“单一神话”视角下的村上春树作品解读
发布时间：2019-06-27 14:09
【摘要】：村上春树登上文坛已逾三十载，获得了众多颇具份量的文学奖项。作品被翻译成三十多种语言，畅销世界各地，拥有庞大的读者群。值得一提的是，村上春树在我国的译介尤为成功。截至目前，我国已引进出版村上作品三十余部，包括他的长篇小说十二部，以及短篇小说集、散文随笔和游记等。中国的村上读者数量也仅次于日本，村上春树相关研究可谓是当下热点。 目前国内关于村上春树的研究论述主要集中在村上文学的后现代性、孤独情境、追寻主题；或着眼于他的西化色彩，对美国作家的借鉴模仿；或研究村上春树创作中隐含的东方本质等等。但尚未见有从原型批评角度入手，较全面地对村上春树多部主要作品进行对比研究的先例。美国比较神话学者约瑟夫坎贝尔基于荣格的原型理论提出了英雄冒险神话叙事模式——“单一神话”原型，认为全世界的英雄冒险神话故事具有相似的圆环结构，即分离→考验→归来。日本学者大XZ英志甚至断言村上春树的小说《寻羊冒险记》明显遵循单一神话的套路。他的研究给了拙论极大的启发，同时也存在很大修正和完善的空间。 拙论主要以村上春树的六部长篇小说代表作《寻羊冒险记》、《舞舞舞》、《世界尽头与冷酷仙境》、《奇鸟形状录》、《海边的卡夫卡》、《1Q84》为研究对象，发掘其中潜藏的单一神话原型，梳理单一神话原型的各个要素在村上小说中的表现形式及意义。解读作品的同时，分析村上春树“神话再造”的现实意义，最终揭示村上春树作品风靡世界的深层原因。本论由以下内容构成： 绪论，介绍研究背景，，阐明采用相关理论研究村上春树作品的合理性和可行性。 第一部分，介绍研究的相关理论，并借村上春树的短篇小说《UFO降落钏路》，勾勒出单一神话原型的基本构成。交待本论中涉及的六部主要长篇小说的情节梗概。 第二、三、四部分，按照单一神话原型的三大阶段，分别对英雄冒险神话各典型要素在村上春树小说中的出现情况进行分析。例如出发阶段母亲的退场、超自然的助力、跨越阈限、鲸鱼腹腔几大要素；考验阶段的与女神结合、与天父和解等要素；以及最后阶段的的跨越阈限归来。对这些要素在村上小说中的表现形式和意义进行解读。 最后为结束语。村上春树的小说获得世界范围读者的接受，究其深层原因，和作品中广泛存在的神话叙事原型有着千丝万缕的联系。另外，村上春树神话再造的新意在于他笔下的“现代英雄”冒险的终极意义并非在社会中获得怎样的地位，而是使自身灵魂变得独立、自主。而让更多人的灵魂获得自由，也正是身为作家的村上春树一直引以为己任的事情。
[Abstract]:Murakami has been in the literary world for more than 30 years and has won many important literary awards. The work is translated into more than 30 languages and sells well all over the world, with a large readership. It is worth mentioning that Haruki Murakami's translation and introduction in China is particularly successful. Up to now, more than 30 Murakami works have been introduced and published in our country, including 12 of his novels, as well as collections of short stories, essays and travel notes. The number of Murakami readers in China is also second only to Japan, and Murakami's research can be described as a hot spot. At present, the domestic research on Murakami mainly focuses on the postmodernism, lonely situation, pursuit theme of Murakami literature, or focusing on his westernization color, drawing lessons from and imitating American writers, or studying the oriental essence implied in Murakami's creation, and so on. However, there is no precedent for a comprehensive comparative study of many main works of Haruki Murakami from the perspective of archetypal criticism. Based on Jung's archetypal theory, Joseph Campbell, an American comparative mythologist, put forward the narrative model of heroic adventure myth-"single myth" archetypal, which holds that heroic adventure myths all over the world have a similar ring structure, that is, the return of separation and test. XZ Yingzhi, a Japanese scholar, even affirmed that Haruki Murakami's novel Adventure for Sheep obviously follows the routine of a single myth. His research has given great inspiration to the clumsy theory, at the same time, there is also a lot of room for revision and perfection. This paper mainly takes Murakami's six novels, "Hunt for Sheep Adventure", "Dance", "the end of the World and the Cold Wonderland", "Strange Bird shape record", "Kavka by the Sea", < 1Q84 > as the research objects, excavates the hidden single mythological archetypes, and combs the expression forms and significance of each element of the single mythological archetypes in Murakami's novels. While interpreting the works, this paper analyzes the practical significance of Murakami's "mythological reconstruction", and finally reveals the deep reasons why Murakami's works are popular in the world. This theory is composed of the following contents: introduction, introduce the research background, clarify the rationality and feasibility of using the relevant theory to study Murakami's works. The first part introduces the relevant theories of the study, and outlines the basic composition of a single mythological prototype by using Murakami's short story "UFO landed Kushiro". Explain the plot outline of the six main novels involved in this theory. The second, third and fourth parts, according to the three stages of a single mythological prototype, analyze the emergence of the typical elements of heroic adventure myth in Murakami Chunshu's novels. For example, the departure of the mother in the departure stage, the supernatural power, the crossing threshold, the whale abdominal cavity, the combination of the goddess and the heavenly father in the test stage, and the return of the crossing threshold in the final stage. This paper interprets the manifestation and significance of these elements in Murakami's novels. Finally, the conclusion is made. Murakami's novel has been accepted by readers all over the world, and its deep reasons are inextricably linked to the mythological narrative archetypes that widely exist in the works. In addition, the new idea of Murakami's mythology reconstruction lies in the fact that the ultimate significance of his adventure of "modern hero" is not what kind of position he obtains in society, but makes his soul independent and independent. And letting more people's souls be free is what Haruki Murakami, as a writer, has always taken for himself.
【学位授予单位】：中国海洋大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074
本文编号：2506858
[Abstract]:Murakami has been in the literary world for more than 30 years and has won many important literary awards. The work is translated into more than 30 languages and sells well all over the world, with a large readership. It is worth mentioning that Haruki Murakami's translation and introduction in China is particularly successful. Up to now, more than 30 Murakami works have been introduced and published in our country, including 12 of his novels, as well as collections of short stories, essays and travel notes. The number of Murakami readers in China is also second only to Japan, and Murakami's research can be described as a hot spot. At present, the domestic research on Murakami mainly focuses on the postmodernism, lonely situation, pursuit theme of Murakami literature, or focusing on his westernization color, drawing lessons from and imitating American writers, or studying the oriental essence implied in Murakami's creation, and so on. However, there is no precedent for a comprehensive comparative study of many main works of Haruki Murakami from the perspective of archetypal criticism. Based on Jung's archetypal theory, Joseph Campbell, an American comparative mythologist, put forward the narrative model of heroic adventure myth-"single myth" archetypal, which holds that heroic adventure myths all over the world have a similar ring structure, that is, the return of separation and test. XZ Yingzhi, a Japanese scholar, even affirmed that Haruki Murakami's novel Adventure for Sheep obviously follows the routine of a single myth. His research has given great inspiration to the clumsy theory, at the same time, there is also a lot of room for revision and perfection. This paper mainly takes Murakami's six novels, "Hunt for Sheep Adventure", "Dance", "the end of the World and the Cold Wonderland", "Strange Bird shape record", "Kavka by the Sea", < 1Q84 > as the research objects, excavates the hidden single mythological archetypes, and combs the expression forms and significance of each element of the single mythological archetypes in Murakami's novels. While interpreting the works, this paper analyzes the practical significance of Murakami's "mythological reconstruction", and finally reveals the deep reasons why Murakami's works are popular in the world. This theory is composed of the following contents: introduction, introduce the research background, clarify the rationality and feasibility of using the relevant theory to study Murakami's works. The first part introduces the relevant theories of the study, and outlines the basic composition of a single mythological prototype by using Murakami's short story "UFO landed Kushiro". Explain the plot outline of the six main novels involved in this theory. The second, third and fourth parts, according to the three stages of a single mythological prototype, analyze the emergence of the typical elements of heroic adventure myth in Murakami Chunshu's novels. For example, the departure of the mother in the departure stage, the supernatural power, the crossing threshold, the whale abdominal cavity, the combination of the goddess and the heavenly father in the test stage, and the return of the crossing threshold in the final stage. This paper interprets the manifestation and significance of these elements in Murakami's novels. Finally, the conclusion is made. Murakami's novel has been accepted by readers all over the world, and its deep reasons are inextricably linked to the mythological narrative archetypes that widely exist in the works. In addition, the new idea of Murakami's mythology reconstruction lies in the fact that the ultimate significance of his adventure of "modern hero" is not what kind of position he obtains in society, but makes his soul independent and independent. And letting more people's souls be free is what Haruki Murakami, as a writer, has always taken for himself.
【学位授予单位】：中国海洋大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074
【参考文献】
相关期刊论文 前2条
1 欧阳韵竹;孟维杰;;神话的原型生态意义新探[J];心理研究;2011年02期
2 于丽娜;;约瑟夫·坎贝尔英雄冒险神话模式浅论[J];世界宗教文化;2009年02期
本文编号：2506858
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