概念合成理论对意象派诗歌中意象意义建构的阐释
发布时间：2019-04-10 17:57
【摘要】：作为诗歌的灵魂和生命,意象是感觉体验的言语表述。意象在诗歌,尤其是意象派诗歌中起着举足轻重的作用。意象派诗人在诗歌创作过程中着重强调了意象的重要性：他们常常会运用不同的意象来创作诗歌。所以,研究意象能够使我们更好地了解和赏析意象派诗歌。当前对于意象派诗歌的研究主要集中在诗学,美学和修辞学角度,然而很少有人提起意象派诗歌中意象的意义建构的问题。因此,本论文尝试从认知的角度对意象派诗歌中的意象的意义建构进行研究。换言之,使用概念合成理论来研究意象派诗歌中的意象的意义建构。 为了便于阐释意象的意义建构,作者根据意象派诗歌的特点和意象的分类,将意象分为单意象和复合意象(也称意象组合)。在此意象分类的基础上,本论文结合概念整合理论对不同类型的意象的意义建构进行解析。首先讨论了单意象,由于意象派诗歌常用隐喻串联意象,所以把单意象分为单隐喻固化意象和单隐喻非固化意象。研究发现固化隐喻意象是非固化隐喻意象的基础,而非固化隐喻更新颖,更能体现诗歌语言的特质。接着本论文又讨论了复合意象。根据陈植鄂提出的四种主要的意象组合方式：叠加式,并置式,辐射式和跳跃式来对意象派诗歌中的每一种意象组合进行研究,揭示了意象组合形成的诗学效果的不同过程。研究发现不同的意象组合表现了不同心理空间的映射和概念的网络合成,这进一步证实了概念合成理论可以更好的用来阐释意象派诗歌意象的意义建构。 Fauconnier的概念合成理论为意象派诗歌中意象的意义建构提供了动态的意义建构模型,并揭示了意义建构中的认知机制。合成理论中的四维空间理论,层创结构及复杂的整合过程能够充分解释意象意义生成的运演过程,尤其对于诗歌这种语言现象具有强大的阐释力。总而言之,本论文旨在以概念合成理论为基础分析意象派诗歌中意象的意义建构,从而展示出概念合成理论是普遍存在的认知机制并具有强大的解释力。本论文不仅为欣赏意象派诗歌提供新的视角,同时也帮助人们更加深刻地理解概念合成理论。
[Abstract]:As the soul and life of poetry, image is the verbal expression of sensory experience. Imagery plays an important role in poetry, especially in imagist poetry. Imagist poets emphasize the importance of images in the process of poetry creation: they often use different images to create poetry. Therefore, the study of imagery can make us better understand and appreciate imagist poetry. At present, the research on imagist poetry mainly focuses on poetics, aesthetics and rhetoric. However, few people talk about the meaning construction of imagery in imagist poetry. Therefore, this thesis attempts to study the meaning construction of imagery in Imagist poetry from the perspective of cognition. In other words, the theory of conceptual composition is used to study the meaning construction of imagery in imagist poetry. In order to explain the meaning construction of images, according to the characteristics of imagist poetry and the classification of images, the author divides images into single image and compound image (also called image combination). On the basis of the classification of images, this paper analyzes the meaning construction of different types of images based on the theory of conceptual integration. In this paper, we first discuss the single image, which is divided into the single metaphor solidified image and the single metaphorical non-solidified image because the metaphorical concatenation image is commonly used in the imagist poetry. It is found that solidified metaphorical images are not the basis of solidified metaphorical images, but not solidified metaphors are more novel and can more embody the characteristics of poetic language. Then this paper discusses the compound image. According to Chen Zhi-E's four main ways of image combination: superposition, parallel, radiation and jump, this paper studies each image combination in the imagist poetry, and reveals the different process of the formation of the poetic effect of the image combination. It is found that different image combinations represent the mapping of different mental spaces and the network composition of concepts, which further proves that the conceptual composition theory can be better used to explain the meaning construction of imagery in imagist poetry. Fauconnier's theory of conceptual composition provides a dynamic model of meaning construction in imagery poetry and reveals the cognitive mechanism of meaning construction. The four-dimensional space theory in synthesis theory, layered creation structure and complex integration process can fully explain the operation process of image meaning generation, especially for the linguistic phenomenon of poetry. In a word, this thesis aims to analyze the meaning construction of imagery in imagery poetry based on the theory of conceptual composition, so as to show that the theory of conceptual composition is a universal cognitive mechanism and has a strong explanatory power. This paper not only provides a new perspective for appreciating Imagist poetry, but also helps people to understand the conceptual composition theory more deeply.
【学位授予单位】：长春理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I106.2
本文编号：2456006
[Abstract]:As the soul and life of poetry, image is the verbal expression of sensory experience. Imagery plays an important role in poetry, especially in imagist poetry. Imagist poets emphasize the importance of images in the process of poetry creation: they often use different images to create poetry. Therefore, the study of imagery can make us better understand and appreciate imagist poetry. At present, the research on imagist poetry mainly focuses on poetics, aesthetics and rhetoric. However, few people talk about the meaning construction of imagery in imagist poetry. Therefore, this thesis attempts to study the meaning construction of imagery in Imagist poetry from the perspective of cognition. In other words, the theory of conceptual composition is used to study the meaning construction of imagery in imagist poetry. In order to explain the meaning construction of images, according to the characteristics of imagist poetry and the classification of images, the author divides images into single image and compound image (also called image combination). On the basis of the classification of images, this paper analyzes the meaning construction of different types of images based on the theory of conceptual integration. In this paper, we first discuss the single image, which is divided into the single metaphor solidified image and the single metaphorical non-solidified image because the metaphorical concatenation image is commonly used in the imagist poetry. It is found that solidified metaphorical images are not the basis of solidified metaphorical images, but not solidified metaphors are more novel and can more embody the characteristics of poetic language. Then this paper discusses the compound image. According to Chen Zhi-E's four main ways of image combination: superposition, parallel, radiation and jump, this paper studies each image combination in the imagist poetry, and reveals the different process of the formation of the poetic effect of the image combination. It is found that different image combinations represent the mapping of different mental spaces and the network composition of concepts, which further proves that the conceptual composition theory can be better used to explain the meaning construction of imagery in imagist poetry. Fauconnier's theory of conceptual composition provides a dynamic model of meaning construction in imagery poetry and reveals the cognitive mechanism of meaning construction. The four-dimensional space theory in synthesis theory, layered creation structure and complex integration process can fully explain the operation process of image meaning generation, especially for the linguistic phenomenon of poetry. In a word, this thesis aims to analyze the meaning construction of imagery in imagery poetry based on the theory of conceptual composition, so as to show that the theory of conceptual composition is a universal cognitive mechanism and has a strong explanatory power. This paper not only provides a new perspective for appreciating Imagist poetry, but also helps people to understand the conceptual composition theory more deeply.
【学位授予单位】：长春理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I106.2
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