论哈金小说的“中国故事”

发布时间：2019-04-04 09:36

【摘要】：哈金作为一名美国华裔文学作家，，因其作品屡获大奖而渐渐引起研究者的关注。纵观其迄今为止的小说创作，可以发现其作品大多以“中国故事”作为题材。因其“中国故事”中涉及负面题材，很多批评者便以丑化中国形象、迎合西方主流来批评哈金的创作，认为哈金的创作存在着“东方主义”的倾向，从而否定哈金的创作。本论文以哈金的“中国故事”为研究对象，认为哈金是一个敢于直面民族灾难的作家，其中国题材的小说创作大体上真实地写出了中国特殊历史时期的“非常之事”。他的作品取材与视角都具有突破性，在取材方面，突破了某些禁区，如“朝鲜战争”、“六四风波”等；在视角上，具有严肃的反思意识。其创作不仅比较真实地反映了中国特殊时期的社会状况，而且通过对中国敏感时期的历史书写来刻画特殊时期小人物的生存困境与所遭受的精神禁锢，对个体命运的关注表现出深厚的人文情怀。同时，哈金还运用了复调、同构与拼贴等艺术手法，这些艺术手法的使用与文本表达的意义相得益彰。可以说，哈金的创作具有独特的艺术价值。因此，过度使用“东方主义”批评哈金的创作，并不符合哈金的创作实际。哈金的“中国故事”是一种反思的创作，这些作品真实地反映出中国特殊时期的历史故事，从而达到对中国社会现状与中国传统文化的反思与批判。因此，我们在评价哈金的作品时，需要以一种辩证的眼光去看待哈金的创作，“暴丑”并不等于“东方主义”，更要避免将“东方主义”作为衡量作品价值的唯一标准，否则会忽视哈金创作的重要而独特的价值。
[Abstract]:Harkin, as an American Chinese-American literary writer, has attracted more and more researchers' attention because his works have won many awards. Throughout his novels so far, we can find that most of his works are based on Chinese stories. Because of the negative theme involved in his China Story, many critics criticized Hagin's creation by objectifying the Chinese image and catering to the mainstream of the West, believing that there was a tendency of "Orientalism" in his creation, thus negating his creation. This thesis focuses on Hagin's China Story, and holds that he is a writer who dares to face the national disaster. His novels on Chinese themes have written "extraordinary things" in the special historical period of China in general. In the aspect of material acquisition, he broke through some forbidden areas, such as "Korean War", "June 4th Wave" and so on, and had a serious sense of reflection from the angle of view. His creation not only reflects the social situation of the special period in China, but also depicts the plight and spiritual imprisonment of the small potatoes in the special period through the historical writing of the sensitive period of China. The concern about the fate of individuals shows profound humanistic feelings. At the same time, Ha Jin also used polyphonic, isomorphism and collage and other artistic techniques, the use of these artistic techniques and the meaning of text expression complement each other. It can be said that Hagin's creation has a unique artistic value. Therefore, the excessive use of Orientalism to criticize Hagin's creation is not in line with the reality of Harkin's creation. Hagin's "China Story" is a kind of reflective creation. These works truly reflect the historical stories of the special period of China, so as to achieve the reflection and criticism of the present situation of Chinese society and Chinese traditional culture. Therefore, when we evaluate Harkin's works, we need to look at his works with a dialectical perspective. "ugliness" is not equal to "Orientalism," and we should avoid using "Orientalism" as the only criterion for measuring the value of works. Otherwise, it will ignore the important and unique value of Hagin's creation.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I712.074

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