论《细雪》之美
发布时间：2019-05-29 10:43
【摘要】：谷崎润一郎是日本近代文学史上有名的唯美派作家，是日本近代文学史上的坐标性人物。他前期受西方唯美主义影响，曾狂热崇拜过西方，并将西方唯美主义者“唯美”和“颓废”的风格巧妙地移植到日本本土文学上，创作出极具特色的谷崎文学。但是在移居关西之后，他接触到日本传统文化，发现日本传统古典美，渐渐褪去官能享乐的色彩，在西方文明和日本本土文化的撞击和矛盾中思考和探寻着出口，在两种矛盾得以调和后，谷崎完成了巨著《细雪》。 《细雪》作为谷崎润一郎文学的最高杰作，充分表达了他的文学思想以及文学理念。全文以独特的视角构建了一个日本古典美与哀的世界。本文立足于文本，从国内外对《细雪》的先行研究入手，概括、总结其特点，并分析其不足。在本文的第一章，梳理了谷崎的生平和创作风格；在此基础上，，第二章主要从传统美和女性美两个方面细致地分析了《细雪》之美。第三章是本文的升华部分，通过第一章、第二章的铺垫，探讨了谷崎美学理念的雏形、发展、变化到形成的过程。
[Abstract]:Ichiro Tanizaki is a famous aesthetician writer in the history of modern Japanese literature and a coordinate figure in the history of modern Japanese literature. Under the influence of western aestheticism in the early stage, he once worshipped the West feverishly, and skillfully transferred the styles of "aestheticism" and "decadence" of western aestheticians to Japanese native literature, and created the very characteristic Kawasaki literature. However, after moving to Kansai, he came into contact with the traditional Japanese culture, found that the traditional classical beauty of Japan, gradually faded the color of official pleasure, and pondered and explored exports in the impact and contradiction between western civilization and Japanese local culture. After the two contradictions were reconciled, Tanizaki completed his masterpiece Snow. As the highest masterpiece of Tanizaki Runichiro's literature, Xiaoxue fully expresses his literary thought and literary idea. The full text constructs a world of Japanese classical beauty and sorrow from a unique perspective. Based on the text, this paper starts with the advance research of "Snow" at home and abroad, summarizes its characteristics, and analyzes its shortcomings. In the first chapter of this paper, the author combs the life and creative style of Tanizaki. On this basis, the second chapter analyzes the beauty of "Snow" in detail from two aspects: traditional beauty and female beauty. The third chapter is the sublimation part of this paper, through the first chapter, the second chapter foreshadowed, discussed the embryonic form, development, change to the formation process of Gusaki's aesthetic concept.
【学位授予单位】：黑龙江大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I313.074
[Abstract]:Ichiro Tanizaki is a famous aesthetician writer in the history of modern Japanese literature and a coordinate figure in the history of modern Japanese literature. Under the influence of western aestheticism in the early stage, he once worshipped the West feverishly, and skillfully transferred the styles of "aestheticism" and "decadence" of western aestheticians to Japanese native literature, and created the very characteristic Kawasaki literature. However, after moving to Kansai, he came into contact with the traditional Japanese culture, found that the traditional classical beauty of Japan, gradually faded the color of official pleasure, and pondered and explored exports in the impact and contradiction between western civilization and Japanese local culture. After the two contradictions were reconciled, Tanizaki completed his masterpiece Snow. As the highest masterpiece of Tanizaki Runichiro's literature, Xiaoxue fully expresses his literary thought and literary idea. The full text constructs a world of Japanese classical beauty and sorrow from a unique perspective. Based on the text, this paper starts with the advance research of "Snow" at home and abroad, summarizes its characteristics, and analyzes its shortcomings. In the first chapter of this paper, the author combs the life and creative style of Tanizaki. On this basis, the second chapter analyzes the beauty of "Snow" in detail from two aspects: traditional beauty and female beauty. The third chapter is the sublimation part of this paper, through the first chapter, the second chapter foreshadowed, discussed the embryonic form, development, change to the formation process of Gusaki's aesthetic concept.
【学位授予单位】：黑龙江大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I313.074
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