小说《去日留痕》的悲剧研究
发布时间：2019-05-09 08:48
【摘要】：悲剧，作为一个重要的文学体裁，在《去日留痕》（又译《长日将尽》）一书中得到了淋漓尽致的体现。该书涉及的题材相当广泛，，包涵了精英政治，世界史，忠诚，压抑的爱，尊严与伟大，失去与遗憾，东方智慧，文化冲突以及英国风物等诸多和悲剧相关的因素。一些评论家从后殖民主义理论的角度对该小说作品进行了评判，另外一些则对小说的作品风格进行了评论，还有一些评论重点分析了人物的个人悲剧。本文从亚里士多德和尼采的悲剧理论出发，不仅讨论了诸如盲目服从，追求虚幻等导致作品中主要人物的悲剧的因素，而且探讨了构成悲剧冲突的日神和酒神精神以及陡转与发现这些引起悲剧快感的元素。 本文第一章评述了学者和读者们从后殖民理论，文化冲突理论等角度对《去日留痕》进行的解读。第二章讨论了悲剧，这个始于亚里士多德的《诗学》，成熟于尼采的《悲剧的诞生》的批评理论和它在该小说中的体现。第三章详细探讨了石黑一雄在该小说创作中表现的酒神与日神的冲突与交融。这两种精神又分别以主人公史蒂文斯的前主人爵爷达灵顿和后来的新雇主法拉戴先生为代表。第四章阐述了悲剧理论中陡转与发现在该小说的具体表现。这两个情节也共同构成了该作品的高潮。史蒂文斯通过六天的旅行发现和还原了历史真实，决定鼓起勇气，乐观面对生活。 本文通过对史蒂文斯离开达灵顿府的旅行历程；他在旅途中经历的陡转与发现真相；以及他回忆往事时表现的精神冲突和他在小说结束处力图超越个人悲剧寻求生活意义的努力的描写，揭示了该小说的悲剧本质。
[Abstract]:Tragedies, as an important literary genre, are vividly and vividly reflected in the book left by the Sun. The book covers a wide range of topics, including elitist politics, world history, loyalty, repressed love, dignity and greatness, loss and regret, Oriental wisdom, cultural conflict and British style, and many other tragic factors. Some critics have judged the novel from the perspective of post-colonial theory, others have commented on the style of the novel, and others have focused on the personal tragedy of the characters. Starting from Aristotle and Nietzsche's theory of tragedy, this paper not only discusses the factors that lead to the tragedy of the main characters in the works, such as blind obedience, the pursuit of illusory, and so on. It also probes into the spirit of the god of the sun and the spirit of Dionysus, as well as the elements of the sudden turn and discovery of the tragic pleasures that constitute a tragic conflict. The first chapter of this paper reviews scholars and readers' interpretation of the last Japan Trail from the perspectives of post-colonial theory, cultural conflict theory and so on. The second chapter discusses tragedy, which begins with Aristotle's Poetics, Nietzsche's critical theory of the birth of tragedy and its embodiment in the novel. The third chapter discusses in detail the conflict and blending between Dionysus and Japanese God in the creation of this novel. These two spirits are represented by Sir Alex Darlington, the former master of Stevens, and Mr. Faraday, the new employer. The fourth chapter expounds the concrete expression of the sudden turn and discovery in this novel in the theory of tragedy. The two plots together constitute the climax of the work. Stevens discovered and restored historical truth through a six-day trip and decided to muster courage and be optimistic about life. In this paper, Stevens's journey from Darlington House, the steepness of his journey and the discovery of the truth; The tragic nature of the novel is revealed by his recollection of spiritual conflicts and his efforts to transcend individual tragedies and seek meaning of life at the end of the novel.
【学位授予单位】：西安外国语大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074
本文编号：2472634
[Abstract]:Tragedies, as an important literary genre, are vividly and vividly reflected in the book left by the Sun. The book covers a wide range of topics, including elitist politics, world history, loyalty, repressed love, dignity and greatness, loss and regret, Oriental wisdom, cultural conflict and British style, and many other tragic factors. Some critics have judged the novel from the perspective of post-colonial theory, others have commented on the style of the novel, and others have focused on the personal tragedy of the characters. Starting from Aristotle and Nietzsche's theory of tragedy, this paper not only discusses the factors that lead to the tragedy of the main characters in the works, such as blind obedience, the pursuit of illusory, and so on. It also probes into the spirit of the god of the sun and the spirit of Dionysus, as well as the elements of the sudden turn and discovery of the tragic pleasures that constitute a tragic conflict. The first chapter of this paper reviews scholars and readers' interpretation of the last Japan Trail from the perspectives of post-colonial theory, cultural conflict theory and so on. The second chapter discusses tragedy, which begins with Aristotle's Poetics, Nietzsche's critical theory of the birth of tragedy and its embodiment in the novel. The third chapter discusses in detail the conflict and blending between Dionysus and Japanese God in the creation of this novel. These two spirits are represented by Sir Alex Darlington, the former master of Stevens, and Mr. Faraday, the new employer. The fourth chapter expounds the concrete expression of the sudden turn and discovery in this novel in the theory of tragedy. The two plots together constitute the climax of the work. Stevens discovered and restored historical truth through a six-day trip and decided to muster courage and be optimistic about life. In this paper, Stevens's journey from Darlington House, the steepness of his journey and the discovery of the truth; The tragic nature of the novel is revealed by his recollection of spiritual conflicts and his efforts to transcend individual tragedies and seek meaning of life at the end of the novel.
【学位授予单位】：西安外国语大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074
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本文编号：2472634
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