主旋律戏剧的多样化表达——评剧《母亲》观后

发布时间：2018-01-16 06:42

本文关键词：主旋律戏剧的多样化表达——评剧《母亲》观后　出处：《戏剧文学》2017年01期 　论文类型：期刊论文

【摘要】：正在第11届中国艺术节上,中国评剧院的评剧《母亲》作为一部典型的主旋律戏剧,获得了观众和评委的一致好评。它改变了观众对于主旋律戏剧刻板、说教的印象,通过多样化的艺术表达征服了观众,也征服了评委,成为获得文华大奖的三个地方戏之一。评剧《母亲》的创作团队尝试了主旋律戏剧的多样化表达,不论编剧、导演、演员、舞美都打破习惯思维的禁锢,从一个全新的角度阐释了一个全民族抗战的故事。一、视角的改变:从宏大叙事转变到个人情感叙事
[Abstract]:At the 11th China Art Festival, the Chinese Drama Academy's play "Mother", as a typical theme drama, has won praise from both the audience and the judges. It has changed the audience's stereotype of the main melody drama. The impression of preaching has conquered the audience and the judges through a variety of artistic expressions. To become one of the three local plays that won the Wenhua Prize. The creative team of the play "Mother" tried to diversify the expression of the main melody drama, whether the screenwriter, the director, the actor, the dance beauty all broke the imprison of the habit thought. From a new perspective to explain a national war of resistance story. First, the change of perspective: from the grand narrative to the personal emotional narrative
【作者单位】：内蒙古艺术学院;
【正文快照】： 在第11届中国艺术节上,中国评剧院的评剧《母亲》作为一部典型的主旋律戏剧,获得了观众和评委的一致好评。它改变了观众对于主旋律戏剧刻板、说教的印象,通过多样化的艺术表达征服了观众,也征服了评委,成为获得文华大奖的三个地方戏之一。评剧《母亲》的创作团队尝试了主旋律

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