歌剧《图兰朵》和晋剧《打金枝》的比较研究

发布时间：2018-01-15 13:38

本文关键词：歌剧《图兰朵》和晋剧《打金枝》的比较研究　出处：《山西大学》2010年硕士论文　论文类型：学位论文

【摘要】： 外国歌剧经历了近四百年的发展历史,不但未衰落,反而历久弥新,成为一种全球性现象,为不同肤色和不同文化背景的人民所喜闻乐见。歌剧是一种独特华美的艺术形式,与其他艺术门类截然不同,把许多不同性质的成分,如：独唱、重唱、合唱、灯光、设计、乐队、动作和舞蹈,予以综合来获得生命力。作为一门综合的艺术形式,它主要有三种表现途径：台词、音乐、视觉画面。歌剧经典作品《图兰朵》是意大利作曲家普契尼最后一部歌剧作品,是唯一以印象派技法写作的意大利歌剧,该剧讲述的是发生在中国元朝时的一个传奇故事。普契尼在剧中选用了中国民谣“茉莉花”的曲调,赋予该剧浓郁的东方韵味,但又不失意大利歌剧的传统风格,因而取得了极佳的艺术效果,成为歌剧舞台上常演不衰的经典剧目。晋剧,也称“山西梆子”或“中路梆子”,是山西省主要剧种之一,流行于山西、内蒙的大部分地区和河北、陕西、甘肃等省的部分地区。同其他地方戏曲一样,是综合歌、舞、剧等艺术形式而成的。其音乐属板腔体,主要唱腔为“乱弹”,基本板式有：四股眼、夹板、二性、流水、介板、滚白、导板；曲牌又分“丝弦牌子”“苦相思”“唢呐牌子”三种,总数约有三百余首之多。《打金枝》是晋剧经典作品,是我省各个晋剧演出团体常演不衰的保留戏、看家戏,经过几代晋剧表演艺术家的磨砺与完善,角色的一唱一做、一招一式皆精致细腻,令人叫绝。本论文将这两部中外经典剧目进行了比较研究,是基于它们皆属于“宫廷戏”,女主角都是骄横但又美丽的中国公主,在剧中经历了一系列的戏剧性的冲突碰撞。论文依据两个版本作品的演绎：一个是列文指挥,多明戈主演的《图兰朵》,另一个是山西省晋剧院排演,王爱爱主演的《打金枝》。本论文在对两部经典剧作在剧本创作、经典唱段、表演特点等方面分别行文介绍之后,主要就两部剧目的剧本创作、音乐创作、表演形式等方面进行比较研究,并着重就音乐创作的特点做进一步的比较：目前拟从两剧的唱段设计、合唱与对唱唱段、前奏间奏的创作、场景伴奏音乐等角度研讨。目前,国内对于中外剧目的比较研究,有关于脚本、音乐创作特点等方面的研究,但是对于具体的歌剧与晋剧剧目的比较研究较少。本论文,期望通过一系列的比较研究,学习借鉴外国歌剧的优秀创作及演剧经验,比如西方交响乐的音乐创作技术,人物的音乐形象设计,不同色彩的配器手法等,在传统创作的基础上引进新的作曲技法,提高晋剧音乐的创作成分,从音乐创新的角度加快整个剧种的创新进程。
[Abstract]:Foreign opera has experienced nearly 400 years of development history, not only has not declined, but has become a global phenomenon. Opera is a unique and beautiful form of art, distinct from other art categories, bringing many different ingredients, such as solos, recitals, and choral songs. Lighting, design, band, movement and dance are integrated to gain vitality. As a comprehensive art form, it has three main ways of expression: lines, music. Visual Picture. The classic opera, Turandot, is the last opera by Italian composer Puccini and the only Italian opera written in Impressionist techniques. Puccini chooses the tune of the Chinese folk song "Jasmine" to give it a strong oriental charm. But without losing the traditional style of Italian opera, it has achieved excellent artistic effect, and has become a classic opera often performed on the opera stage. Jin Opera, also known as "Shanxi Bangzi" or "Zhonglu Bangzi", is one of the main kinds of plays in Shanxi Province, popular in most areas of Shanxi, Inner Mongolia and Hebei, Shaanxi. Gansu and other parts of the province. Like other local operas, is a comprehensive song, dance, opera and other forms of art. Its music belongs to the board cavity, the main singing for "random play", the basic pattern has: four eyes, splint. Two sex, income, medium plate, roll white, guide plate; Qu card is divided into "silk string brand", "bitter acacia", "suona brand", a total of about 300 more. Family drama, after several generations of Jin opera performance artists honed and perfect, the role of a singing and doing, a delicate and exquisite, amazing. This thesis makes a comparative study of the two classical Chinese and foreign operas, based on the fact that they are both "court plays", and the heroines are both arrogant and beautiful Chinese princesses. In the play experienced a series of dramatic conflicts and collisions. The thesis is based on the interpretation of two versions of the work: one is the conductor of Levin, Domingo starring in "Turandot", and the other is the Shanxi Jin Opera Yuan rehearsal. After introducing the two classic plays in the aspects of script creation, classical choreography, performance characteristics and so on, this paper mainly introduces the script creation and music creation of the two plays. Performance form and other aspects of comparative research, and focus on the characteristics of music creation to make a further comparison: at present, from the choir design of the two plays, choir and duality, between the creation of the prelude. Study on scene accompaniment music and other angles. At present, the domestic comparative study of Chinese and foreign plays, there are about script, music creation characteristics and other aspects of research, but for the specific opera and Jin opera repertoire comparative research is less. This paper. Through a series of comparative studies, I hope to learn from foreign opera excellent creation and performance experience, such as Western symphony music creation technology, characters' music image design, different color orchestration techniques, and so on. On the basis of traditional creation, this paper introduces new composing techniques, improves the composition of Jin opera music, and speeds up the innovation process of the whole drama from the angle of music innovation.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J805

【引证文献】