中国戏曲现代戏的戏曲化问题——以评剧《杨三姐告状》对比之

发布时间：2018-01-10 17:34

本文关键词：中国戏曲现代戏的戏曲化问题——以评剧《杨三姐告状》对比之　出处：《戏剧文学》2017年02期 　论文类型：期刊论文

【摘要】：作为戏曲艺术,总要反映时代生活。表现清代生活的戏曲剧目,基本上是成功的。新中国成立后创作的现代戏,观众叫“话剧加唱”。“文化大革命”中创作的样板戏,尽管大家说三道四,但问题并没有解决。中国戏曲的特点不仅是唱,从剧本到舞台,到表演,都是有别于话剧的。评剧《杨三姐告状》所描写的生活和今天差别不大,是编导人员注意了戏曲化,所以像戏。我们有些现代戏不像戏的原因,是剧本、舞台、表演都没有戏曲化。
[Abstract]:As the art of opera, it is always necessary to reflect the life of the times. The opera repertoire, which represents the life of the Qing Dynasty, is basically successful. The modern drama created after the founding of New China. The audience called "drama plus singing." the model opera created in "the Cultural Revolution" did not solve the problem, although everyone said a few things, but the characteristics of Chinese opera were not only singing, from the script to the stage, to the performance. They are all different from the drama. The life described in the commentary on the third Sister Yang Tale is not much different from that described today. It is because the editors and directors pay attention to the drama, so it is like the drama. Some of our modern plays are not like the drama, they are the script, the stage. There is no drama in the performance.
【作者单位】：牡丹江师范学院文学院;
【正文快照】： 作为一种艺术形式,它总是要创新,要发展,要反映时代生活;因为只有这样才能实现它的艺术价值。京剧是在清代中期发展并完善起来的,它也创作了一定数量的反映清代生活的剧目,陶君起介绍说:“清代故事戏以《彭公案》《施公案》等公案、评书为主。短打戏较突出,黄天霸故事通过戏文

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