东干华语诗人十四儿诗歌中的生态主题研究
发布时间：2019-04-13 15:41
【摘要】：东干华语诗人伊斯哈尔·十四儿·苏瓦佐维奇是东干第二代诗人的代表,被称为是东干诗坛上的一匹黑骏马。他的诗歌创作在前人的基础上,有着继承和发展,诗歌中渗透着浓郁的生态主题,生命哲学主题,以及空间化主题。。文章选取诗人诗歌创作中所表现出的生态主题一个方面,重点阐释诗人在诗歌中的对自然生态关注和对人的精神生态审视,研究论证其诗歌中表现出来的自然生态和精神生态。十四儿的诗歌穿凿关注人类的生态,对自然生态和社会生态都很关注,这其中既有对自然生态的热爱,也充满着诗人对生态破坏的忧患和人的精神生态的忧虑,这与十娃子等其他的东干诗人的诗歌显现出了很大的不同。与上一代诗人相比,十四儿诗歌是忧郁的,低吟的。东干第二代诗人十四儿和第一代诗人十娃子生活的时代和生活环境已经不可同日而语,个人的生存处境和对生活的感悟都已经发生了很大的变化,他们的创作风格也出现了很大的区别。在文章的第四部分,文章将十四儿与十娃子诗歌的两大诗歌意象做对比研究,前者是“月亮的低吟”,是“秋天的诗人”；后者是“太阳的高歌”,是“春天的歌手”。在对比研究中,探析诗人十四儿诗歌渗透生态主题的原因。这既与诗人生活大的时代背景相关联,又与诗人个人生活境况密切相关,体现了东干华语诗人十四儿诗歌创作中的个人艺术风格以及作为一个诗人应有的责任感。正是诗人诗歌的这些艺术特色,奠定了十四儿在东干诗歌发展史上不可或缺的历史地位。
[Abstract]:Donggan Chinese-speaking poet Ishal, the 14th son of Suhuazovich, is the representative of the second generation of Donggan poets, and is called a black horse on the Donggan poetry world. On the basis of his predecessors, his poetry has inherited and developed. There are rich ecological themes, life philosophy themes, and spatialization themes in his poems. This article selects an aspect of the ecological theme in the poet's poetry creation, emphatically explains the poet's attention to the natural ecology and the spiritual ecology of the human being in the poetry, and studies and proves the natural ecology and the spiritual ecology displayed in the poet's poetry. The sonnets of the fourteen pay close attention to the ecology of human beings, to the natural ecology and to the social ecology, which is not only the love of the natural ecology, but also the poet's worries about the suffering of ecological destruction and the spiritual ecology of the human being. This is quite different from the poems of other Donggan poets, such as Shihuazi. Compared with the poets of the previous generation, fourteen-year-old poems are melancholy and murmur. The age and living environment of the 14 children of the second generation of Eastern Gan poets and the first generation of ten-child poets have become different from each other, and great changes have taken place in the living situation of individuals and their perception of life. There is also a great difference in their creative style. In the fourth part of the article, the author makes a contrastive study on the two poetic images of the sonnets of fourteen children and ten children, the former being "the Moon's whisper", the "Autumn Poet", and the latter "the Song of the Sun" and "the Singer of Spring". In the contrastive study, this paper explores the reason why the poet's 14-year-old poetry permeates the ecological theme. This is not only related to the background of the poet's life, but also closely related to the poet's personal life situation. It embodies the personal artistic style of the 14-year-old poet in Donggan Chinese language and the responsibility he should have as a poet. It is these artistic characteristics of poets' poems that have laid an indispensable historical position in the history of Donggan's poetry development.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I364.072
本文编号：2457711
[Abstract]:Donggan Chinese-speaking poet Ishal, the 14th son of Suhuazovich, is the representative of the second generation of Donggan poets, and is called a black horse on the Donggan poetry world. On the basis of his predecessors, his poetry has inherited and developed. There are rich ecological themes, life philosophy themes, and spatialization themes in his poems. This article selects an aspect of the ecological theme in the poet's poetry creation, emphatically explains the poet's attention to the natural ecology and the spiritual ecology of the human being in the poetry, and studies and proves the natural ecology and the spiritual ecology displayed in the poet's poetry. The sonnets of the fourteen pay close attention to the ecology of human beings, to the natural ecology and to the social ecology, which is not only the love of the natural ecology, but also the poet's worries about the suffering of ecological destruction and the spiritual ecology of the human being. This is quite different from the poems of other Donggan poets, such as Shihuazi. Compared with the poets of the previous generation, fourteen-year-old poems are melancholy and murmur. The age and living environment of the 14 children of the second generation of Eastern Gan poets and the first generation of ten-child poets have become different from each other, and great changes have taken place in the living situation of individuals and their perception of life. There is also a great difference in their creative style. In the fourth part of the article, the author makes a contrastive study on the two poetic images of the sonnets of fourteen children and ten children, the former being "the Moon's whisper", the "Autumn Poet", and the latter "the Song of the Sun" and "the Singer of Spring". In the contrastive study, this paper explores the reason why the poet's 14-year-old poetry permeates the ecological theme. This is not only related to the background of the poet's life, but also closely related to the poet's personal life situation. It embodies the personal artistic style of the 14-year-old poet in Donggan Chinese language and the responsibility he should have as a poet. It is these artistic characteristics of poets' poems that have laid an indispensable historical position in the history of Donggan's poetry development.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I364.072
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