德彪西的歌剧《佩里亚斯与梅里桑德》第一幕音乐初探

发布时间：2018-01-07 20:32

本文关键词：德彪西的歌剧《佩里亚斯与梅里桑德》第一幕音乐初探　出处：《中央音乐学院》2011年硕士论文　论文类型：学位论文

【摘要】：德彪西的歌剧《佩利亚斯与梅里桑德》是一部五幕十二场的歌剧,文学脚本作者是比利时作家梅特林克。歌剧主要表现的主题是“禁恋”,围绕着三位主人公戈罗德、梅里桑德、佩利亚斯的之间的爱情、暗恋和嫉妒所导致出最后的悲剧。作为世纪之交的一部歌剧作品,德彪西无论是题材、结构、形式、旋律等方面上都做出了相应的尝试和突破。他力图摆脱任何一种旋律的结构模式,配器上上大量使用“比喻一暗示”的手法,使音乐更好承载出“氛围、行动、情感、环境”等等戏剧因素。这部剧作需要诗句韵文的距离,而德彪西以配置的音乐提供了某种类似的东西。“他的音乐建立了自身令人信服的想象力层面,从而替代了梅特林克朦胧不清的自然主义。在歌剧中诗意比喻不会显得过分夸张,因为比喻相对于音乐已降至第二位,而音乐保持着节制。”① 论文中对于歌剧《佩利亚斯与梅里桑德》的音乐分析主要集中在以下几个方面。首先分析和声与音高结构关系,确定整部歌剧的和声语汇以及作品风格,比较出戏剧音乐中人物、事物之间的内在区别。配器分析方面主要涉及音乐在表现戏剧情节、人物、环境、情感等方面上的乐队构成方式。再通过节奏、主要人物动机与旋律线条的分析,给各个人物之间的的角色区分、性格特征、情绪转换上做一个比对参考。利用对与音乐参数的分析,总结出音乐在戏剧当中的转译功能。最后以“歌剧作为戏剧的音乐②,如何为戏剧服务”做了一个简单的个人论述。
[Abstract]:Debussy's opera "Paley, and Sander meri > is a series of five acts and twelve scenes of the opera, literary script is the author of the Belgian writer Maeterlinck. The opera mainly is the theme of" forbidden love ", around three protagonists Gerald, Meili Sander, Paley, the love between love and jealousy, which at last the tragedy.
As the turn of the century opera Debussy both the theme, structure, form, melody and other aspects have made the appropriate to try and break. He tries to get rid of any structural pattern of a melody, on the orchestration amounts to "metaphor implied" approach, the better carrying out "music atmosphere, action environmental factors, emotion, and so on drama.
The play needs verse verse distance, Debussy to the configuration of the music provides some similar things. "His music has established its compelling imagination level, thus replacing Maeterlinck hazy naturalism. In opera poetic metaphor not too exaggerated, because metaphor with respect to music has dropped to second place. While the music keeps control."
The thesis for the analysis of the opera music, and the merry Sander Paley < > mainly focus on the following aspects.
First, analysis of the relationship between the sound and the pitch structure, determine the whole opera sound vocabulary and works style, compare the characters in drama and music, the inherent differences between things. Mainly involved in musical instruments analysis showed dramatic plot, character, environment, emotional and other aspects on the band structure mode. Through the analysis of the main characters of rhythm, motivation with the melody, to various characters between the characters, character, mood and make a comparison reference.
Based on the analysis of music and music parameters, the translation function of music in drama is summarized. Finally, a simple personal discussion is made about opera as a music of drama, and how to serve drama.

【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J617.2

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