新古典主义文艺理论对法国17、18世纪戏剧与绘画的影响

发布时间：2018-01-15 14:15

本文关键词：新古典主义文艺理论对法国17、18世纪戏剧与绘画的影响　出处：《南京艺术学院》2009年硕士论文　论文类型：学位论文

【摘要】： 新古典主义是十七世纪法国主要的文艺思潮和艺术方法,对17、18世纪的欧洲产生了重要的影响。新古典主义文艺理论的产生不仅有哲学基础,还有政治因素。新古典主义往往带有强烈的伦理含义,试图将古代罗马的价值观融入到大众的生活之中。戏剧家高乃依、拉辛,画家大卫等人以其古典的宏大意味、简洁的形式和英雄性的主题等特点成为新古典主义的表达者。本文在对法国新古典主义的文艺理论进行系统归纳与梳理之后,着重分析文艺理论中最重要的理论支撑——理性主义和“三一律”。并用图史互证的方法,结合图像学等知识,从主题、题材、内容和创作方法等方面阐释新古典主义文艺理论对法国17、18世纪戏剧和绘画的影响。
[Abstract]:In 17th century, Neoclassicism was the main trend of thought and method of art in France, which had an important influence on Europe in the 18th century. The emergence of Neo-classicism theory of literature and art not only has a philosophical foundation. There are also political factors. Neo-classicism often has strong ethical implications, trying to integrate the values of ancient Rome into the life of the masses. The painter David et al., in his classical grand sense. The concise form and heroic theme have become the expression of neo-classicism. This paper summarizes and combs the literary and artistic theories of Neo-classicism in France systematically. This paper focuses on the analysis of the most important theoretical support of literary theory-rationalism and "three uniformity". With the method of cross-attestation of graph and history, combining with the knowledge of graphology and so on, the theme and subject matter are analyzed. It explains the influence of neoclassical literary theory on French 17 th century drama and painting in terms of content and creative method.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J209.565;J809.565

【引证文献】