张骏祥20世纪四十年代戏剧创作研究

发布时间：2018-01-10 16:16

本文关键词：张骏祥20世纪四十年代戏剧创作研究　出处：《贵州师范大学》2009年硕士论文　论文类型：学位论文

【摘要】： 20世纪四十年代,张骏祥可以说是抗战剧坛中一个不同凡响的独特存在。他的戏剧活动引起了各方的关注,戏剧作品更是引起来自不同方面的批评。鉴于这些批评中存在观点的混乱乃至于简单化的现象,一种比较全面、客观的研究,显得尤为必要。笔者认为,张骏祥作品所体现出来的艺术特质,与他的导演视角、戏剧审美取向以及社会现实流变有着较为密切的关系。因此,本文主要从以下几个方面来论述张骏祥的作品。导言部分,主要简单介绍一下张骏祥及其戏剧活动,以及研究的现状、研究的意义和范围。第一章,研究张骏祥戏剧导演风格并探讨其戏剧审美取向与艺术特征。张骏祥的导演风格是多样化的,他既重视导演技巧运用,又不拘泥于技巧,他对剧作极其尊重,追求风格化与民族化。同时,在他导演风格的影响下,张骏祥剧作的舞台性、剧场性的艺术特征表现得非常明显。第二章,主要通过对张骏祥前期几个作品艺术特点的考察,揭示张骏祥前期创作思想倾向、艺术趣味,以及欧美戏剧、电影对他创作的潜在影响。第三章,重点研究张骏祥后期的两个作品,一方面,探讨张骏祥后期走向悲感正剧叙事的原因及其意义;另一方面,探讨了其后期正剧人物的深刻哲理寓意, 结语部分,笔者认为,造成张骏祥作品多重审美特质的原因是多样的,张骏祥的戏剧活动意义也是深远的。张骏祥不仅为抗战时期大后方话剧舞台的发展起到了重要的开创性作用,而且他对整个中国现代话剧的职业化、民族化、本土化也起到了巨大的推动作用。通过对张骏祥戏剧创作的研究与梳理,也有助于我们更深入地理解张骏祥在建国后提出的许多电影理念与主张。
[Abstract]:In twentieth Century 40s, it can be said that Zhang Junxiang is a unique existence in the drama be not of the common sort of war. His drama activities attracted the attention of the parties, but also caused dramatic works from different aspects. In view of these views criticism criticism in the confusion and simple phenomenon, a more comprehensive and objective research, it is particularly necessary.
I believe that the artistic characteristics reflected in Zhang Junxiang's works are closely related to his director's perspective, the aesthetic orientation of drama and the transformation of social reality. Therefore, this article mainly discusses Zhang Junxiang's works from the following aspects.
In the introduction, it is a brief introduction to Zhang Junxiang and his dramatic activities, as well as the present situation of the study, the significance and scope of the study.
The first chapter, the study of Zhang Junxiang's drama directing style and explore the drama aesthetic orientation and artistic features. Zhang Junxiang's style is diverse, he not only pay attention to the skills of the director, not rigidly adhere to the skills, he is extremely respect for plays, the pursuit of style and nationality. At the same time, the influence of his directing style under the stage Zhang Junxiang's artistic features of the theatre, the performance was very obvious.
The second chapter, mainly through the inspection of the artistic characteristics of several works in the early days of Zhang Junxiang, reveals the potential influence of Zhang Junxiang's early creative thoughts, artistic interest and European and American dramas and films on his creation.
The third chapter two focuses on Zhang Junxiang's later works, on the one hand, the causes and significance of the late Zhang Junxiang to the sadness of the narrative drama; on the other hand, discusses its profound philosophical meaning later drama characters,
In the conclusion part, the author thinks that the cause of Zhang Junxiang's works of multiple aesthetic qualities is diverse, far-reaching significance is Zhang Junxiang's drama activities. Zhang Junxiang not only for the development of large rear area during the Anti Japanese war drama played an important pioneering role, and his occupation, on the whole Chinese modern drama nationalization, localization also to a great role. Through the research and combing the creation of Zhang Junxiang's drama, but also help us more in-depth understanding of many concepts and ideas proposed by Zhang Junxiang in the film after the founding of the PRC.

【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J809.2

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