海派京剧中连台本戏的发展与反思

发布时间：2018-01-14 04:14

本文关键词：海派京剧中连台本戏的发展与反思　出处：《上海师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：上海自开埠后,作为五口通商口岸之一的沿海城市,成为了中西方文明的汇合点。外国商品及西方经济模式的涌入,使得上海传统的农业经济模式逐渐瓦解,与此同时,商业化经济模式开始萌芽,上海进入历史发展的转折点,开启了近代化进程。西风东渐带来的不仅是经济及社会环境的改变,更有西方文化的强势融合,上海作为东南沿海重要的通商口岸,也汇聚了不同地域的形形色色的文化,在中西文明的碰撞中,传统文明与近代文化两者互相作用,由北方南传而来的京剧在上海形成了一种极具上海地域特色的新的京剧流派,那便是海派京剧。而就在京剧传入上海的同时,注重故事情节,强调完整性的连台本戏也随之传入上海。上海最早上演的连台本戏就是同治年间京剧艺人夏奎章从北方带来的的十本《五彩舆》,该剧一经在上海上演,立即受到了观众的热烈追捧。此后,连台本戏便逐渐地在上海发展起来,成为了海派京剧最具代表性的剧目之一。本文立足于当时的历史背景,从空间载体,商业经济、文化传播等方面分析海派京剧及其连台本戏的产生与发展,从连台本戏的舞台表演形式,近代社会背景下的新剧目及其所体现的美学特征等方面归纳其艺术特色。在这个已经更为开放的信息化新媒体时代,对“海派京剧中连台本戏”进行更深一步的研究具有深刻的现实指导意义。我们正处于一个更为融合与多元化的社会化境,面临着不同的社会矛盾,同时传统文化生存环境也遇到了更大的挑战,但是挑战也必然会带来机遇,所以这也更加需要我们重新客观的审视海派京剧中连台本戏的创新性与生命力,适应时代的发展要求与大众多元化的审美需求,平衡艺术与商业之间的关系,寻求多平台多渠道的输出传播,使这个本就是戏曲革新而生的文化产物在这个更为激变的时代得以延续与传承,就是我们应该担负的弘扬优秀传统文化的重任,而这也是本文的根本立意所在。
[Abstract]:Since the opening of Shanghai, as one of the five ports of trade, the coastal city has become the meeting point of Chinese and Western civilization. The influx of foreign commodities and western economic models has made the traditional agricultural economic model of Shanghai disintegrate gradually. At the same time, the commercial economic model began to sprout, Shanghai entered the turning point of historical development, opened the process of modernization. More powerful integration of Western culture, Shanghai as an important port of trade in the southeast coast, but also a collection of different regional cultures, in the collision of Chinese and Western civilizations. The traditional civilization and the modern culture interact each other, and the Peking Opera from the north to the south has formed a new school of Beijing opera with the characteristics of the Shanghai region. That is the Shanghai School of Beijing Opera. And at the same time as Beijing Opera was introduced to Shanghai, attention was paid to the storyline. Liantai Opera, which emphasizes integrity, was introduced into Shanghai. The earliest Liantai opera in Shanghai was the ten "Wucai Yu" by Beijing opera artist Xia Kui-zhang from the northern part of Tongzhi period, once the play was staged in Shanghai. Immediately by the audience enthusiastically sought after. Since then, Liantai Opera has gradually developed in Shanghai, becoming one of the most representative opera of the Shanghai School of Peking Opera. This article based on the historical background at that time, from the space carrier. Commercial economy, cultural transmission and other aspects of the analysis of the emergence and development of the Shanghai School Beijing Opera and Liantai Opera, from the Liantai opera stage performance form. Under the background of modern society, the new plays and their aesthetic features are summed up in this new information media era, which is more open. The further study of Liantai Opera in Beijing Opera of Shanghai School has a profound practical significance. We are in a more integrated and diversified social environment, facing different social contradictions. At the same time, the living environment of traditional culture has also encountered greater challenges, but the challenges will inevitably bring opportunities, so it is even more necessary for us to re-examine the innovation and vitality of Liantai Opera in Beijing Opera of Shanghai School. To meet the needs of the development of the times and the diverse aesthetic needs of the public, to balance the relationship between art and commerce, to seek multi-platform and multi-channel output dissemination. It is the important task to carry forward the excellent traditional culture and this is the fundamental idea of this article to make this cultural product which is the innovation of opera to continue and inherit in this era of more radical change.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J821

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