行状录》这部作品开始，，村上文学发生创作转型,从远离日本社会喧嚣到主动同日本社会中的暴力进行斗争，从逃避社会责任到主动承担社会责任。可见，这部作品是村上文学的创作转折点。“井”在此作品中象征了村上春树内心深处挥之不去的暴力死亡阴影，从此引发村上对日本国家暴力体系的深入思考。 村上春树在《奇鸟行状录》这部作品中通过诺门坎战役与侵华战争的描写，揭示了日本社会中残暴、回避责任的封闭国家的“暴力”系统从战时一直延存至今，批判了日本社会体制在本质上没有任何改变。作品中对侵华战争中日军残忍行为的无情揭露，表现了村上作为日本作家的良知与强烈的社会责任感。并指出日本裕仁天皇对二战中的日军暴行负有直接责任及战后日本对战争责任清算的不彻底。村上就这样勾勒出日本暴力的传承路线，指明暴力是打开日本的钥匙。村上对战争责任的追问，可以说与战后一些日本作家形成鲜明反差。他通过《奇鸟行状录》让日本人清醒的认识到他们不单单是原子弹的牺牲品，也曾犯下过南京大屠杀的滔天罪行。
[Abstract]:Haruki Murakami has won many literary awards at home and abroad since he ascended the Japanese literary scene. In 2006 and 2007, he became a popular candidate for the Nobel Prize in Literature, and his international influence has far exceeded that of the Nobel Prize-winning Kawabata and Kenzaburo Oejiang, who won the Nobel Prize in Literature. It can be said that contemporary Japan has the most international influence of literature everyone. He won the 47th Yomiuri Prize for Literature, which is an important turning point in Murakami's literary career. Based on the analysis of the works, this paper studies the problems of war and violence in the works, the purpose of which is to provide reference for further study of Murakami literature. From many American writers who have influenced Haruki Murakami, there is no doubt that Fitzgerald has a far-reaching influence on Murakami literature. On the basis of in-depth analysis of the two representative works, this paper points out the use of metaphors. There are similarities between the two works in the aspects of character setting and so on. There is a great difference between Noumenon and metaphorical object in the use of metaphor. In the Norwegian Forest and the Nightiness of the Night, the straight son and the green son correspond to Nicole and Rosemary in the Nightiness of the Night, respectively. In the Norwegian Forest Watanabe fell in love with the mentally ill straight son and was attracted to the young and vibrant greens. In the tenderness of the Night, Dick falls in love with Nicole, who is mentally ill, and is attracted to the young and energetic Rosemary. From the beginning of this work, Murakami literature has been transformed from far from Japanese social noise to active struggle against violence in Japanese society, from evading social responsibility to taking on social responsibility. Obviously, this work is the turning point of Murakami literature creation. Inoue symbolizes Murakami's lingering shadow of violent death in the heart of Haruki Murakami, causing Murakami to think deeply about Japan's national violence system. In this work, Haruki Murakami, through the description of the Battle of Nomenkan and the War of aggression against China, reveals the "violent" system of closed countries that evade responsibility and brutality in Japanese society from wartime until now. It criticizes the fact that the Japanese social system has not changed in essence. The ruthless disclosure of the cruel acts of the Japanese army in the War of aggression against China shows Murakami's conscience and strong sense of social responsibility as a Japanese writer. It also points out that Emperor Hirohito of Japan bears direct responsibility for the atrocities committed by the Japanese army in World War II and that Japan's post-war liquidation of responsibility for the war is not complete. Murakami thus outlined the line of inheritance of Japanese violence, indicating that violence is the key to opening Japan. Murakami's pursuit of war responsibility can be said to be in sharp contrast with some Japanese writers after the war. He awakened the Japanese through the record of Wonders to not only the victims of the atomic bomb, but also the heinous crimes of the Nanjing Massacre.
【学位授予单位】：哈尔滨理工大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074
本文编号：2442738
[Abstract]:Haruki Murakami has won many literary awards at home and abroad since he ascended the Japanese literary scene. In 2006 and 2007, he became a popular candidate for the Nobel Prize in Literature, and his international influence has far exceeded that of the Nobel Prize-winning Kawabata and Kenzaburo Oejiang, who won the Nobel Prize in Literature. It can be said that contemporary Japan has the most international influence of literature everyone. He won the 47th Yomiuri Prize for Literature, which is an important turning point in Murakami's literary career. Based on the analysis of the works, this paper studies the problems of war and violence in the works, the purpose of which is to provide reference for further study of Murakami literature. From many American writers who have influenced Haruki Murakami, there is no doubt that Fitzgerald has a far-reaching influence on Murakami literature. On the basis of in-depth analysis of the two representative works, this paper points out the use of metaphors. There are similarities between the two works in the aspects of character setting and so on. There is a great difference between Noumenon and metaphorical object in the use of metaphor. In the Norwegian Forest and the Nightiness of the Night, the straight son and the green son correspond to Nicole and Rosemary in the Nightiness of the Night, respectively. In the Norwegian Forest Watanabe fell in love with the mentally ill straight son and was attracted to the young and vibrant greens. In the tenderness of the Night, Dick falls in love with Nicole, who is mentally ill, and is attracted to the young and energetic Rosemary. From the beginning of this work, Murakami literature has been transformed from far from Japanese social noise to active struggle against violence in Japanese society, from evading social responsibility to taking on social responsibility. Obviously, this work is the turning point of Murakami literature creation. Inoue symbolizes Murakami's lingering shadow of violent death in the heart of Haruki Murakami, causing Murakami to think deeply about Japan's national violence system. In this work, Haruki Murakami, through the description of the Battle of Nomenkan and the War of aggression against China, reveals the "violent" system of closed countries that evade responsibility and brutality in Japanese society from wartime until now. It criticizes the fact that the Japanese social system has not changed in essence. The ruthless disclosure of the cruel acts of the Japanese army in the War of aggression against China shows Murakami's conscience and strong sense of social responsibility as a Japanese writer. It also points out that Emperor Hirohito of Japan bears direct responsibility for the atrocities committed by the Japanese army in World War II and that Japan's post-war liquidation of responsibility for the war is not complete. Murakami thus outlined the line of inheritance of Japanese violence, indicating that violence is the key to opening Japan. Murakami's pursuit of war responsibility can be said to be in sharp contrast with some Japanese writers after the war. He awakened the Japanese through the record of Wonders to not only the victims of the atomic bomb, but also the heinous crimes of the Nanjing Massacre.
【学位授予单位】：哈尔滨理工大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074
【参考文献】
相关博士学位论文 前1条
1 张昕宇;从“日本”的历史文脉中阅读村上春树[D];上海外国语大学;2007年
相关硕士学位论文 前1条
1 韩芳;“井”中探求世界本质[D];国际关系学院;2007年
本文编号：2442738
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