论略萨小说中的“越界”现象

发布时间：2019-05-20 09:03

【摘要】：略萨的小说总体上呈现的是一幅落后、压抑,甚至是原始、暴力的后发展社会图像。在这种社会中,充满了各种权力的交错、对峙、挤压、控制、压迫等等,形成一种复杂的权力结构。略萨小说中的权力空间大致有四种类型:监狱、原始森林、沉闷城市、暴力家庭。在这种权力空间中,总有一种反抗力量试图突破权力结构的控制与压迫,冲出权力空间的界限,显示出强烈的"越界"企图。在小说中,"越界"行为是建构个人主体性的一种尝试,传达出略萨的后殖民诉求,也表达了略萨建立现代秘鲁社会的期望。但是由于略萨个人身份地位及思想文化的限制,他的小说往往关注于社会现实的琐碎表象,而忽略了对于现象背后的深刻思想文化根源的揭露和探讨,这削弱了小说对于社会现实的批判力度,也使得小说中的"越界"行为无法产生更大影响。
[Abstract]:On the whole, Losa's novel presents a backward, repressed, even primitive and violent post-development social image. In this kind of society, full of all kinds of power crisscross, confrontation, extrusion, control, oppression and so on, to form a complex power structure. There are four types of power space in Losa's novel: prison, primitive forest, dreary city and violent family. In this kind of power space, there is always a kind of resistance force trying to break through the control and oppression of power structure, break out of the boundary of power space, and show a strong attempt to "cross the line". In the novel, the behavior of "crossing the boundary" is an attempt to construct individual subjectivity, conveys Losa's post-colonial demand, and also expresses Losa's expectation of establishing modern Peruvian society. However, due to the limitations of Llosa's personal identity and ideology and culture, his novels often pay attention to the trivial appearance of social reality, but ignore the exposure and discussion of the profound ideological and cultural roots behind the phenomenon. This weakens the criticism of the social reality of the novel, and also makes the behavior of "crossing the boundary" in the novel unable to have a greater impact.
【作者单位】：《安徽大学学报》;
【分类号】：I551.074

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