余笑予与鄂派京剧

发布时间：2018-01-18 04:26

本文关键词：余笑予与鄂派京剧　出处：《戏曲艺术》2014年01期 　论文类型：期刊论文

【摘要】：从20世纪70年代末开始,随着以余笑予为核心人物的湖北京剧剧目创作团队的中部崛起,湖北京剧也从武汉码头升华为掷地有声的鄂派京剧,从而在全国京剧界拥有不可忽视、举足轻重的地位。从余笑予及其鄂派京剧团队开始,以天才的丑行演员朱世慧担纲主演,中国京剧史上开始破天荒地出现了一批丑行大戏,形成了鄂派京剧丑行为先乃至丑行为主的新鲜局面。《徐九经升官记》、《药王庙传奇》、《膏药章》、《法门众生相》等丑行剧目,形成了京剧剧目中绝无仅有的丑行大戏的完整序列,深刻地反映出官场的腐朽、社会的乱象、历史的遗憾乃至底层人物们的悲哀,以及在生活磨难中不失其善良本性、融融爱意和责任担当的人格精神。巨大历史车轮的滚滚转动,居然也可以通过小小丑角们的一个视角,加以惟妙惟肖的深入观察和生动而深刻的舞台体现,这就是鄂派京剧的深刻社会意义之所在,也同时将丑角行当以丑见美、以喜见悲,美丑相形、悲欢互见的美学特色呈现到极致。
[Abstract]:Since the end of 1970s, with the rise of the central part of Hubei opera repertoire with Yu Xiaoyu as the core character, Hubei Beijing Opera has also been sublimated from Wuhan Pier to the resounding Hubei opera. From Yu Xiaoyu and his Hubei opera team, with talented clown Zhu Shihui as the star. In the history of Chinese Peking Opera, a number of ugly operas began to appear for the first time, forming a fresh situation in which the ugly acts of the Hubei faction were the first and even the most ugly. "Xu Jiujing's Promotion to the official", "the Legend of the Temple of the King of Medicine", and "plaster Medal". The ugly repertoire, such as "Famen and all living forms," has formed a complete sequence of ugly operas that are unique in the repertoire of Peking Opera, profoundly reflecting the decadence of the official field, the chaos of society, the regret of history and even the sorrow of the people at the bottom. And in the tribulation of life without losing its kind nature, the love and responsibility of the spirit of the personality. Huge wheel of history rolling, but also through a small clown's perspective. This is where the profound social significance of the Hubei school of Beijing opera lies, and at the same time, the clown business should see beauty with ugliness, see sadness with joy, beauty and ugliness with appearance. The aesthetic features of seeing each other of joys and sorrows are presented to the extreme.
【作者单位】：中国戏曲学院戏文系;
【分类号】：J821
【正文快照】： 在中国京剧的文化地理版图上,京、津、沪汉“四大码头”已经成为人们公认的京剧地望。“码头”的含义,不仅在于其有着长期以来京剧展示、演出与传播的观演环境,更在于有着创造剧目、展示流派、体现地域文化的剧目生产与演出的优秀团队。于是,人们通常将北京的京剧团队称之为

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