巴列霍诗歌的共情性分析
发布时间：2019-05-28 06:58
【摘要】：塞萨尔·巴列霍,秘鲁先锋派诗人,20世纪西班牙语诗坛最具影响力的人物。他突破传统语言结构和思维逻辑,投身现实,反对纯粹的冥想,将先锋主义与土著主义相融合,用诗歌语言颠覆、重组古老的西班牙语,呈现出一种巴列霍式的“共情”,以及极富张力的拉丁美洲美学观念,对拉美乃至世界先锋主义诗歌都有深远的影响。 巴列霍诗歌的创作既不拘泥于某种抽象的意象,也不局限于某种前卫的技法,它的重心在于如何介入生活与生命本身。他的“共情”是一次回归社会与现实的实践,表现出对现代社会中人性痛苦的反思,对政治的敏感和对自由的渴求。他从不标榜前卫,却是一个彻底的先锋主义诗人。 但作为先锋诗歌的代表,巴列霍诗歌相对晦涩难懂,所以笔者试图以“共情性”为切口,以文本分析为研究方法,就其现存中文译本以及部分英文译本作为研究对象,从巴列霍诗歌“共情性”的特点、缘起、发展脉络以及具体呈现等方面,试理解巴列霍创作的情感基础和诗歌内涵。并试探究如何在文学现代化过程中,保有并凸显本地诗歌文化特色。
[Abstract]:Cesar Vallejo is a Peruvian avant-garde poet and the most influential figure in Spanish poetry in the 20 th century. He broke through the traditional language structure and thinking logic, threw himself into reality, opposed pure meditation, combined vanguard with indigenous doctrine, subverted with poetic language, reorganized the ancient Spanish, and presented a kind of "empathy" in the form of Paliho. And the tension of Latin American aesthetic concept, Latin America and even the world vanguard poetry have a profound impact. The creation of Vallejo's poetry is neither confined to an abstract image nor limited to some avantgarde technique, but focuses on how to intervene in life and life itself. His empathy is a practice of returning to society and reality, showing reflection on the pain of human nature in modern society, sensitivity to politics and desire for freedom. He never flaunted avantgarde, but he was a complete avantgarde poet. However, as the representative of avant-garde poetry, Vallejo's poetry is relatively obscure, so the author tries to take "empathy" as the incision, text analysis as the research method, and the existing Chinese translation as well as some English versions as the research object. From the aspects of the characteristics, origin, development and concrete presentation of Vallejo's poetry "empathy", this paper tries to understand the emotional basis and poetry connotation of Vallejo's creation. And try to explore how to maintain and highlight the cultural characteristics of local poetry in the process of literary modernization.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I778.072
[Abstract]:Cesar Vallejo is a Peruvian avant-garde poet and the most influential figure in Spanish poetry in the 20 th century. He broke through the traditional language structure and thinking logic, threw himself into reality, opposed pure meditation, combined vanguard with indigenous doctrine, subverted with poetic language, reorganized the ancient Spanish, and presented a kind of "empathy" in the form of Paliho. And the tension of Latin American aesthetic concept, Latin America and even the world vanguard poetry have a profound impact. The creation of Vallejo's poetry is neither confined to an abstract image nor limited to some avantgarde technique, but focuses on how to intervene in life and life itself. His empathy is a practice of returning to society and reality, showing reflection on the pain of human nature in modern society, sensitivity to politics and desire for freedom. He never flaunted avantgarde, but he was a complete avantgarde poet. However, as the representative of avant-garde poetry, Vallejo's poetry is relatively obscure, so the author tries to take "empathy" as the incision, text analysis as the research method, and the existing Chinese translation as well as some English versions as the research object. From the aspects of the characteristics, origin, development and concrete presentation of Vallejo's poetry "empathy", this paper tries to understand the emotional basis and poetry connotation of Vallejo's creation. And try to explore how to maintain and highlight the cultural characteristics of local poetry in the process of literary modernization.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I778.072
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