中西歌剧咏叹调创作与演唱探讨

发布时间：2018-01-11 18:28

本文关键词：中西歌剧咏叹调创作与演唱探讨　出处：《齐齐哈尔大学》2016年硕士论文　论文类型：学位论文

【摘要】：歌剧艺术是以“美声唱法”为中心要素的戏剧舞台表演艺术,“唱”和“演”是核心和灵魂。在歌剧艺术中,咏叹调是最为常用的体裁样式,富于歌唱性与抒情性。一般以独唱的形式出现,具有娴熟的技巧性和丰富的感染力。在剧情发展的高潮时展现特定情境下人物的思想变化和情感波澜,中西方著名歌剧作品的咏叹调都会给观众带来情绪宣泄和审美愉悦,从一定意义上讲,咏叹调是歌剧最为精彩的唱段,需要歌唱演员掌握高超的演唱技巧并具备声情并茂的表演能力。要达到一定的演唱水平必须掌握中西方咏叹调风格、创作、演唱、审美等各个要素的内涵和相互关系,探索中西“咏叹调”在抒发人物心灵感悟、刻画人物的心理世界、借助“物”抒情、叙述故事和描绘情景的审美差异。经过刻苦的学习磨练,不断提高艺术修养,才能获得余音绕梁、沁人心脾、感人肺腑的效果。论文分四个部分:第一章简要论述了中西歌剧的形成与发展,强调了中国歌剧的民族化探索及西方歌剧的辉煌发展历程;第二章与论述了中西方歌剧咏叹调的类型特征及创作演唱,重点解析了歌剧咏叹调内涵及其主要类型,比较分析中西歌剧咏叹调的创作与演唱的方法和技巧以及中西歌剧咏叹调的演唱及其歌者素养;第三章以《万里春色满家园》和《为艺术为爱情》为例对中西歌剧咏叹调经典作品演唱进行个案分析,探讨中西歌剧咏叹调的民族风格与艺术内蕴。第四章就中西歌剧咏叹调的民族风格与艺术特征,分析了中国歌剧咏叹调的民族风格以及西方歌剧咏叹调的精彩演绎。本文立足于中西歌剧咏叹调的发展历程、创作特色和演唱风格等方面,在已有的研究基础上,通过整理、分析、研究,使我们能够客观看待中西方歌剧文化艺术差异,进一步了解中国民族歌剧和西方歌剧两者的互补互动;尤其是在咏叹调表现上的不同特点,旨在加深中西方歌剧文化的交流,促进两种艺术形式的相互借鉴和发展。
[Abstract]:Opera art is a theatrical stage performance art with "Bel Canto" as the central element. "singing" and "acting" are the core and soul. In opera art, aria is the most commonly used genre. Rich in singing and lyricism. Generally in the form of solo, with skilled skills and rich appeal. In the climax of the plot development to show the characters in a specific situation of ideological changes and emotional waves. The arias of famous opera works in China and the West will bring emotional relief and aesthetic pleasure to the audience. To a certain extent, aria is the most wonderful choir of opera. To achieve a certain level of singing, must master the Chinese and Western arias style, creation, singing. Aesthetic and other elements of the connotation and mutual relations, explore the Chinese and Western "aria" in the expression of the soul of the characters, portray the psychological world of the characters, with the help of "things" lyric. Narration story and depicts the scene the esthetic difference. Through the assiduous study practice, enhances the artistic accomplishment unceasingly, can obtain the aftertone to detour the beam, refreshing. The thesis is divided into four parts: the first chapter briefly discusses the formation and development of Chinese and Western operas, emphasizes the exploration of the nationalization of Chinese opera and the brilliant development course of western opera; The second chapter discusses the characteristics of Chinese and Western opera arias and their creative singing, focusing on the analysis of opera aria connotation and its main types. This paper compares and analyzes the methods and techniques of creating and singing Chinese and Western opera aria as well as the singing of Chinese and western opera aria and the accomplishment of the singer. The third chapter analyzes the classical works of aria of Chinese and Western operas with the examples of "thousands of miles full of Spring and Home" and "Art for Love" as an example. This paper discusses the national style and artistic connotation of Chinese and Western opera aria. Chapter 4th deals with the national style and artistic characteristics of Chinese and Western opera aria. This paper analyzes the national style of Chinese opera aria and the wonderful interpretation of western opera aria. This article is based on the development of Chinese and Western opera aria, creative characteristics and singing style and so on. On the basis of existing research, through sorting out, analyzing and studying, we can objectively look at the cultural and artistic differences between Chinese and western opera, and further understand the complementary interaction between Chinese national opera and western opera. Especially in the different characteristics of arias, the purpose is to deepen the communication between Chinese and western opera culture, and to promote the mutual reference and development of the two artistic forms.
【学位授予单位】：齐齐哈尔大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J617.2

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