清初曲学的经史化取向——以毛先舒为例的研究

发布时间：2018-01-11 19:43

  本文关键词：清初曲学的经史化取向——以毛先舒为例的研究　出处：《戏剧艺术》2017年03期 　论文类型：期刊论文

  更多相关文章： 毛先舒 曲学 曲韵 诗学 史学

【摘要】：清初经学体系更新,走向复古返经、求真求实一途,并力求经世以致用。毛先舒以学者与文人双重身份涉足曲学,将曲学研究笼入正统学术研究视野,呈现出清初学术思潮影响下经史化的鲜明时代特征。作为音韵学家,他贯通曲韵与古音学研究,相互发明;作为经史学家,他的诗学理论含戏曲理论之于内,而其历史本位思想也深入影响了他对历史与戏曲关系的认知。
[Abstract]:In the early Qing Dynasty, the system of Confucian classics was renewed, and he went back to the ancient times, seeking truth and reality. Mao Xianshu, as a scholar and literati, set foot in the study of qu, and put the study of qu into the field of orthodox academic research. Under the influence of the academic trend of thought in the early Qing Dynasty, he presented the distinctive characteristics of the history of classics. As a phonologist, he intersected the study of classical rhyme and ancient phonology, and invented each other. As a historian, his theory of poetics contains the theory of opera, and his history-oriented thought deeply influences his cognition of the relationship between history and drama.
【作者单位】： 上海大学电影学院;
【分类号】：J809.2
【正文快照】： 清初学者总结明亡教训,痛理学之空疏与明儒之不学,主张复古以回归经学元典,和理学争夺经学阐释的话语权,因此,他们以考据为法,以复古为途径,考文训经,带动了经学、史学、音韵、训诂、名物诸学的全面发展,同时,他们也关注现实和注重实践,力求通经以致用,学风日益趋向求实与理性，

本文编号：1410969