歌剧人物“田玉梅”的形象塑造及演唱分析

发布时间：2018-01-14 13:27

本文关键词：歌剧人物“田玉梅”的形象塑造及演唱分析　出处：《山东师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：歌剧《党的女儿》诞生于1991年，是由剧作家阎肃、贺东久编剧，王祖皆、张卓娅等作曲，田立为等舞美设计，苏陀、张海伦、汪俊导演的六幕大型民族歌剧。该剧根据我国六十年代长篇小说《党费》及同名电影剧本改编创作而成，由中国人民解放军总政治部歌剧团于1991年在北京首演并获得了巨大的成功，是建国六十年来中国当代歌剧领域具有里程碑意义的作品。歌剧《党的女儿》主要描述了我地下党组织革命者同国民党及叛徒之间英勇不屈、复杂激烈的斗争。该剧以田玉梅为主线，以区委书记马家辉叛变为导火索，成功塑造了一位为铲除叛徒掩护战友临危不惧、坚贞不屈、舍生取义、视死如归、可歌可泣的女共产党员的光辉形象。讴歌了以田玉梅为代表的革命英雄为反抗国民党血腥统治，实现人民解放事业的不朽的革命精神和崇高的思想品质。 2001年，在举国祝贺中国共产党80华诞之际，《党的女儿》经重排后在上海、北京等地公演。2009年，为隆重庆贺建国60周年、纪念建党88周年，总政歌剧团复排民族歌剧《党的女儿》，在国家大剧院连演并当选为国际歌剧节压轴剧目。2011年，作为庆祝中国共产党90岁华诞的文化艺术献礼作品，总政歌剧团联合北京市演出有限责任公司主办“中国人民解放军总政治部歌剧团首届·中国歌剧演出季”，推出歌剧《党的女儿》20周年纪念版，在上海、北京、山东等地巡回上演，获得良好反响。本文从歌剧《党的女儿》的戏和人物出发，在论文的结构安排上，分四章进行论述：第一章歌剧《党的女儿》概述，主要介绍歌剧《党的女儿》的词曲作者、剧情梗概以及具有民族化品格的创作风格；第二章“田玉梅”人物形象塑造，主要从戏剧形象、音乐形象两个方面来探究田玉梅人物形象的塑造；第三章“田玉梅”主要唱段的演唱处理，本章着重分析了四个唱段《血里火里又还魂》、《生死和党心相连》、《孩子啊，我的小心肝》和《万里春色满家园》，从音乐、演唱、情感和风格把握等方面对田玉梅进行了更为细致的探究；第四章歌剧《党的女儿》在中国民族歌剧发展道路上所处的位置，，主要从歌剧《党的女儿》对中国民族歌剧发展的贡献和影响及歌剧《党的女儿》的重要启示两个方面来反映该剧在中国民族歌剧发展道路上所处的地位，进一步阐明歌剧《党的女儿》饮誉大江南北的艺术魅力。文章最后的结语部分是对该论文全部内容的简短总结。
[Abstract]:Opera "the daughter of the Party" was born in 1991. It was composed by playwrights Yan Su, He Dongjiu, Wang Zujie, and Tian Liwei, as well as dance design by Su Tuo and Helen Zhang. Wang Jun's six-act large-scale national opera. The play is based on the Chinese novel "Party fee" in 60s and the screenplay of the film of the same name. The opera troupe of the General political Department of the Chinese people's Liberation Army premiered in Beijing on 1991 and achieved great success. Opera "the daughter of the Party" mainly describes the heroic and unyielding relationship between the revolutionaries of our underground Party organization and the Kuomintang and the traitor. The drama takes Tian Yumei as the main line and Ma Jiahui, the secretary of the district party committee, as the fuse, successfully shaping a soldier who can protect his comrades from danger for the eradication of traitors. Eulogizes the revolutionary hero represented by Tian Yumei as a revolt against the bloody rule of the Kuomintang and realizes the immortal revolutionary spirit and lofty ideological quality of the cause of people's liberation. On 2001, on the occasion of the 80th birthday of the Communist Party of China, the "daughter of the Party" was staged in Shanghai, Beijing and other places after a rearrangement. 2009 was a grand celebration of the 60th anniversary of the founding of the people's Republic of China. In commemoration of the 88th anniversary of the founding of the party, the general political opera troupe arranged the national opera "daughter of the party" again. It acted in the national grand theatre and was elected as the grand finale of the international opera festival. 2011. A cultural and artistic tribute to celebrate the 90th birthday of the Communist Party of China. The General political Opera Troupe, in conjunction with Beijing performance Co., Ltd, sponsored "the first Chinese Opera performance season of the General political Department of the Chinese people's Liberation Army" and launched the 20th Anniversary Edition of the Opera "daughter of the Party" in Shanghai. Beijing, Shandong and other places on tour, got a good response. Based on the drama and characters of the opera "daughter of the Party", this paper discusses the structure of the thesis in four chapters: The first chapter is an overview of the opera "daughter of the Party", mainly introduces the opera "daughter of the Party" of the songwriter, the plot outline and a national character of the creation style; The second chapter, "Tian Yumei" character image shaping, mainly from the drama image, music image two aspects to explore the portrayal of Tian Yumei character image; The third chapter "Tian Yumei" the main singing processing, this chapter focuses on the analysis of the four verses in the blood fire and return to the soul "," Life and death and the party heart linked "", "Children". My little heart > and "ten thousand li spring color full home", from the music, singing, emotion and style grasps to the Tian Yumei to carry on the more detailed inquiry; Chapter 4th Opera "daughter of the Party" in the development of Chinese national opera in the position of the road. It mainly reflects the position of opera in the development of Chinese national opera from two aspects: the contribution and influence of opera "daughter of the party" to the development of Chinese national opera and the important enlightenment of opera "daughter of the party". The last part of the article is a brief summary of the whole content of the article.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J822

【引证文献】